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September '17 Digital Week IV

Blu-rays of the Week 

The Piano Teacher

One of Austrian master Michael Haneke’s most memorably disturbing dramas, this explosive 2001 character study introduces a repressed middle-aged woman still living with her mother whose masochistic side is displayed when she takes up with a younger man.
Haneke unflinchingly depicts a bizarre but all too real relationship usually kept hidden, and he has a willing partner in Isabelle Huppert, who gives another of her scarily authentic portrayals of women acting unlike most of us. There’s the usual superlative hi-def transfer from Criterion; extras are Huppert’s select-scene commentary, new Huppert and Haneke interviews and on-set footage.
The Flesh
(Cult Epics)
Another of late Italian director Marco Ferreri’s provocations, this 1991 entry centers around a desperate man who falls for a voluptuous beauty and cannot stand to be apart from her intense sexuality; so when she decides to leave him, he ends up stab….
Well, of course anyone who’s seen a Ferreri film knows where this is headed, so there are no surprises—except for the tin-eared use of Kate Bush’s “This Woman’s Work” and Queen’s “Innuendo”—but Sergio Castellito’s lead performance and Francesca Dellera’s stunning looks keep us interested for 90 minutes. The hi-def transfer is not bad; extras include interviews with the two stars and director.
The Illustrated Man 

Innocent Blood

The Law and Jake Wade
(Warner Archive)
Based on Ray Bradbury stories, 1969’s Illustrated Man is a jumbled farrago of unrelated, supposedly scary tales, but the scariest thing is the tattoos covering Rod Steiger’s body, while Claire Bloom provides a dose of sanity in her too-brief appearance.
John Landis has always been a sledgehammer director, and even in his sporadically entertaining gangster vampire flick, 1992’s Innocent Blood, he can’t help but overdo everything, ruining the odd amusing moment and weird thrill. John Sturges’1958 The Law and Jake Wade is a compact western that pits Richard Widmark’s villain against Robert Taylor’s marshal amid the snow-capped Sierra Nevada. All three films have great new hi-def transfers; Illustrated extra is a vintage featurette.
Rare—Creatures of the Photo Ark
National Geographic photographer Joel Sartore has made it his life’s work to create a “Photo Ark”: a voluminous record of countless endangered and near-extinct wild animals that he’s tracked down in as many zoos, natural preserves, sanctuaries as he can—and even in the wild—and this three-hour, three-part documentary explores both his worldwide quest and the reasons why so many species are disappearing off the face of the planet.
Sartore’s pictures show off these beautiful creatures in their blazingly bright and colorful clarity, especially on Blu-ray.
Taken—Complete 1st Season 


Based on the popular movie (and its unnecessary sequels) with Liam Neeson as a former CIA agent who tracks down his daughter’s kidnapers, this new TV drama provides the backstory of Bryan Mills’ recruitment by a shadowy agency cabal to find international terrorists.
The first season’s 10 episodes are occasionally absorbing and exciting, despite a plethora of plotholes. The fine cast is headed by Clive Standen as Mills and Jennifer Beals as his CIA boss. The series looks exceptional on Blu; lone extra is a making-of featurette.
An air-traffic controller suspended after nearly causing a mid-air collision meets a beautiful young woman who was on one of the planes and tries to explore the significance of the time 2:22 in his subconscious and, soon, his everyday reality.
Michiel Huisman and Teresa Palmer have fine chemistry as the couple thrown together by bizarre circumstance, but they are dragged down by a ridiculous plot that grows more incoherent as it goes along. The hi-def transfer is excellent; extras include three behind-the-scenes featurettes.
DVDs of the Week 

The Stopover

(First Run)
Pop singer turned actress Soko turns in a feisty performance in Delphine and Muriel Coulin’s gritty drama about female French soldiers on their way home from Afghanistan who, while on leave in Cyprus, must deal with horny men—both their compatriots and the Arab locals who don’t often see Western women.
This fascinating glimpse behind the scenes of modern conflict demonstrates how cultural misunderstandings can proliferate among allies and foes alike.
Viva La Liberta
Writer-director Roberto Ando’s blunt political satire might be better appreciated in its homeland of Italy, where the Berlusconi regime is still fresh in the memory, but despite the presence of the great Toni Servillo in the lead—er, leads—as a disgraced politician and his replacement twin brother, the movie wanly attempts to puncture contemporary politics.
A few scattered bulls-eyes don’t compensate for treading such familiar territory without distinguishing itself from predecessors from The Great Dictatorto Dave.

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