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As usual with Kiyoshi Kurosawa’s movies, more is most definitely less: the first hour or so of this ominous mystery follows a crime investigator who, while looking into an unsolved series of serial killings, discovers that the actual culprit might be his and his unsuspecting wife’s neighbor.
It’s too bad that the final hour becomes increasingly more hysterical and shrill as the murderer is triggered to continue with his lethal behavior, logic be damned. The first half is suggestive, and all the more effective for it, while the second half is unnecessarily oppressive, and all the poorer for it, unfortunately.
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