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Using Allen Ginsberg (the inspiration for the Howl Festival) as a point of departure, the first HOWL! Arts Project Film Series showcases 4 nights of programs linking film and video to various creative movements transpiring in the East Village underground over several decades. In fact and in spirit these programs embrace poetry, music, theater, performance, fine art painting, as well as protests affirming sexuality, opposing gentrification, and supporting the flourishing of a subversive culture. The film program for this year’s Howl! Arts Project festival is conceived of and curated by Jon Gartenberg , a film archivist, historian, and programmer. All screenings are at: Millenium Film Workshop (66 East 4th Street). Programs are subject to change. Thursday, September 177 PMAllen Ginsberg on FilmIntroduction by Callie Angell, Adjunct Curator, The Andy Warhol Film Project, Whitney Museum of American Art: •SCREEN TEST A portrait of Allen Ginsberg filmed and directed by Andy Warhol on December 4, 1966.16mm print courtesy of The Museum of Modern Art Circulating Film Library.Cast: Allen Ginsberg. B/W, silent, 4 min.This was one of the very last of the hundreds of screen tests that Warhol shot of well-known personalities from the poetry, music, fashion, film, and other creative worlds that visited his famous Factory. •COUCH 1964, directed by Andy Warhol.Cast: Allen Ginsberg, Jack Kerouac, Gregory Corso, Peter Orlo vsky, and others. 16mm print courtesy of The Museum of Modern Art Circulating Film Library.B/W, silent, 52 min.“Warhol had filmed Ginsberg once before in 1964 when he shot several rolls of a historic gathering of Ginsberg and his fellow Beats Jack Kerouac, Gregory Corso, and Peter Orlovsky hanging out in and around the Factory couch.” (Callie Angell)• WHOLLY COMMUNION 1965, Peter Whitehead. Cast: Gregory Corso, Harry Fanlight, Lawrence Ferlinghetti, Allen Ginsberg, Michael Horovitz, Ernst Jandl, Christopher Logue, Adrian Mitchell, Alexander Trocchi. 16mm print courtesy of the Reserve Film and Video Collection of The New YorkPublic Library for the Performing Arts, with the permission of ContemporaryFilms, London.B/W, sound, 35 min.Introduction by Paul Cronin, author, filmmaker and historian:“Peter Whitehead captures the unexpected, the intensity and the excitement of a Happening, as 7000 people jam into London’s Albert Hall on June 11, 1965 for four hours of poetry reading by many Beat poets.” (New York Public Library Catalogue) • Excerpts from IN THE BEGINNING WAS THE IMAGE: CONVERSATIONS WITH PETER WHITEHEAD 2006 directed by Paul Cronin. Cast: Peter Whitehead. B/W and color, sound. DVD courtesy of Paul Cronin.Historian/filmmaker Paul Cronin interviews Peter Whitehead, the filmmaker of WHOLLY COMMUNION about the significance of this unique Beat poetry event. • PULL MY DAISY 1959, directed by Robert Frank and Alfred Leslie. Cast: Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alic e Neel, Sally Gross, Pablo Frank, Denise Parker, Delphine Seyrig, Jack Kerouac (narrator), Music by David Amram.16mm print courtesy Museum of Fine Arts, Houston.B/W, sound, 29 min.Introduction by Alfred Leslie, filmmaker.Made with writers Jack Kerouac and Allen Ginsberg, and painters Alfred Lesllie, Larry Rivers, and Alice Neel, “PULL MY DAISY is a classic look at the soul of the beat generation, Written and narrated by Kerouac and based on his unproduced play ‘The Beat Generation,’ it tells the story of a bishop (Richard Bellamy) and his mother (Alice Neel) who pay a visit to Milo, a railroad worker. At the same time his poet friends, Ginsberg, Peter Orlovsky, and Gregory Corso, hang around quizzing the bishop about the meaning of life and its everyday relationship to art and poetry.” (Museum of Fine Arts catalogue)Thursday, September 1710 PM Jack Smith and the Lower East Side (as Seen by Ken Jacobs)Introduction by Ken Jacobs, filmmaker.• BLONDE COBRA 1963, directed by Ken Jacobs, based on images gathered by Bob Fleischner.Cast: Jack Smith16mm print courtesy of the New York Film-Makers’ Coop..B/W, sound, 16mm. 33 min.“BLONDE COBRA is an erratic narrative – no, not really a narrative, it’s only stretched out in time for convenience of delivery. It’s a look in on an exploding life, on a man of imagination suffering pre-fashionable lower East Side deprivation and consumed with American 1950s, ‘40s, ‘30s disgust. Silly, self-pitying, guilt-stricken and yet triumphing – on one level – over the situation with style, because he’s unapologetically gifted, has a genius for courage, knows that a state of indignity can serve to show his character in sharpest relief. He carries on, states his presence for what it is. Does all he can to draw out our condemnation, testing our love for limits, enticing us into an absurd moral posture the better to dismiss us with a regal ‘screw-off’.” (Ken Jacobs) • FLAMING CREATURES 1963 directed by Jack Smith. Cast: Francis Francine, Sheila Bick, Joel Markman, Dolores Flores, Arnold, Judith Malina, Marian Zazeela.16mm print courtesy of the New York Film-Makers’ Coop.B/W, sound, 16mm. 42 min.“Jack Smith has graced the anarchic liberation of new American cinema with graphic and rhythmic power worthy of the best of formal cinema. He has attained for the first time in motion pictures a high level of art which is absolutely lacking in decorum; and a treatment of sex which makes us aware of the restraint of all previous filmmakers. He has shown more clearly than anyone before how the poet’s license includes all things, not only of spirit, but also of flesh; not only of dreams and of symbol, but also of solid reality. In no other art but the movies could this have so fully been done; and their capacity was realized by Smith” (Film Culture Magazine) • Plus sequences from other films made by Ken Jacobs starring Jack Smith, including TWO WRENCHING DEPARTURES and STAR SPANGLED TO DEATH. B/W and color, sound. DVD courtesy of Ken Jacobs. Friday, September 187 PM PROGRAM: In and Around Tompkins Square Park • B/SIDE, 1996, directe d by Abigail Child16mm print courtesy of the New York Film-Makers’ Cooperative.Color and b/w, sound, 40 min.“Framed by on New York's Lower East Side, where some of the homeless of Tompkins Square Park settled after the riots of June 1991, the movie begins with the encampment's first night and ends with the fire and subsequent destruction of the lot in October of the same year. Applying rhythmic construction, poetic license and a generous eye to bodies in poverty, B/SIDE documents a gritty vision of late 20th century urban life.” (New York Film-Makers’ Cooperative Catalogue) • WHAT ABOUT ME, 1993, directed by Rachel Amodeo. Cast: Rachel Amodeo, Judy Carne, Gregory Corso, Richard Edson , Richard Hell, John Peter Melendez, Jerry Nolan, Dee Dee Ramone, Rockets Redglare, Johnny Thunders, Nick Zedd.16mm print courtesy of the New York Film-Makers’ Cooperative.B/W, sound, 87 min.Introduction by Rachel Amodeo, filmmaker.“WHAT ABOUT ME tells the story of a young woman, Lisa Napolitano (Rachel Amodeo), who through uncontrollable circumstances, finds herself homeless in New York City. The film portrays her gradual deterioration as she exists on the streets, intermingling with outcasts of society. Along the ways she encounters a shell-shocked Vietnam veteran, Nick (Richard Edson); a nihilistic east-villager, Tom (Nick Zedd); and a sympathetic good samaritan, Paul (Richard Hell). WHAT ABOUT ME was shot on location in the Lower East Side and Tompkins Square Park.” (New York Film-Makers’ Cooperative Catalogue) Friday, September 1810 PM The Living Theater and the New American CinemaIntroduction by Jonas Mekas, filmmaker, author, director of Anthology Film Archives and Judith Malina, director of the Living Theatre . • NEWSREEL: JONAS IN THE BRIG, 1964, directed by Storm de Hirsch. With Jonas Mekas and members of the Living Theatre.16m print courtesy of the New York Film-Makers’ Cooperative.B/W, silent, 5 min.“A newsreel of Jonas Mekas shooting his filmed version of ‘The Brig” on the set of the Living Theatre production. ” (Storm de Hirsch) • THE BRIG, 1963, directed by Jonas Mekas. With members of the Living Theatre. 16mm print courtesy of the New York Film-Makers’ Cooperative.B/W, sound, 68 min.“Part drama, part polemic, with shock-wave sound and a nightmare air that suggests Kafka with a Kodak, the movie does exactly what it sets out to do – seizes the audience by the shirtfront and slams it around from wall to wall for one grueling day in a Marine Corps lockup.” (Time Magazine)& nbsp;• STREET SONGS, 1983, directed by Jonas Mekas. With Julian Beck and members of the Living Theatre.16mm print courtesy of The New York Film-Makers Cooperative.B/W, sound, 10 min.“Made in 1966/1983 ‘STREET SONGS’ is a 1966 performance (shot in France); a section of the Living Theater’s ‘Mysteries and Smaller Pieces.” Based on a chance-determined scenario written by Jackson Maclow in 1961, STREET SONGS weaves militant political chants into a mandala of mantras. Julian Beck sits cross legged on an empty stage; the slogan he repeats – ‘Free All Men! Ban the Bomb! Stop the War! Free the Blacks! Change the World!’ – are both meditation and calls to action, as a crowd of voices answers each slogan and actors join him on stage to pace in a circle, clasp one another’s shoulders and collectively breathe ‘Ohmm…’” (the Village Voice) Saturday, September 19 10 PM Punk Rock, Forever!Introduction by filmmaker Amos Poe and filmmaker/musicia Ivan Kral. • THE BLANK GENERATION, 1976, directed by Amos Poe and Ivan Kral. Cast: Patti Smith Group, Television, Ramones, The Heartbreakers, Talking Heads, Blondie, Harry Toledo, Marbles, Tuff Darts, Wayne County, Miamis, New York Dolls, The Shirts.16mm print courtesy of Amos Poe.B/W, sound. 55 min.“In 1976 Ivan Kral joined the Patti Smith Group and became friendly with underground filmmaker Amos Poe. Poe and Kral were both interested in the punk rock scene that was just beginning to emerge in New York City at venues like CBGB and Max’s Kansas City. They began bringing cameras to shows, shooting silent footage of bands who were just developing potent reputations in the rock underground. Poe and Kral married their silent footage with live tapes or demo recordings of the bands (most of whom had yet to release a record) to create a deliberately rough audio-visual record of the burgeoning scene.” (Wikipedia) • SOUL CITY, 1979, directed by M. Henry Jones. Cast: The Fleshtones.16mm print courtesy of the New York Film-Makers’ Cooperative.Color, sound. 2 min.Introduction by M. Henry Jones, filmmaker “In Henry Jones' words, this film is intended to, ‘Visually counterpoint the music of a subculture.’ Punk rock group FLESHTONES perform the song "Soul City," as tiny black & white cut-out figures, (with hand-tinted flesh tones), against a flickering background of brilliant color. In SOUL CITY, Jones 'recycled' the same basic movements of his subjects by reconstructing totally new motions from the same severely limited amount of footage. This was done through alteration of perspective, and reversal of selected movements at varying intervals. The number of movements a subject can make, artificially created from a few basics, becomes almost limitless.” (Bikini Girl Magazine)• PUNKING OUT, 1979, directed by Maggi Carson, Juliusz Kossakowski, and Fredric A. Shore. Cast: Stiv Bators, Cheetah Chrome, Richard Hell, Hilly Kristal, Lydia Lunch, Dee Dee Ramone, Joey Ramone, Johnny Ramone, Helen Wheels.16mm print courtesy of the Reserve Film and Video Collection of The NewYork Public Library for the Performing Arts, with the permission of Ric Shore, Managing Producer. Punking Out has been preserved with funding fromthe Carnegie Corporation of New York.B/W, sound, 25 min.“Documents the beginning of the punk rock movement in New York City at CBGB’s, a punk night club, and the lifestyle that revolves around this scene. Presents a sometimes shocking look at the attitudes and motivations behind the movement through interviews with outspoken club-goers and band members of the Ramones, Richard Hell and the Voidoids, and the Dead Boys.” (New York Public Library Catalogue) Sunday, September 207 PM A Moveable Feast: A Tribute to the New York Film-Makers’ Cooperative Part 1: Filmmakers Speak!This program celebrates almost a half-century of the Coop’s existence, and the archive of more than 5,000 films that it makes available for distribution. The Film-Makers' Cooperative, founded in 1962 as a filmmaker-run distribution center, is now the largest archive and distributor of independent and avant-garde films in the world. Since 1967 the Coop had its offices at Lexington Ave and 31st Street New York City. It then relocated to the Clocktower Gallery at 108 Leonard Street, and is currently in the process of moving to a new state-of-the-art facility at 475 Park Avenue South, thanks to the generosity of real est ate developer Charles S. Cohen. • MOVING IMAGES – THE FILM-MAKERS’ COOPERATIVE RELOCATES, 2001. directed by Joel Schlemowitz. Cast: M.M. Serra (voiceover), Jonas Mekas (voiceover).16mm print courtesy of the New York Film-Makers’ Cooperative.Color, sound, 14 min.“The day the Film-Makers' Cooperative was forced by loss of lease to move from their offices at Lexington Ave and 31st Street in New York City filmmaker and Coop member Joel Schlemowitz showed up with a camera to document the historic moment. Rather than record the event per se, a freewheeling use of roving handheld, time lapse and double exposure were employed to create a visually evocative, impressionistic documentary about the Film-Makers' Cooperative. On the soundtrack Jonas Mekas, one of the Coop' s founders, and MM Serra, the current executive director, describe the Coop's beginnings, the organization's recent struggles, and the difficulties of finding space for the arts.” (New York Flm-Makers Cooperative Catalogue)• SERRA’S MORNING, 2001, directed by Saul Levine. Cast: M.M. Serra.VHS video courtesy of the New York Film-Makers’ Cooperative.Color, sound, 10 min.Introduction by Saul Levine, filmmaker: “Director of the Film-makers Coop M.M. Serra recollects her morning on September 11, 2001. The Coop is a few blocks from the New York Worlds=2 0Trade Center. The tape was shot a month after, while we were waiting to have lunch together.” (Saul Levine) • Followed by a presentation/screening from each current Coop filmmaker Board member of a work from the collection that has influenced his or her work. Titles to be announced. Sunday, September 2010 PM PROGRAM: A Moveable Feast: A Tribute to the New York F ilm-Makers’ CooperativePart 2: Through the DecadesIntroduction by Jon Gartenberg, Curator, Howl Film Festival, and M.M. Serra, Executive Director, New York Film-Makers’ Coop: This program also celebrates almost a half-century of the Coop’s existence, and the archive of more than 5,000 films that it makes available for distribution. These films and videos date from 1921 to the present, and this program presents a brief (by no means comprehensive) survey by decade of the creative richness of the films in the Coop’s collection. Titles to be announced.All screenings are at: Millenium Film Workshop 66 Easta 4th Street NY NY 10003 Programs are subject to change.
Identifiable by their colorful turbans which can be seen in every borough of New York, the Sikh community has established a major presence here. To celebrate its rich heritage, traditions and culture, the first Sikh International Film Festival does so through a diverse mix of independent features, documentary and short films at the Sikh International Film Festival 2009 this September 18-19, at the Asia Society.
Three films--1984 and the Via Dolorosa Project, My Mother India and Flying Sikhs: A History of Sikh Fighter Pilots (a World Premiere)--open the SIFF '09 with the Feature Session on Friday, September 18. One film addresses the genocide in India 25 years ago when thousands of innocent Sikhs were killed in the aftermath of assassination of then prime minister Indira Gandhi; an intimate portrait of valiant Sikh pilots during WWI and WWII ends this emotionally charged set on an upbeat note.
On Saturday, September 19 the Documentary Session explores the topic of urban gang violence in A Warrior’s Religion. Through an enchanting history of turban--from ancient Christianity to modern day Sikhs--Turbanology (in its US Premiere) explores the impact of the war on terror and western society’s reaction to this humble article of faith.
A formal black-tie event at Cipriani Wall Street--The Sikh Heritage Gala--concludes the Festival. Acclaimed film-director and producer Mira Nair is the Guest of Honor for an evening of dance performance, art auction, and live entertainment accentuated by Bhangra pioneers RDB from the UK.Film Festival Chair Dr. Paul Johar, explained, “The primary goal of the films we show is to hold a mirror not only for Sikhs but to an audience worldwide. We have a diverse set of films, and encourage film makers with our support every year by awarding $15,000 in prize money!”Winners in the Documentary and Short Films will be selected by a notable panel of jury, including Ocean of Pearls Director Dr. Sarab Singh Neelam, Monsoon Wedding screenwriter Sabrina Dhawan and ABC News Nightline correspondent Vicki Mabrey.
In 2008, Governor David A. Paterson has issued a proclamation declaring the Sikh International Film Festival dates as Sikh Heritage Week, in recognition of the Sikh Art & Film Foundation’s efforts to promote cultural diversity in New York.For a complete schedule, film details and tickets go to: www.sikharts.com
Quick Facts about Sikh-Americans Sikhism originated in Punjab region of South Asia (India) over 500 years agoIt's the 5th largest religion with over 25 Million Sikhs worldwideThey have lived in North America for over 100 yearsDilip Singh Saund was the first Asian-American and Sikh Congressman in 1956Over Half Million Sikhs live in North America
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The Friars Club Comedy Film Festival will open its inaugural year on Thursday, September 24th with the U.S. premiere of A Serious Man--the new film from Academy Award-winning writer/directors Joel and Ethan Coen. the Coen Brothers’ latest feature will open the festival at the world-famous Ziegfeld Theater in Manhattan; Joel and Ethan Coen and cast members will join Friars in attendance.
The festival's Executive Director Charlie Prince and Director Susannah Gora are both Friars who work in the film and entertainment industry, and are passionate about movies. Comments Prince , “I couldn't be more thrilled; Joel and Ethan Coen are the rare filmmakers who finesse consistently original work that inspires, work which represents exactly the kind of filmmaking we seek to champion here at the Friars Club. A Serious Man is one of their most unique and accomplished movies. It’s ideal to open our festival with, because it goes to the core of what is dark and personal – yet ever-present – in humor.”
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