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Production photos are by Matthew MurphyAfter a problem-plagued delay, Lin-Manuel Miranda’s Pulitzer Prize and Tony-winning phenomenon Hamilton, opens December 21 on London’s West End at the historic Victoria Palace Theatre (Victoria Street, London SW1E 5EA) in Westminster in the shadow of the newly-renovated Victoria Station. Lead producer is Broadway’s Tony-winning Jeffrey Seller, with original director Thomas Kail helming. The musical has been in previews since December 6, a slight rescheduling because of ongoing exterior construction. Performances have been met with pandemonium response from audiences. The musical is shaping up to be a bloody triumph, no doubt with a Royal Command Performance in its future.The excitement of a London Hamilton has been building since the opening on Broadway in August, 2015. The box office is booking through June 2018. When you might expect the new block of tickets to be a bit more expensive. Starring in the acclaimed musical is Jamael Westman as Hamilton [with Ash Hunter in the role at certain performances]. Co-starring are Allado (Peggy Schuyler/Maria Reynolds), Rachelle Ann Go (Eliza Hamilton), Tarinn Callender (Hercules Mulligan/James Madison), Michael Jibson (King George), Rachel John (Angelica Schuyler), Jason Pennycooke (Marquis de Lafayette/Thomas Jefferson), Cleve September (John Laurens/Philip Hamilton), Giles Terera (Aaron Burr), and Obioma Ugoala (George Washington). Featured is an ensemble of 19.Andy Blankenbuehler returns to choreograph. Musical supervision and orchestrations are by Alex Lacamoire. The musical is based on Alexander Hamilton by history biographer Ron Chernow.
Previews were delayed two weeks, 16 performances, because of construction delays – including roof reconstruction, concerns over an ancient underground tunnel the theatre is built over, and city licenses and ordiances.
Some 16,000 ticket holders were affected. Seller and Sir Cameron issued apologies for the inconvenience, which did little to assuage anger and disappointment and, in some cases, money down the drain for those with discounted preview tickets, and the lot flying in to be at the first performance and the announced opening. Not to mention, some who paid £2,800 [over $3,700] or more on the ticket resale market in spite of some safeguards the producers and Tickemaster put into place.“We are extremely sorry to disappoint patrons who we know expended time, effort and valuable resources to purchase tickets for our first performances,” said Seller. “But they will be given priority so that they can be reseated as early as possible.” Regarding compensation for out-of-pocket travel and hotel costs, a spokesman for Delfont Mackintosh promised that “patrons would be contacted by Ticketmaster to discuss specific circumstances.”Miranda also expressed regrets, “I share the frustration of everyone who has to get re-seated. This was an unprecedented renovation of the Victoria Palace. I’m anxious to see it and get to know the British cast.” On a lighter note, he told the Telegraph, “I’m anxious to see how the comedic portrayal of King George III [the monarch who lost the American colonies] is received – especially since the theatre is in close by Buckingham Palace. He’s a favorite with every actor, every rapper. There’s something about the character that has him become an audience surrogate.” He added he didn’t think the fact that detailing another country’s history would be an impediment to enjoying the musical.
Lest anyone doesn’t know, Miranda’s musical with its score of hip-hop, jazz, blues, rap, R&B, and traditional theatre, tells of America’s “Founding Father,” born out of wedlock in Nevis, in the West Indies. After the death of his mother and being abandoned by his father, he was sponsored to travel her for his education at King’s College [Columbia University]. When his study was interrupted by the British occupation, he joined a militia and was soon promoted captain. He came to the attention of Revolutionary War commander George Washington, to whom he became senior aide. After the War, he shaped many of the foundations of the United States – including our Constitution and Treasury. He was often at odds with Jefferson and Burr. Ultimately, that latter conflict led to a duel in which Hamilton was mortally wounded.
Hamilton captured 11 Tony Awards, including Best Musical, the 2016 Pulitzer Prize for Drama, and the 2016 Grammy Award for Best Musical Theater Album.
The musical is still running strong at Broadway’s Richard Rogers, as well as in Chicago, and on tour.The last show to play the Victoria Palace was Lee Hall and Elton John’s Billy Elliot (2005), which ran 11 years. The venue, part of Delfont Mackintosh Theatres, has a capacity of 1,500. Last month, it turned 106. It was designed by renowned theatre architect Frank Matcham. Sir Cameron undertook an estimated £40-50-million [$50-60-million] top-to-bottom renovation and reconstruction. “I wanted it to be glamorous and contemporary,” he told media, “to be compatible with 21st-century production needs.”The overhaul includes the restoration of the ornate marble lobby, murals, ornate plaster molding, boxes [with additional boxes, with private facilities], and the opulent Tudor Room; the “Lynne Promenade” [honoring famed Brit prima ballerina and Olivier and Tony-winning choreographer, and director Dame Gillian Lynne (Cats, Phantom of the Opera, The Roar of Greasepaint…; the 2014 U.K. premiere of Jerry Herman’s Dear World]. There’s plush news seating, a state-of-the-art sound system, and numerous additional loos [restrooms]. Backstage hasn’t been overlooked. There’s an artist’s green room for receptions and new dressing rooms with showers.The producers [which include Sander Jacobs, Jill Furman, the Public Theater and Sir Cameron] and Delfont Mackintosh are working to combat unauthorised profiteering of third party resellers and agencies. They have “pioneered” a paperless ticket system, powered by Ticketmaster. It appears to have had little effect.
Official box office prices are £37.50, £57.50 and £89.50, with premium seating at £137.50 and £200. Performances are Monday – Saturday at 7:30 P.M. and Thursday and Saturday at 2:30 P.M.
For more information, visit www.hamiltonthemusical.co.uk, where there are details of the daily Hamilton West End £10 lottery via the official Hamilton app which can be downloaded from http://hamiltonmusical.com/lottery
A far cry from the overbearingly overweight headsets and and unintentionally surrealist polygonal graphics of the 1990s, today’s virtual reality headsets have been attracting artists and game developers alike for the immersive worlds they create. Since 2012, the Tribeca Film Festival has been showcasing VR installations and now the Tribeca Virtual Arcade (November 10 - February 10) at Cinepolis Chelsea (260 W 23rd St, New York, NY) expands on that with interactive immersive experiences that take you to within the human spirit and beyond the stars.
The exhbit features several ticketed experiences:
To learn more, go to: https://tribecafilm.com/virtualarcade
Tribeca Virtual ArcadeNovember 10, 2017 - February 10, 2018
Cinepolis Chelsea260 W 23rd St.New York, NY 10011
Though the St. James Theatre box office will not be open until November 13, single tickets for the much-anticipated stage adaptation of Disney's Frozen go on sale Monday. Performances begin at the renovated St. James on February 22, with opening night planned for mid-March 2018.
The St. James box office will open on November 13, but you can purchase single tickets beginning Monday at www.FrozenTheMusical.com or by calling the Disney on Broadway hotline, (866) 870-2717. If you wish to purchase tickets for a group of 20 or more, go to www.DisneyTheatricalSales.com or call (800) 439-9000.
Based on the 2013 film written by a trio of Oscar winners, Frozen features music and lyrics by the creators of the film score, Tony, Oscar, Emmy, and Grammy-winner Robert Lopez (Avenue Q, Book of Mormon) and Kristen Anderson-Lopez (In Transit). The stage book is written by Jennifer Lee (films Zootopia, Wreck-It Ralph), who wrote the screenplay and co-directed the blockbuster animated film (with Chris Buck).
Frozen won 2014 Oscars for Best Song (the chart-topping “Let It Go,” sung, of course, by Tony winner Idina Menzel) and Best Animated Feature. It also received BAFTA’s Award for Best Animated Film.
The roles of Princess/Queen Elsa of Arendelle and Princess Anna will be played, respectively, by Caissie Levy (a former Elphaba in Wicked; Les Miz; Ghost; Hair) and singer/dancer Patti Murin (Lyistrata Jones, Xanadu).
Co-starring in the cast of 40, which will be one of the largest ever on Broadway, in equally-coveted principal roles are Jelani Alladin (he-man Kristoff), Greg Hildreth (lively snowman Olaf), John Riddle (Prince Hans), Andrew Pirozzi (reindeer Sven), and Lion King, Little Mermaid, and Cagney's tough-guy tap dancer extraordinaire Robert Creighton (the scheming Duke of Weselton). Audrey Bennett and Mattea Conforti will portray young Anna); Brooklyn Nelson and Ayla Schwartz, young Elsa.
Inspired by Hans Christian Andersen’s fairy tale The Snow Queen, Frozen tells the story of a fearless princess (Anna) who sets off on a journey alongside a rugged iceman, his loyal pet reindeer, and a naïve snowman to find her estranged sister (Elsa), now the Queen, whose icy powers have inadvertently trapped the kingdom in eternal winter.
The stage musical is told in two acts and, according to Disney "is the first and only incarnation of the tale that expands upon and deepens its indelible plot and themes through new songs and story material from the film’s creators."
In fact, the stage production features more than twice as much music as the film.
Tony-winning director Michael Grandage (Red) helms the production. Grandage is also a three-time Oliver-winning director. Tony winner Rob Ashford (Thoroughly Modern Millie; revivals, How to Succeed… and Evita;
choreographer, Disney’s Cinderella film; TV’s Peter Pan and Sound of Music Live) and multiple Tony and Olivier is choreographer. Two-time Tony winner Stephen Oremus (Avenue Q, Wicked, The Book of Mormon) is music supervisor; Chris Montan, executive music producer); and Brian Usifer, music director.
Frozen is produced by Disney Theatrical Productions under the direction of Thomas Schumacher. The show will join Disney hits Aladdin and The Lion King on Broadway.
Frozen's design team includes scenic and costume design by two-time Tony and
Olivier Award winner Christopher Oram; lighting by six-time Tony winner Natasha Katz (Aladdin; Hello Dolly!; An American in Paris); Jeremy Chernick (Aladdin, upcoming two-parter Harry Potter and the Cursed Child), special effects: four-time Tony nominee Peter Hylenski, sound; Tony winner Finn Ross, video; and Michael Curry, puppet design. Frozen begins its pre-Broadway tryout next week [through October 1] at the Buell Theatre in the Denver Center for the Performing Arts. For information on the Denver engagement visit www.DenverCenter.org.
According to Disney’s press office: “Frozen will utilize a series of Disney Theatrical production consumer-friendly programs, such as flexible exchanges and verified resale via Ticketmaster. To combat fraud, print-at-home tickets will be completely replaced by Ticketmaster's mobile device entry technology.”
The Outsider Art Fair (January 19 - 22, 2017) at the Metropolitan Pavilion (125 West 18th St, New York, NY ) celebrates art that is (according to Jean Dubuffet) “works produced by persons unscathed by artistic culture, where mimicry plays little or no part (contrary to the activities of intellectuals). These artists derive everything...from their own depths, and not from the conventions of classical or fashionable art.”
Along with the usual exhibitions, galleries, and auctions, nne of the highlights of the festival is “The Barack Obama Readings”, in which festival guests and attendees, and members of the public recite quotations from President Barack Obama across several sessions, celebrating Obama’s legacy at this turning point in our nation’s history.
The Draw Me Your City section of the show invites parents to bring their children’s drawings so they can be embroidered on clothes and tote bags, with the proceeds going to Zellidja Foundation and helping young adults see the world.
The panel discussion From Obscurity to Prominence: The Discovery and Stewardship of Outsider Art, dissects the quandary of how to handle an artist's’ legacy when they have passed away and are only now gaining notoriety.
To learn more, go to http://outsiderartfair.com/
Outsider Art FairJanuary 19 - 22, 2017
Metropolitan Pavilion125 W 18th St, New York, NY 10011
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