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Recently I wrangled an invite to a unique preview event -- a look at the producer J.J. Abrams’ latest series, Revolution -- hosted by cast member Tim Guinee (Iron Man).
Watching the first episode of Revolution (created by Eric Kripe and directed by Jon Favreau) being played before me with an audience of hardened New Yorkers so dependent on their machines, electricity and technology with a side show of bike riders supposedly pumping to power up the generators electrifying the event.
I thought about how dependent we were and how this show played on that feeling.
It was a sensible feeling to exploit -- we are after all out of touch with the survivor’s sensibilities necessary to adapt to less than ideal conditions we so desperately need to live in a city like NYC. Think about it, what really draws us to a series like The Walking Dead?
It’s more than just the fear of Zombies run amok threatening to tear us limb from limb and consume us literally. It’s the chaos and the loss of a secure world that we know and feel safe in.
Look at the profusion of post-apocalypse dystopia. It’s not just a matter of economic collapse. It’s a matter of surviving on the most basic level at all -- dirty, smelly, no hand sanitizer, eating what can be found whether it be old cans, dead animals or human bodies.
Take films like The Road, A Boy And His Dog, Book of Eli, the German film Hell, or even The Hunger Games. They all intrigue because we have to ask -- could I cope? Can I survive or do I want to without the tech-generated creature comforts?
On a pure sci-fi level I could tear apart the gaps of logic seen in this first episode of Revolution. Ok, so the large-scale energy net created by our power grid is gone whether by electromagnetic pulse or some energy absorbing device. But after 15 years later would people have been able to create the idyllic rural havens with alternate energy sources enough to keep some machinery going?
Just the idea of a fascist para-military force attempting to impose order sometimes seems more forced than likely. But while I could rend it apart I admire Abrams, his team and producers, and the network’s belief in an intelligent audience willing to ponder.
Everyone has these primal fears.
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