the traveler's resource guide to festivals & filmsa FestivalTravelNetwork.com site part of Insider Media llc.
"Music was the one thing I could control," shared the great Quincy Jones. "It was the one world that offered me freedom. When I played music, my nightmares ended. My family problems disappeared. I didn't have to search for answers. The answers lay no further than the bell of my trumpet and my scrawled, penciled scores. Music made me full, strong, popular, self-reliant and cool."Music is the great connector and The Academy of Motion Picture Arts and Sciences and The Los Angeles Philharmonic have created The Oscar® Concert, a special, one-night-only celebration of film music at Walt Disney Concert Hall on Wednesday, February 28, 2018, at 8:00 p.m.As part of the Oscar week celebrations for its 90th anniversary, the Academy, in partnership with the LA Phil, presents an exclusive one-of-a-kind celebration of film music, including never-before-heard arrangements of this year’s five Original Score Oscar nominees.Curated by composers and Academy Governors Michael Giacchino, Laura Karpman, and Charles Bernstein, the evening offers an insider’s look at film scoring across the decades, with select scores performed live by the Los Angeles Philharmonic, led by conductor Thomas Wilkins, and special guest Terence Blanchard (trumpet), with additional special guests to be announced. The Oscar Concert explores the history of film music through special arrangements of beloved scores by composers including Tan Dun, Quincy Jones, Mica Levi, Rachel Portman, A.R. Rahman, and many more, with accompanying film clips shown in HD on Walt Disney Concert Hall’s large screen.The evening opens with an introduction by Oscar-winning composer Michael Giacchino and Oscar-winning director Pete Docter, who will explore the challenges and rewards of film scoring, utilizing music from the Oscar-winning film UP. Organized into vignettes, the program explores the emotions and excitement that film scores evoke, including the sound of home, the sound of the chase, the sound of fear, the sound of love, and the sound of courage. The evening closes with the world premiere of specially arranged suites from all five Original Score nominees: Dunkirk, by Hans Zimmer; Phantom Thread, by Jonny Greenwood; The Shape of Water, by Alexandre Desplat; Star Wars: The Last Jedi, by John Williams; and Three Billboards Outside Ebbing, Missouri, by Carter Burwell.The 90th Oscars®, hosted by Jimmy Kimmel, will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on ABC.
For more information, please visit www.LAPhil.com THE OSCAR CONCERTWednesday, February 28, 2018, at 8:00 pmLos Angeles PhilharmonicThomas Wilkins, conductorTerence Blanchard, trumpetAdditional guests, TBA
A new year of orchestral music in New York opened splendidly with its first significant concert of the year, the much awaited return—on the afternoon of Sunday, January 14th, to David Geffen Hall—of the incomparable Budapest Festival Orchestra under the brilliant direction of Iván Fischer, presented as part of the Great Performers series of Lincoln Center for the Performing Arts. The house was surprisingly full with few empty seats in the orchestra, despite the bitterly cold weather, attesting perhaps to the reverence with which these musicians are held.The somewhat heterogeneous program began wonderfully with a sterling account of Johann Sebastian Bach's popular and marvelous Orchestral Suite No. 2 in B minor, played here by a small ensemble on period instruments with the maestro conducting from the keyboard and featuring Gabriella Pivon on the transverse flute—it would nonetheless have been exciting to hear this work as transcribed for the entire orchestra.The impressive soloist Dénes Várjon then took the stage for what may be the finest rendition I have yet heard in the concert hall of Ludwig van Beethoven’s equally celebrated Piano Concerto No. 3 in C minor, with the artist playing the composer’s cadenzas. An enthusiastic ovation elicited a terrific encore: the beautiful Three Hungarian Folksongs from Csik by Béla Bartók.The second half of the program was even more memorable, devoted to an extraordinary realization of the magnificent Symphony No. 2 of Sergei Rachmaninoff. Spirited applause was answered by Fischer, always generous with encores, with a delightful surprise: an arrangement for orchestra and voices of the famous and lovely Vocalise, Op. 34, No. 14, by the same composer. I look forward to the next appearance of this glorious ensemble.
Page 2 of 29
Sign up for our weekly newsletter!