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The Main Slate of the 57th New York Film Festival (September 27 – October 13, 2019) was announced last week, and feature films set in New York City dominates their most prestigious programming slots.
Opening Night, Sept. 27, 2019The IrishmanDirector Martin Scorsese
Centerpiece, Oct. 4, 2019Marriage StoryDirector Noah Baumbach
Closing Night, Oct. 11, 2019Motherless BrooklynDirector Edward Norton
View the Full Main Slate Films Listinghttps://www.filmlinc.org/nyff2019/guide/
These films from New York directors are in excellent company. Over 17-days of NYFF57, Film at Lincoln Center offers 29 of the best films in world cinema including Cannes award films directed by Bong Joon-ho (Palme d'Or: Parasite), Mati Diop (Grand Prix: Atlantics: A Ghost Love Story) and Pedro Almodóvar (Best Actor for Antonio Banderas: Pain and Glory).
Who is a more iconic New Yorker than master director Martin Scorsese? His 26th full-length feature film will have its world premiere at NYFF’s Opening Night, and surprisingly the first time a Scorsese film was selected. Last year's NYFF56 Opening Night selection, The Favourite, directed by Yorgos Lanthimos, went on to receive multiple award nominations, and the film industry consensus is that The Irishman will do the same.
“It’s an incredible honor that The Irishman has been selected as the Opening Night of the New York Film Festival. I greatly admire the bold and visionary selections that the festival presents to audiences year after year,” said Martin Scorsese in a statement. “The festival is critical to bringing awareness to cinema from around the world. I am grateful to have the opportunity to premiere my new picture in New York alongside my wonderful cast and crew.”
The 76-year-old Godfather reunited with his gang in 2017-18 to shoot The Irishman in New York City and small towns that resembled the city in 1960s and '70s. Al Pacino was cast as Teamsters president Jimmy Hoffa, Robert De Niro as mob hitman Frank "The Irishman" Sheeran, and Joe Pesci as the Bufalino Mob Boss. (Since Casino in 1995, Scorsese has not directed Robert De Niro and Joe Pesci in a feature film.)
The stained history of the Teamsters and organized crime spans the several decades of Frank Sheeran’s recollections of his role in the 1975 disappearance of his longtime friend, Jimmy Hoffa, the former president of the International Brotherhood of Teamsters. The cast had to play younger versions of their roles. Industrial Light and Magic provided the special effects to digitally de-age the actors.
The Irishman will have its world premiere at the NYFF57 on September 27, 2019, and have a limited theatrical release, followed by digital streaming in late 2019 by Netflix.
Director Noah Baumbach turns the perspective on divorce from adolescent to adult in his 2019 film, Marriage Story, NYFF57's Centerpiece selection. Fifteen years earlier, his personal experiences of his parents’ divorce were made into the film, The Squid and the Whale (2005). Now his own divorce (from Jennifer Jason Leigh and now partnered with Greta Gerwig) is laid bare in Marriage Story. His script draws on his own intimate experiences and conflicting feelings, not to mention the legal process of splitting up. However, Baumbach stresses that the film is not autobiographical.
Adam Driver and Scarlett Johansson (who has been divorced twice) stars as the divorcing couple with a custody battle. The husband wants to stay in NYC for the theater; the wife wants to move to LA to further her acting career. Laura Dern and Alan Alda play the combatting divorce attorneys.
The director told Indie Wire that he was influenced by Igmar Bergman in Persona’s dramatic confrontations and style of closeups within celluloid’s 35mm aspect ratio. “Noah keeps the many conflicting emotions between his characters flowing into and around and under and over each other, so beautifully that the film achieves the condition of music…It has an emotional complexity that’s worthy of Bergman,” said NYFF Director Kent Jones.
Marriage Story will premiere at the Venice Film Festival on August 29, 2019. It will then be screened in the other September film festivals: Toronto International Film Festival, Telluride, and then as the Centerpiece film on October 4 at NYFF. Netflix will digitally distribute the film in the near future, streaming on all devices.
"Edward Norton has taken Jonathan Lethem’s novel as a jumping-off point to craft a wildly imaginative and extravagant love letter to New York,” effuses NYFF Director Kent Jones.
Motherless Brooklyn, directed by acclaimed Indie actor Edward Norton, will close the 17-day festival. "NYFF has been my hometown festival for nearly 30 years, and it’s consistently one of the best curated festivals in the world…To have this particular film—which grew out of my love affair with New York—selected for Closing Night is just a huge thrill . . . a dream come true, actually,” the film’s director stated in return.
Norton (who is known as a driven perfectionist) wrote the screenplay, directed, and performed the lead role of Detective Lionel Essrog. Bruce Willis played the murdered friend, Frank Minna, and William Dafoe is Paul Rudolph. A Robert Moses type of politician is performed by Alec Baldwin.
Motherless Brooklyn is a Neo-Noir 1950s detective story. Lionel Essrog, a lonely private detective afflicted with Tourette's Syndrome, is drawn into NYC’s corrupt political web in order to solve the murder of his mentor and only friend, Frank Minna. Based loosely on the book, Norton took Jonathan Lethem’s character and changed the setting from contemporary times to the past of the 1950s in New York City.
The film was shot in several locations around NYC, including Washington Square and a brownstone on St. Nicholas Ave, Harlem, that unfortunately caught on fire. The brownstone was the set for the King Rooster Jazz Club. For a Miles Davis vibe in the club, Wynton Marsalis recorded the jazz arrangement of “Daily Battles,” a song by Radiohead’s Thom Yorke that Norton commissioned for use throughout the film. The musician Flea of Red Hot Chili Peppers added horns to give dimension to the sound score.
Norton told Rolling Stone, “I thought the idea of daily battles that everyone is fighting, that you’re trying to rise up and out of, was so evocative that I went back into the script and put the phrase [daily battles] into a scene.” And it is a daily battle to produce any film or run a film festival with the high artistic merit of NYFF.
Motherless Brooklyn premieres at the Toronto International Film Festival in September. The film travels south to close NYFF57 on October 11. Motherless Brooklyn is distributed by Warner Bros. and will be screened worldwide starting November 1.
To learn more and buy passes/tickets:https://www.filmlinc.org/nyff2019/Passes on sale now. Single tickets go on sale Sept. 8.
Main Slate Film Listing:https://www.filmlinc.org/nyff2019/guide/
Venue & Box Office Information
Alice Tully Hall – for advance in-person ticket purchasing 1941 Broadway (between 65th Street and 66th Street) Monday – Saturday: 10:00 a.m. – 6:00 p.m. Sunday: Noon – 6:00 p.m. Also open until 30 minutes after the start of any performance. 212.671.4050
Film at Lincoln Center Box offices open one half hour before the first screening and close 15 minutes after the start of the last show.
Walter Reade Theater 165 W. 65th Street, north side, upper level (between Broadway and Amsterdam) 212.875.5600
Elinor Bunin Munroe Film Center 144 W. 65th Street, south side (between Broadway and Amsterdam) 212.875.5600
You can leave your opera glasses at home, and savor the arias and sunsets at the 2019 Summer HD Festival (August 23–September 2) ending Labor Day weekend. Metropolitan Opera is screening, free to the public, ten of their past filmed opera performances from their Met’s Live in HD series of cinema transmission. Bizet's Carmen and Wagner's Das Rheingold (the first of The Ring Cycle with avant-garde sets by Robert LePage) will be the most popular.
You and 3,000 other casual opera fans, seated on the fountain plaza, will be humming along to “L’amour” of Carmen’s “Habanera” aria. Get there early before the 7:45 / 8:00 pm screening times, as those without a seat will have to stand. (Free culture seekers in NYC know this rule, especially with the closing night of Lincoln Center's Out of Doors Festival that featured David Crosby.)
A free pre-festival screening of Stanley Donen’s Funny Face, featuring songs by George and Ira Gershwin and a co-presentation with Film at Lincoln Center, will be shown on August 23. And if you want more free films, sidle down the plaza to the Walter Reade Theater for their free summer-long Mixtape double features that are ending soon: August 22 (demonlover, Elle), August 29 (Velvet Goldmine, Her Smell), September 5 (Three Times, Moonlight), or September 11 (Esther Kahn, Cries and Whispers). All except September 11 are sold-out and standby only, but don't feel completely shut out. You can arrive 20 minutes to an hour earlier than the screen times of 6:00 pm and 8:30 pm for the standby lines. You may get lucky.
50th MIXTAPE: Free Double Features www.filmlinc.org/series/50th-mixtape-free-double-features/
11th METROPOLITAN OPERA 2019 SUMMER HD FESTIVAL
Film at Lincoln Center: Funny Face
Met Opera HD Festival: Aida
Met Opera HD Festival: Carmen
Met Opera HD Festival: Das Rheingold
Met Opera HD Festival: Dialogues des Carmélites
Met Opera HD Festival: Samson et Dalila
Met Opera HD Festival: Cendrillon
Met Opera HD Festival: La Fanciulla del West
Met Opera HD Festival: La Fille du Régiment
Met Opera HD Festival: Luisa Miller
Met Opera HD Festival: Adriana Lecouvreur
Juraj Herz (1934 - 2018) was a challenging and controversial director, actor, and Holocaust survivor. Part of the Czechoslovakian New Wave of the 1960s, with his 1969 black comedy The Cremator, earning him the ire of of the Communist regime. Now the Metrograph theater (7 Ludlow Street, NY, NY) pays tribute to the director’s life and work with the film series Juraj Herz: In & Out of the Czechoslovakian New Wave. Running August 2 to August 9, the film series is comprised of new restorations and newly translated subtitles for his films.
Films include Beauty and the Beast (1978), The Cremator (1969), Morgiana (1972) and Ferat Vampire (1982). His interpretation of the classic fairy tale, Beauty and the Beast, is filled with an air of bizarre menace unlike any other on film, in a twisted tale of captivity. His early 1966 film, Sign of Cancer, is a murder mystery set inside a dysfunctional and corrupt hospital that was critical of how The Party filled public offices with dangerous and incompetent men.
To learn more, go to: http://metrograph.com/
Juraj Herz: In & Out of the Czechoslovakian New WaveAugust 2 - 9, 2019
Metrograph7 Ludlow St.New York, NY 10002
Now in its eighth year, the Long Beach International Film Fest (LBIFF) returns to scenic Long Beach New York. Running July 31 to August 3, the festival is held at venues throughout Long Beach with shorts, documentaries, features, foreign films, and more. The opening night film is Astronaut, starring Richard Dreyfuss (Jaws, Mr. Holland’s Opus) as a lonely widower is helped by his family to achieve his dream of going to space. The animated short Bristled is a look at the trials and trepidations of blind dates. The Japanese film Amanogawa - The One I’ve Longed, is about a shy high school girl using a robot drone to communicate with a boy. Art Paul of Playboy: The Man Behind the Bunny is a look at the life of the magazine’s iconic graphic designer.
Along with the films, LIBFF has The Taste on the Plaza features live music, gourmet food and craft beers along the scenic beach along with filmmakers doing talks after screenings.
To learn more, go to: http://www.longbeachfilm.com/
Long Beach International Film FestivalJuly 31 - August 3, 2019
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