Rendezvous with French Cinema Series Brings Us New Titles By World-Class Directors

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Category: Film Festivals

Published on Wednesday, 05 March 2014 11:58

Written by Jack Angstreich

This year's installment of the Rendezvous with French Cinema series, The 19th edition -- presented by the Film Society of Lincoln Center and Unifrance Films -- annually showcases a slice of contemporary French film of the previous year.

Running from March 6th through the 16th, 2014, this festival features several interesting new works at three venues: The Film Society, the IFC Center and BAMcinématek.

In François Ozon's Young & Beautiful, a gorgeous 17-year-old — Marine Vacth, in a striking, quasi-Bressonian performance — decides to become a call-girl. The director's films are consistently stylistically accomplished and this is no exception — his handling of camera-movement, camera-placement, composition for the frame, and editing are remarkable.

Ozon, working from his own screenplay, achieves some unexpected pathos and his refusal to explain his protagonist is admirable, although I would have appreciated greater artistic ambition here, as I would regarding the director's other films.

The digital image in Young & Beautiful is mostly handsome although some sensuality is attenuated in scenes with bright light. The sphinx-like Charlotte Rampling has a memorable cameo and the great French actress, Nathalie Richard, is featured in a small role. A final bonus is the expressive use of several Françoise Hardy songs on the film’s soundtrack, each one marking a passage of time.

In Jacques Doillon’s Love Battles, from the director’s own screenplay, a young woman engages in a series of erotic and romantic confrontations with a man whom she has fixated upon. Doillon is faithful to his austere conception and risks tedium in the pursuit of artistic honesty and refusal to charm but this certainly has many of the impressive qualities that distinguish the director’s original body of work.

The intertwining of aggression and hostility with vulnerability and tenderness is remarkable here and the female lead, Sara Forestier, gives an especially compelling performance. The film is shot in a relatively loose style, with a lot of handheld shots, generating an unusual intimacy. The use of a digital format, however, proves to be a serious liability as the copious bright sunshine in the film washes out the image due to the narrow range of contrast.

Agnès Jaoui's entertaining Under the Rainbow is about, among other things, a romance between a music student and the daughter of an industrialist, interspersed with fairy-tale elements. Working with her regular writing partner, Jean-Pierre Bacri — who brilliantly co-stars with Jaoui here — the filmmaker has constructed an clever screenplay with excellent dialogue. The mise-en-scène, however, is undisciplined, lacking the  elegance of an earlier feature like Look at Me. This weakness is further compounded by the inadequacies of the digital format.

Serge Bozon's eccentric Tip Top follows the investigation by two Internal Affairs operatives into the murder of an immigrant Algerian informant. The unusual tone here is engaging and it’s pleasurably disorienting effect is enhanced by delightful, comic performances by Isabelle Huppert and Sandrine Kiberlain, in the lead roles. The director's style is formally controlled and characterized by abundant visual wit although the formal splendors are hampered by the deficiencies of the digital format. (The intriguing Bozon was the subject of a Film Society retrospective a few years ago.)

Bertrand Tavernier's Quai d'Orsay observes the circus-like atmosphere in which a newly hired young speechwriter attempts to please his employer, a Minister of foreign affairs. Thierry Lhermitte gives a bravura performance as the manic politician but Niels Arestrup as the chief deputy is even more impressive. 

Quai d'Orsay is not without interest but does not rise to the level of the director's best films, such as Coup de Torchon or Captain Conan. The absorbing classicism that opens the film settles into a somewhat routine conventionality for most its length. Here, again, the reliance on a digital format lamentably diminishes the visual texture.

For more information go to: www.filmlinc.com/films/series/rendez-vous-with-french-cinema-2014

Film Society of Lincoln Center
70 Lincoln Center Plaza
New York, NY  10023

IFC Center323 Avenue of the Americas
New York, NY 10014

BAMcinématek
30 Lafayette Avenue
Brooklyn, NY 11217

Open Roads—New Italian Cinema 2013

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Category: Film Festivals

Published on Friday, 07 June 2013 21:21

Written by Kevin Filipski

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Outfest Fusion: Queer Cinema Online & In Person

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Parent Category: Film Festivals

Category: Previews

Published on Wednesday, 22 March 2023 14:58

Written by Brad Balfour

Los Angeles’ long running queer film fest, Outfest Fusion, returns March 24 to April 2, 2023. True to its name, Outfest Fusion is an offshoot of the Outfest film festival with online and in person screenings featuring the work of today’s leading, and emerging, QTBIPOC artists and storytellers at venues across LA including the Japanese American Cultural & Community Center, the Los Angeles Theatre Center, and more along with most of the films being available for streaming. 

Outfest Fusion began in 2004 and this entry of the festival opens with a ceremony honoring two Outfest Fusion alum; Elegance Bratton (The Inspection) and Bird Runningwater (Sundance Institute Native American and Indigenous Program).  The opening festivities will screen several short films, including Baba, directed by Sam Arbor and Adam Ali, in which a young gay Libyan man lives underground with his friends and dreams of fleeing to England, but when he has to find his passport, he finds warmth where he least expects it and questions whether he should leave.

Outfest Fusion also includes a plethora of shorts, features, docs, and panel discussions. Panel workshops such as How to Craft the Perfect Pitch and Navigating Commercial Filmmaking as a QTBIPOC Creative are free to attend. Fusion Family Day showcases short films aimed at kids and families, while the One Minute Movie Contest tasks filmmakers to create bite-sized cinematic works.

Running since 1982, the mission statement of Outfest is to create “visibility to diverse LGBTQIA+ stories and empowers storytellers, building empathy to drive meaningful social change.”

To learn more, go to: https://www.outfestfusion.com/

Outfest Fusion
March 24 - April 2, 2023

Online and Various Venues in Los Angeles