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Soldini's Come Undone lets Rohrwacher and Favino raise our temperatures...

Because my first experience with truly sensual film came via Italy (La Dolce Vita, Rocco and His Brothers, L'Avventura), I find it odd that when Italian filmmakers these days place sexuality front and center, the results prove somehow less than fulfilling. Last year's The Man Who Loves (shown at the FSLC's Open Roads) was one example, and now we have Come Undone (Cosa voglio di più), the new movie from one of Italy's more popular (and currently exportable) filmmakers, Silvio Soldini, who earlier gave us Bread and TulipsAgata and the Storm and Days and Clouds.

What is the reason for this?  Does sexuality/sensuality, when shown as a part -- even a very large part -- of an entire life work better than when it becomes nearly the only subject at hand? Perhaps. (TM wasn't all that fond of the initially-hot but finally-tiresome 9-1/2 Weeks, either. In any case, Signore Soldini has made a much better film than did Adrian Lyne.

First of all, he captures quite well the easy-going, childless marriage of Anna and Alessio -- Alba Rohrwacher and Giussepe Battiston -- and the not-going-so-well marriage of Domenico and Miriam (Pierfrancesco Favino and Teresa Saponangelo). Money problems plague the latter, though it is the former's Anna who take the first step in initiating the affair with Domenico. As co-writer and director, Soldini's details are often on the mark -- particularly those of the tell-tale swimming attire that figures into things, and how aware one's co-workers can be when something's amiss.

Once the affair heats up, however, it can only go forward or end, and so midway the movie begins to vamp a bit to kill time. (Running two hours, as it does, there's a little too much time to effectively kill.) Back and forth we go: She's out, and then back in; he's out and then back in. For younger viewers who have not endured this sort of thing countless times already, there may indeed be some surprise and a bigger payoff. Others of us will have to content ourselves with the very good performances of actors who are always a pleasure to view.

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