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My Golden Days
From March 11th through March 17th, the Film Society of Lincoln Center will be presenting a comprehensive retrospective of the films of Arnaud Desplechin, one of the most exciting and remarkable of contemporary filmmakers, whose extraordinary body of work includes such impressive achievements as: La Sentinelle, his fascinating and enigmatic first feature (regrettably screening in a digital format); My Sex Life… or How I Got Into an Argument, arguably his masterpiece (alas, also being screened in digital); and the absorbing Kings and Queen, one of his finest accomplishments.
The series is being launched to celebrate the release of the director’s beautiful new feature, the autobiographical My Golden Days, which will open at the Film Society on March 18th, and will be shown in a sneak preview on March 15th followed by Q&A with Desplechin (He will also be appearing on the 18th and the 19th).
The perennially popular Rendez-Vous with French Cinema, now in its 21st edition, will be returning to the Film Society of Lincoln Center on March 3rd and running through the 13th, featuring new works by such celebrated directors as Jacques Audiard, Emmanuel Finkiel, Danielle Arbid, and, above all, the incomparable Otar Iosseliani.
The Film Society of Lincoln Center’s yearly series, Film Comment Selects, now in its 16th iteration and running from February 17th through the 24th, has consistently been the strongest selection at this august institution of new works, barring the New York Film Festival. As in previous incarnations, this year’s edition features new films by many of the most outstanding filmmakers in the world now working. The current highlights include: the latest by veteran Italian director Marco Bellochio; Benoît Jacquot’s new version of Octave Mirbeau’s classic 1900 novel, Diary of a Chambermaid, previously adapted by both Jean Renoir and Luis Buñuel; and new features by the experimental Philippe Grandrieux as well as Aleksei German, Jr. Retrospective programs include spotlights devoted to controversial Polish director, Andrzej Żuławski — regrettably all in DCP — and to the underrated Charles Bronson, with two features screening in 35-millimeter. A 1984 featurette directed by Ray Davies of the Kinks is also on the slate along with the wonderful musical, Golden Eighties, the closing night selection, by the recently deceased titan Chantal Akerman, both also presented in 35-millimeter.
The Film Society of Lincoln Center will be showcasing its tenth edition of Making Waves: New Romanian Cinema, co-presented with the Romanian Film Initiative, from December 2nd through the 7th at the Walter Reade Theater (165 W. 65th St, NY, NY). The emergence of such remarkable directors as Cristi Puiu, Cristian Mungiu and Cornelius Porumboiu (whose latest film, The Treasure, screens on Saturday, December 5th) has thrust Romania into the spotlight that Taiwan, Iran, and South Korea, for example, have emerged into, in recent decades.
This series is a welcome opportunity to see some of the best films that have emerged from the current milieu, as well as providing an opportunity to encounter work by neglected figures of the past — the current program will include a retrospective of veteran director Mircea Daneliuc, who will be appearing in person for a Q&A following the screening of his 1993 feature, Intimate Bed, presented in DCP at the Walter Reade on Wednesday December 2nd at 7pm, the Opening Night selection.
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