"Brooklyn’s Finest" Is Just Okay
- Details
- Parent Category: Film and the Arts
- Category: Reviews
- Published on Wednesday, 03 March 2010 22:58
- Written by Lloyd Carroll
Brooklyn’s Finest
directed by Antoine Fuqua
starring Don Cheadle, Wesley Snipes, Richard Gere, Will Patton, Ellen Barkin and Ethan Hawke
The New York City cop drama was once a staple in both television (Naked City, NYPD Blue, and the sadly underwatched Life On Mars) and on film (Internal Affairs, Serpico, The French Connection and Fort Apache). In recent years there has not been that much in the genre probably because the cost of filming in New York is not cheap, particularly in light of the recent repeal of certain New York State tax credits, and because audiences are too sophisticated to have film studios try to pass off Toronto or Vancouver for the Big Apple.
Brooklyn’s Finest is a decent attempt to revive the gritty urban crime drama and features a highly respected cast. Shot in an economical 41 days, most of the action in Brooklyn’s Finest takes place in Brownsville. Astute observers will recognize Brighton Beach’s Oceania Theater while an uncredited Rego Park is the exterior for the small house where officer Sal Procida (Hawke) and his large family live.
Pittsburgh native Fuqua, who directed 2001's Training Day, clearly knows his way around New York. He wisely keeps scenes from dragging but for some reason refuses to allow levity in any of them. A few laughs would not have added, rather than detracted, from this police drama.
The film follows the complicated lives of three officers, the about-to-retire Eddie Dugan (Gere); Clarence “Tango” Butler (Cheadle) who has been an undercover cop so long that he is actually friends with a drug kingpin named Caz (Snipes) who he met in prison when he was establishing his false identity; and finally, the aforementioned Sal Procida, a narcotics officer who feels that he has to become dirty in order to be able to give his ever-growing family a better life.
There is almost no interaction between the three policemen lead characters as their stories are told in separate arcs. The easiest to follow is Sal, who for all of his gruffness and willingness to break the law, is a determined family man who is overwhelmed by his wife’s chronic health problems and his guilt over not giving his kids a better life. It is impossible not to root for him even as he is bending and overtly breaking the law.
Tango is a bit more complex. He is a guy who knows right from wrong despite hobnobbing with drug dealers and pimps but is only motivated by moving up in the law enforcement ranks. His goal is to be a lieutenant and wear a suit to work a la his NYPD mentor, Bill (Patton).
As expected, the hardest character to figure out is Gere’s Dugan. We met Eddie as he wakes up alone in his dingy apartment with a bottle of booze next to his bed. He also seems a bit too fond of Russian Roulette. Despite these unmistakable signs of depression, Eddie exhibits an almost Zen-like calm during his shift. Avoiding drama and needlessly sticking one’s neck out have been his modus operandi for putting in his time to get his pension. Eddie is a loner whose female companionship consists of a prostitute that he fantasizes will leave “the life” and live with him in his Connecticut cottage when he retires.
The acting by nearly everyone is superb with the exception of Barkin who plays a tough-talking higher up in the NYPD who is more concerned with the department’s public relations than with justice. It is sad to watch this once respected actress chew up scenery in a rather obnoxious and hard-to-watch manner.
The entire film is shot in depressing earth tones and the ending is anything but uplifting. There is also an anachronistic feel to Brooklyn’s Finest. The level of drug-related violent crime in housing projects is more fitting with 1991's New Jack City than with 2010 New York City. Not a bad movie by any means but if you really want to see Brooklyn’s Finest then wait for the DVD or even when it's on cable.