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Cirque du Soleil ‘s "Volta" Strikes in Long Island May 17 - July 1


The new big top show from international entertainment behemoth Cirque du Soleil, Volta, with an energy-jolting focus on space-age extreme sports, plays Long Island May 17 – July 1. Its new eco-friendly white and grey “grand chapiteau” has risen adjacent to NYCB Live/Nassau Veterans Coliseum in Uniondale. The show is so colossal it took 16 creators to assemble it.

VCirqueSpecolta, written and directed by Bastien Alexandre (concept artist, Cirque’s Zumanity) under “director of creation” Jean Guibert, tells “a spellbinding story of transformation, about being true to oneself – fulfilling one’s true potential to be free to blaze your own trail.” Alexandre says it’s inspired, in part, “by the adventurous spirit that fuels action sports.”

The show stars a cast of international athletes who provide the adrenaline rush of jawdropping acrobatics against the visually striking production, driven in the tried-and-true Cirque tradition by a pulsating score. The band is under music director and international electronic composer Anthony Gonzalez, of the French band M83. Vocalists are Darius Harper and Camilla Bäckman. Julie Perron (Cirque’s Delirium, Viva Elvis, and Wintuk). is choreographer. Rob Bollinger and Philippe Aubertin are the acrobatic performance designers.

The story-line follows Waz, a game show contestant who’s lost touch with himself. He goes on the show in search of fame, thinking that will bring him love and acceptance, but finds fame isn’t the answer. Was begins a personal quest to find his true self. Along the way, he’s encouraged by an amazing group of free spirits to help him recognize the power to make it possible.

CirqueUnicycleDuoAmong those that make his journey extraordinary are unicyclists, roller skaters, precision tight rope walkers, military-style parkour [running, climbing, swinging, vaulting], BMX (bicycle motocross) daredevils, a woman swirling through the air suspended by her hair, Swiss ring and bungee artists, shape divers [sailing through gymnastic hoops and rings), and one of the most incredible acrobatic ensembles in Cirque’s history.

A highlight of every Cirque show is the costuming and the designs of acclaimed Emmy-winning Filipino-American fashion designer Zaldy (Goco) (Cirque’s Michael Jackson ONE, RuPaul’s Drag Race, Lady Gaga’s Monster Ball) may be the most colorful and daring of their 41 original productions [since 1984].

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“The Next Generation of Dance” Continues the Ailey Legacy When Ailey II Takes the Stage at the Ailey Citigroup Theater

 AAADT in Alvin Ailey's Revelations. Photo by Paul Kolnik

Sometimes you just have to sit back, shake your head and absolutely thank the “God’s of the Arts” that you live in New York City.  To salute the legacy of dance that’s helped make Broadway—“Broadway”— Morgan Stanley presents “Lights on Broadway.” Taking place in Times Square this event will spotlight six decades of Ailey inspired dance moving from Times Square to the Ailey Citigroup Theater. 
In February to celebrate Black History Month Morgan Stanley “Lights on Broadway” salute made it easy for New Yorkers and tourists alike to express their support  #JoinTheDance along with a remember that #MSGivesBack. The campaign in the “Crosswords of the World” highlighted Ailey’s status as “Cultural Ambassador to the World,” and recognized the organization’s six decades of “celebrating the African-American heritage and the modern dance tradition,” and its offerings of “performances, training, and education programs that enlighten all.”
Alvin Ailey’s mission has always been clear and that’s to celebrate our common humanity and to showcase the spring to life as the talented young dancers of Ailey take the stage at the Ailey Citigroup Theater March 14-25.  Renowned for merging the spirit and energy of the country's best young dance talent with the passion and creative vision of today's most outstanding emerging choreographers, the second company of Alvin Ailey American Dance Theater returns to New York for an exciting two-week season. Led by Artistic Director Troy Powell, these talented young dancers will prove why “there’s nothing like an evening spent with Ailey II” (The New York Times). Audiences will have the opportunity to see “the next generation of dance” in a diverse range of works, including three striking 2017-18 season premieres: Darrell Grand Moultrie’s Road To One, about embracing the journey; Juel D. Lane’s Touch & Agree, exploring love, commitment, and identity; and Renee I. McDonald’s Breaking Point, an intense work about being pushed to the limit. 
Heads up, New Yorkers of all ages and levels will have a rare opportunity to learn from Troy Powell, when he leads a one-night-only Ailey Extension Horton Workshop on Wednesday, March 7 at 6 pm, just a week before the second company’s New York season. Powell was selected by Mr. Ailey himself to receive a scholarship to The Ailey School, before joining Ailey II and later Alvin Ailey American Dance Theater, and eventually becoming only the second person to lead Ailey II. Participants will learn movement based on the technique created by Alvin Ailey’s mentor, Lester Horton, which is the foundation for many classic Ailey works – including his signature masterpiece, Revelations. Designed to expand Alvin Ailey’s life-long commitment to bringing dance to everyone, Ailey Extension classes and workshops impart the rich history of Ailey’s signature style, which changed the perception of modern American dance around the world. 
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APAP NYC: Performing Arts & Dance Trans


Every January, APAP NYC is where performing arts professionals gather to explore and present the best and newest of dance, music, theater---all disciplines and genres---at APAP’s annual membership conference and pre-conference.Happening January 12 - 16, 2018 with more than 1000 world-class artist showcases held around the city; an EXPO Hall boasting nearly 400 booths, the world’s largest performing arts marketplace; dozens of professional development sessions, keynote speakers including well known and cutting edge artists and arts leaders; and pre-conference forums, many of which are free and open to the public. Events are being held at the New York Hilton Midtown (1335 6th Ave) and the Sheraton New York Times Square (811 7th Ave).

This year’s conference theme, trans.ACT, focuses on the transformative power of the arts.

APAP is the national service, advocacy and membership organization dedicated to developing and supporting a robust performing arts presenting field and the professionals who work within it. More than 1600 APAP members represent leading performing arts centers, municipal and university performing arts facilities, culturally specific organizations, foreign governments, artist agencies, managers, touring companies, consultants and self-represented artists

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January 12 - 16, 2018

New York Hildton Midtown
1335 6th Ave.
New York, NY 10019

Sheraton New York Times Square
811 7th Ave.
New York, NY 10019

The Big Apple Circus: Bigger, Better & More Thrilling Than Ever


After a one year hiatus, New York’s home-grown Big Apple Circus has made a triumphant return, premiering its 40th Anniversary season atits longtime home under the big top in Lincoln Center’s Damrosch Park, with performances through January 7. Rescued by Big Top Works, this New York original and intimate one-ring “circus with a heart” is back bigger, better, and newer than ever.

This edition captures the family fun, excitement, and thrills you expect with bumbling clowns, daredevils, acrobats, jugglers, contortionists, majestic horses, playful pups, and rousing music from a live band. There’s traditional sawdust, cotton candy, popcorn, and hot dogs slathered with mustard and relish to take you back to the nostalgic era when tented shows crisscrossed the country filling children of all ages with wonder and joy – and, no doubt, pounding heartbeats watching those daring performers on trapeze and high wire.

"This is a dream come true,” states Dr. Neil Kahanovitz, a now-retired spine surgeon, theatrical producer, and former circus performer. “The Big Apple Circus was a New York City cultural gem and we couldn’t let this beloved American pastime just disappear.  We wanted the big top to rise again.

BACNKahanovitz“Our goal,” he continues, “has been to push the envelope, to go gently into new territory, but keep circus tradition relevant for modern-day audiences."

Though there have been changes – including a multi-million dollar upgrade in technical aspects and infrastructure, one thing hasn’t changed. “We wanted to keep the intimacy that a European-style, one-ring show offers,” says Dr. Kahanovitz. Under the climate-controlled big top, no seat is more than 50 feet from the ring.

Ready, set, go for lump-in-your-throat action? For the firsttime in circus history under the same big top or arena, two acts of audacious, death-defying acrobats go for the gold with edge-of-the seat daredevil thrills: the Flying Tunizianis – with trapeze wiz Ammed Tuniziani doing what was once thought unattainable: the quad somersault; and the Flying Wallendas, probably the most daring family troupe in circusdom, on the taunt high wire with a jaw dropping seven-person pyramid.

The latter act traces its roots back seven generations to the 1780s and the Austro-Hungarian empire. Headliner Nik Wallenda, who first set foot on the high wire at age two, holds 10 world records.

In addition to thrills, ringmaster Ty McFarlan, Ringling Bros. ringmaster emeritus, presides over the high spirits and hijinks of Grandma, a 2016 inductee into the International Circus Hall of Fame, and his sidekick Mr. Joel; a talented barking brigade of rambunctious rescue dogs and 8 magnificent steeds and eight ponys trained by Jenny Vidbel; Italian skate acrobats Dandlino and Luciania; and the U.S.’s young, debonair Jan Damm, making his BAC debut doing “rola-bola” (balancing on stacks of wobbly cylinders).

You might call this year’s show a generational affair. Wallenda is a ninth generation performer; his wife Erendira, from Australia’s famed Ashton Circus family (third oldest in circus history), has eighth generation linage; hand-and-foot balancing “Risley” acrobats Guiliano and Fabio Anastisini are ninth generation; and Argentine contortionist and crossbow artist with a great aim Elayne Kramer, who began performing at age four, is sixth generation. Vidbel and handsome Venezuelan juggler Gama Garcia are third generation.


It’s not surprising to discover that Dr. Kahanovitz, who was president of the North American Spine Society and has been published in medical journals, has a love of circus. “I grew up in a blue-collar family and was the first to attend college. But I kept hearing the siren call of the circus. I arranged a leave of absence from the University of Maryland Medical School and ran away with the circus.”

For five years, he lived the nomadic life, travelingwith bus-and-truck companies. After starting in concessions, he graduated to clowning and, self-taught by watching, segued to trampoline and trapeze acts. On his retirement from medical practice, he says “I wanted to do something different and challenging, so I ran away with the circus again.”

This time “it took a village,” states Dr. Kahanovitz. Compass Partners, a Sarasota-based investment firm led by managing partner Richard Perlman, formed Big Top Works and “our investors built a sustainable business plan to not only bring back but also revitalize the Big Apple Circus to restore it to its proper place in New York culture.” The team includes industry veteran Larry Solheim, BAC former vice president and general manager.

The 40th Anniversary BAC show is directed by Mark Lonergan, artistic director of New York’s award-winning theater company Parallel Exit, with choreography and associate direction by Antoinette DiPietropolo. Rob Slowick returns to music direct his big little band. Broadway’s Rob Bissinger is scenic designer and the dazzling costumes are by Amy Clark.

All in all, the return of the Big Apple Circus is the perfect holiday season escape with its astonishing tent of wonder! Purchase tickets, from $35-$150VIP ring side tickets, at the Damrosch Park box office or at, where you can find the varying schedules, community outreach programs with reduced-priced admission, and special family events.

What happens in New York will not stay in New York. Traditional circus will be alive and well following the New York engagement with tour stops that include stops in Atlanta, Boston, the D.C. area, Baltimore, and other cities.

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