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Crosswise between these two streets is Bloor Street, and a block north of that, is Cumberland Terrace, which almost qualifies as a shopping mall, and traffic not allowed there.
And there you have it: 75% of the festival is in three venues: The Varsity multiplex in the Manulife Center on the South side of Bloor; the Cumberland Fiveplex, just west of Bay; and the Royal Ontario Museum (ROM) on Bloor and Queen’s Park just west of the fiveplex. Everything is within walking distance, and if it isn’t, the two major subway lines meet on Yonge and Bloor can get you pretty much anywhere downtown from there in a matter of minutes.
Read more: Getting Around Toronto
Among the weirdest cities in the world, Venice, Italy, must rank be up there in the top five. I don’t mean this in a bad way, but the place is so completely unlike anywhere else in the world that it can't be called anything else but very strange.
Other cities have canals. Both Amsterdam and Stockholm are strewn with canals close to the water’s edge, but they have streets, trams and other forms of mass transportation, which make those towns seem relatively normal. Also, while they have museums, they are not, museums themselves. Venice, having lost its independence and its livelihood over two centuries ago, is.
When the French finally abolished the old Republic, they destroyed its reason for being, stole its art, and chiseled out many of its ancient symbols from the walls. When the Napoleonic wars were over in 1815, it was decided to give the city to the Austrians, After a couple of decades of poverty and the revenge of it’s ancient enemies, the Venetians decided to make the place over into a tourist trap.
Which is what it has been ever since.
If you get off in either the Point de Roma, where there’s a bus station and a few cars, or the train station on the next island over, you will notice a change once you get to the Vaperetto, or waterbus, Station. With a few exceptions, all the buildings are really old. Not that they actually all are, but law protects the weirdness of the place and it’s very strict.
The Medieval and Renaissance architectural designs are faithfully recreated on the facades of many a new Palazzo. Tourism is all that the city has left, and the glory of this ancient Disneyland must be fossilized. When the great bell tower, which is right in the middle of St. Mark’s square mysteriously and suddenly disintegrated 998 years after it was built, it was replaced by an exact replica (well, not exactly exact, there’s an elevator now) and with a few exceptions like the train station, this dictum of architectural ultra-conservatism has been scrupulously followed.
And that brings us to The Gardens of the Biennale, where a grand art fair has been taking place every other year since 1895 as a way, naturally, to attract tourists. As a park on the eastern edge of town, the various countries that have participated over the years have been allowed to set up permanent pavilions where hundred of temporary exhibitions take place. This goes for the off years as well, why waste valuable space, right? But the big show is in odd years.
The Gardens aren’t the only place for exhibits, there’s a place called the Arsenal, where they have some too, and finally, on the Lido, which is a large island nearby with some pretty nice beaches, is where the film festival takes place every August and September. More on that later…
The Biennale’s theme last time was; “Think With Your Senses, Feel with Your Mind.” Which is another way of saying “This is all bullshit! Give us your eight euros and get out of my face.” Granted, not all of the works shown last time sucked. There were some excellent works to seen, particularly Austria’s Herbert Brandl's, who’s an abstract expressionist, or Svetlana Ostopovici's, who’s more realistic, then there’s lots of other stuff both interesting and “interesting.” Then there’s lots of what I like to call “con art” in which some talent-less jerks with sharp tongues con certain curators into putting the most godawful crap up, from anti-Semitic graffiti to give-away posters by California artist Felix Gonzalez Torrez, one of which symbolizes the end of art by having a black rectangular frame of nothing
Much of the work shown is heavily influenced by advertising and comics, which is where, after all most of the money for creativity is coming for nowadays, but for the most part, there’s nothing really new here, just inarticulate recycling of concepts that have been floating around for the better part of half a century. Granted, I didn’t have the time to give everything more than a cursory look. The Biennale, like the city that surrounds it, requires far more than the day or two most people give it.
Due to the big show, the Biennale’s film department has been rather tardy with the printing of the posters and programs for their big film festival, which was supposed to start in only two weeks. The oldest of Europe’s many film festivals, Venice’s dates back to 1935, and, with the natural break for World War II, had been giving out it’s prestigious “Golden Lion” awards ever since. Taking place on the Lido, where there are fewer architectural restrictions and an actual beach for beautiful women to parade around in their bikinis. This year, as in most, there’s an eclectic selection of Hollywood, Independent, and European government sponsored films, which are going to start generating buzz for various awards like the Oscars and the Golden Globes.
If you only have a day or two, just go to St. Mark’s square and hang out for a while, and go left towards the Rialto Bridge in the direction of the train station. Then head west along the Grand Canal, stopping at various churches to look at the art, which, as every good agnostic or atheist knows, is the only saving grace the Catholic Church has ever had. You will also notice that there are no streets, just sidewalks and canals, and a very strange and beautiful landscape.
Image: Venice (Source: Wikipedia.org)
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