Music Review: Planetary Adventures with 30 Seconds To Mars

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Parent Category: Film and the Arts

Category: Reviews

Published on Monday, 02 January 2012 16:09

Written by Christine Natanael

30 Seconds To Mars
Hammerstein Ballroom
December 7, 2011

When the brothers Jared and Shannon Leto, and Tomo Milicevic released This Is War in 2010, little did they know just where the tour for the album would take them or the journey it would become. Not only have they touched millions with their music, but they have helped so many with their compassionate charitable work.

The band's journey was marked by a new milestone on Wednesday December 7, 2011, at Hammerstein Ballroom in NYC where the Echelon (their fans) got to share in two great experiences: the presentation from Guinness Book of World Records of an award presented by James Montgomery, for achieving the greatest amount of shows in one tour cycle, (a round 300 on the plaque, but 309 in actuality); and simultaneous live streaming of the show via VyRT on UStream.

Those in the sold-out venue experienced a multi-media experience at the hands of the band itself and the filmmaker Bartholomew Cubbins, a full sensory immersion in the 30 Seconds To Mars Experience. Teenagers, toddlers, and adults alike were there to interact with the band, the music, the film and each other. It was  a celebratory experience of positivity from the first chords of "Escape" and "A Beautiful Lie" to the encore of "Kings and Queens".

Jared made his way to the back of the venue by the soundboard and light techs and took audience requests for the tunes "Kings and Queens", "Alibi", "Was It A Dream?", "Hurricane", and "The Kill", before returning to the main stage for "Closer To The Edge".  But 30 Seconds To Mars is not just the Jared Leto show. 

Guitarist Tomo Milicevic added his tone and technical precision as throughout the evening as drummer Shannon Leto punctuated and poly-rhythm-ed across the event, with a highlight being his coming centerstage to produce a beautiful tone on a large white singing bowl.

Older favorites such as "Search and Destroy", "Buddha for Mary", and "Capricorn", were also included in the set.

Jared let the crowd know that from their passion for the band they have and could make reality from a dream with the statement: "Dreams Are Possible" before bringing up two of the cutest little kids from the audience and introducing Bam Margera.

During the encore of "Kings and Queens", there was a slight mishap when young female fan down front went down and Jared stopped the show in order to call out from the stage for the medics to attend to her.  But she was revived quickly and soon joined the band onstage with so many people, including one guest who was hoisted out of his wheelchair to be brought up to be a part of it all, ending the night joyously.

Also on the evening's bill were local NYC group Semi Precious Weapons who are signed to Interscope Records and who toured with Lady Gaga as the opening act on her The Monster Ball Tour.

Tonight's 30 Seconds To Mars show will be held at St. Peter's of Chelsea with 100% of the proceeds going to aid those in Haiti who are still suffering from the devastating earthquake.  Non-perishable food items are being requested by the band to be brought by attendees of the event.

December '11 Digital Week V

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Parent Category: Film and the Arts

Category: Reviews

Published on Friday, 30 December 2011 20:00

Written by Kevin Filipski

Blu-rays of the Week

Apollo 18 (Anchor Bay/Weinstein Co)
This faux found-footage documentary apes predecessors like The Blair Witch Project and Paranormal Activity by setting up a decent premise of a secret, disastrous moon mission that discovers lunar horrors later covered up by authorities and doing little with it.

Since the movie comprises “previously unseen” footage from 1974, the format is academy ratio, and it’s grainy and decidedly “un” hi-def, so Blu-ray isn’t that superior to watch. Extras include director/editor commentary, deleted/ alternate scenes and alternate endings, none of which are appreciably better or worse than the one that was chosen.

Archer: Season 2 (Fox)
This animated spy spoof, which follows the adventures of the world’s most dangerous spy and those with and against him, has a Ralph Bakshi tone to its visuals and its humor, so it’s obviously cartoonish in every sense. All 13 episodes of the show’s second season are included; the amusing voice actors include H. Jon Benjamin as Archer and Aisha Tyler as his sometime companion Lana Kane.

Too bad this is merely a cartoon, for it would be great seeing Tyler doing her stuff in the flesh instead of mere voiceover; extras include several featurettes.

Capriccio (Decca)

In Richard Strauss’s final stage work, a regal Countess must choose between two men--a composer and a writer--making this the ultimate (and most memorably melodious) opera about the endless argument of words vs. music.

Renee Fleming magically brings the Countess to life with her immaculate voice, the perfect Straussian instrument, while Andrew Davis conducts the Met Orchestra with precision if not a full sense of Strauss’s dramatic sweep. The Met Live in HD broadcast has an immaculate clarity on Blu-ray; soprano Joyce DiDonato briefly interviews Renee during her introduction.

Final Destination 5 (New Line)
In the fifth and probably cleverest of this unnecessary series, several teens find that, after surviving a fatal bridge collapse, an unknown force wants them dead. So they are picked off one by one in improbably amusing ways, until the final scene, which brings the series full circle…for those who cares.

The multitude of gruesome deaths--especially one during Lasik eye surgery--are almost too vividly displayed in hi-def; extras include alternate death scenes, clips from all five movies’ killings and special effects featurettes.

Futurama: Volume 6 (Fox)
Unlike the season boxed sets for Matt Groening’s other, better hit show The Simpsons, Futurama’s volumes feature 13 unrelated--and typically uneven--episodes, all new to hi-def. This hit-or-miss compilation includes humorous shows with punning Groening titles like Ghosts in the Machines, All the President‘s Heads and Silence of the Clamps.

The show’s visuals gain in color and texture on Bluray; extras include commentaries on all episodes, deleted scenes and featurettes.

Glee: The Concert (Fox)
I’ve never been a fan of Glee, which annoyingly elevates crap like Journey and Madonna to classic status. The recent tour by the show’s cast--singing in character for thousands of adoring, mostly young fans--is showcased in this 80-minute performance, with Broadway veteran Lea Michele the easy stand-out, singing Katy Perry (why?), a Streisand tune from Funny Girl and the show finale of Queen’s "Somebody to Love."

Michele is far too talented to be stuck on Glee for long (one hope). The concert looks OK on Blu-ray; extras include two unseen songs, extended performances and introductions by cast member Jane Lynch.

Going Places (Kino Lorber)
Bertrand Blier’s 1974 success de scandale stars a young Gerard Depardieu and Patrick Dewaere as a pair of louts objectifying and degenerating woman all over France. Despite the rampant misogyny, it’s amazing how forceful the presences of Miou-Miou, Jeanne Moreau, Bridget Fossey and another young starlet, Isabelle Huppert, are: perhaps because they aren’t onscreen long, they don’t grate like the men do.

Blier’s well-made, superbly shot (by Bruno Nuytten) and scored (by Stephanie Grappelli) journey is entertaining if you ignore the nasty ramifications. Visually, the Blu-ray is first-rate; no extras.

The Moon in the Gutter (Cinema Libre)
Jean-Jacques Beineix’s visually striking 1983 drama is the last word in moody atmospherics and confused storytelling. Gerard Depardieu, Nastassja Kinski and Victoria Abril are lost in a morose study of murder, rape, suicide and the impossibility of love. Beineix is a gifted stylist but, as Diva and Betty Blue demonstrate, he’s not much for plotting or credible characterization.

Supposedly, the original four-hour version made more coherent psychological sense, but that’s not what we get here. The movie has a muted loveliness on Blu-ray; extras include Beineix’s debut Mr. Michel’s Dog and an interview.

DVDs of the Week
Brighton Rock (IFC)
Graham Greene’s classic crime novel, also a probing psychological study of good and evil, has been updated to 1964 by writer-director Rowan Joffe, which retains the sleazy Northern England atmosphere, and the acting--from Sam Riley (villain), Andrea Riseborough (innocent ingénue), Helen Mirren and John Hurt--is impeccable.

But the story plays out uninvolvingly, remaining distant and aloof. Extras include a making-of featurette, on-set footage and cast/crew interviews.

Elusive Justice (PBS)
Jonathan Silvers’ incisive and absorbing documentary about the decades-long global manhunt of escaped Nazi war criminals by a loosely linked network of committed individuals shines a necessary light on the ongoing battle between good and evil.

Actress Candice Bergen narrates this two-hour long film, which is not only one of the best programs to ever come out of the PBS stable of documentaries, but also another reminder of how important it is not to give up fighting the good fight.

A Good Old-Fashioned Orgy (Sony)
This silly sex fantasy by writers-directors Alex Gregory and Peter Huyck about a group of friends deciding to have an orgy “like they did in the 70s” has moments of comedic bliss, but the mostly coarse and derivative humor seems directly out of the current stable of Saturday Night Live performers-writers, of whom Jason Sudekis and Will Forte are here.

Happily, the women--Leslie Bibb, Lake Bell and delectable Michele Borth--make it worth watching the promise of an orgy. Extras include writer/director/star commentary, deleted scenes, gag reel and How to Film an Orgy featurette.

CD of the Week
Mariusz Kwiecien, Slavic Heroes (Harmonia Mundi)
Polish baritone Mariusz Kwiecien has headlined at places like the Metropolitan Opera, where he’s performed Mozart roles including Don Giovanni. For his first solo recital CD, Kwiecien has chosen a selection of arias from Russian, Polish and Czech operas, and the results are impressive.

Accompanied by the Polish Radio Symphony Orchestra under sympathetic conductor Lukasz Borowicz, the singer storms through arias both familiar (Tchaikovsky’s Eugene Onegin and Mazeppa) and unfamiliar (a trio from Stanislaw Moniuszko’s operas), with the standout finale--from Karol Szymanowski’s masterpiece King Roger--a perfect fit for Kwiecien’s powerhouse but subtle voice.

December '11 Digital Week IV

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Parent Category: Film and the Arts

Category: Reviews

Published on Monday, 26 December 2011 01:00

Written by Kevin Filipski

Blu-rays of the Week
The Birth of a Nation and Way Down East (Kino)
These D.W. Griffith classics are more historically than artistically admirable, especially 1915’s Nation, with its rampagingly racist view of the Ku Klux Klan; 1920’s East, by contrast, is a relatively sober melodrama. Griffith was a master of composition and editing, if not depth or complexity; his films are large-scale curios important beyond their shortcomings.

Kino’s restored hi-def transfers (East comes courtesy of the Museum of Modern Art) are excellent if not as stunning as its Buster Keaton entries. Nation’s two discs of extras include a making-of and the full 1993 restoration; East includes a short ice-floe sequence from a 1903 film of Uncle Tom’s Cabin which inspired Griffith.

Blackthorn (Magnolia)
A grizzled, bearded Sam Shepard plays a retired Butch Cassidy whiling away the remainder of his days in Bolivia in director Mateo Gil’s laidback western. Lovely photography that makes terrific use of the widescreen format is its calling card.

But despite Shepard’s authoritative presence, Butch comes across as a cipher, not good in a film ostensibly about him. The Blu-ray transfer is glorious; extras include interviews, featurettes and 22 minutes’ worth of deleted scenes.

Branded to Kill and Tokyo Drifter (Criterion)
Seijun Suzuki’s remarkably brash thrillers are among the most entertaining of their time (1967 and 1966, respectively): these beguiling mash-ups of gangster movie, romance and musical--shot in splendid B&W and color--introduce a series of appealingly nutty characters whom Suzuki’s stylishness makes endlessly fascinating.

The Criterion Collection’s Blu-ray editions give these films a shocking visual jolt that’s unmatched; extras include new and vintage interviews with Suzuki and assistant director Masami Kuzuu and an interview with Branded star Joe Shishido.

Catch .44 (Anchor Bay)
I had a crushing sense of déjà vu while watching Aaron Harvey‘s second-rate thriller: its insistence on following various characters through story threads that collide with and converge on one another--some even die then return in flashbacks--is solely Quentin Tarantino’s fault, since he made it acceptable for anyone with a script and camera to make a slick but empty flick.

Though the actors can do little with their stereotypes, Bruce Willis, Nikki Reed and Forrest Whitaker look like they’re having fun, and Malin Akerman--bless her--very nearly makes the heroine sympathetic. The film looks quite good on Blu-ray; lone extra is a Harvey commentary.

Colombiana (Sony)
If there’s any justice in Hollywood--which, as we know, there isn’t--Zoe Saldana would be a superstar: she’s a compelling, charismatic actress who can do drama, comedy, action, whatever. Instead we’re stuck with the likes of overrated, one trick ponies Gwyneth Paltrow, Scarlett Johannsen, Kate Hudson and Kristen Bell.

Rant over: Saldana makes this forgettable action flick fly furiously, even making us feel for a young woman--trained as an assassin after her parents are brutally murdered--who’s calmly killing dozens of people. The Blu-ray image is first-rate; extras include several featurettes.

Detective Dee and the Mystery of the Phantom Flame (Vivendi)
Director Tsui Hark’s incomprehensible costume fantasy-drama has its share of amazing visuals, but the story’s incoherence and the characters’ distance from the viewer--even the title sleuth and his princess--keeps this ultra-stylish diversion at arm’s length.

On Blu-ray, the movie literally blasts off the screen, and for many fans of this type of movie, that will definitely be enough: all others have been warned. Extras include on-set featurettes.

Dolphin Tale (Warners)
This heartfelt, inspirational story chronicles an injured dolphin’s battle to survive without a tail and the two young children who are there to help. Sentimental and syrupy for sure--but when it’s done so guilelessly, the result is a sweet family film without many annoying diversionary tactics.

On Blu-ray, the movie looks best in the many underwater sequences; extras include a deleted scene, gag reel and behind-the-scenes featurettes.

Intruder (Synapse)
Not all vintage splatter movies are classics: case in point is1989’s Intruder, which is only partly intentionally inept. Despite a willing cast, director Scott Spiegel just doesn’t have fellow director Sam Raimi’s style and pacing, and the movie degenerates into repetitious and boring gore scenes once the killer has established himself in the local grocery store.

Even the cheesy special effects aren’t especially memorable. The movie looks as good as it’s going to look on hi-def; extras comprise new cast and crew interviews, screen tests and bonus scenes.

Margin Call (Lionsgate)
This tense look at the 2008 financial meltdown through the eyes of traders and bosses--all trying to figure out how to weather what they know will be a damaging storm once the bottom drops out--arrives courtesy of debut writer-director J. C. Chandor, who obviously knows the milieu (his dad worked for an investment firm).

The characters, from the firm’s CEO to the young trader who deciphers complex numbers to arrive at the foregone (and ominous) conclusion, are enacted with precision and even sympathy by Kevin Spacey, Jeremy Irons, Paul Bettany, Stanley Tucci and Zachary Quinto. The movie looks sharp on Blu-ray; extras include deleted scenes with commentary, director/producer commentary and on-set featurettes.

Seven Chances (Kino)
This inspired and classic piece of Buster Keaton lunacy crams more awesome hilarity and stuntwork into 52 minutes than movies twice as long. As always, Keaton builds the rollicking humor to a thrilling crescendo, in this case a most dazzling chase scene as Keaton tries to outrace rolling rocks and boulders in an enervating finale.

Another in Kino’s superb series of hi-def Keaton releases, Seven Chances looks clean and spotless; extras include a Three Stooges short based on this movie’s plot, a 1904 short that inspired Keaton’s final chase and a location featurette.

Stars and Stripes Forever (Fox)
Named after John Philip Sousa’s most famous march--inspired titling, that!--this standard 1952 biopic is a nice if undistinguished overview of the “march king’s” career from his army band to his composing “Stars and Stripes Forever” after the U.S. victory in the Spanish-American War.

Clifton Webb is a stiff Sousa, but Ruth Hussey (wife), Robert Wagner (protégée) and Debra Paget (protégé’s wife) enliven things a little, as does lots of Sousa’s irresistible music. The restored film has a vibrancy on Blu-ray that helps elevate the lagging dramatics; extras include featurettes on the film and Sousa’s music.

DVDs of the Week
Burke & Hare (IFC)
John  Landis’ first feature since 1998’s double disaster of Susan’s Plan and Blues Brothers 2000 is another crude comic effort that’s doubly disheartening since it’s based on a true story of grave robbers who must keep a fresh supply of cadavers for a dissecting doctor.

A top-notch British cast is led by Simon Pegg, Andy Serkis, Ilsa Fischer and Tom Wilkinson, and an appropriately dark Sweeney Todd mood envelopes the proceedings, but Landis’ farcical instincts fail him: a firmer, subtler guiding hand is needed. Extras include interviews, outtakes and deleted scenes.

The Overcoat (Raro Video)Alberto Lattuada’s 1952 adaptation of Nikolai Gogol’s short story is one of the underrated Italian director’s best films. Famed for collaborating on Fellini’s debut feature Variety Lights, Lattuada had a sardonic comic sense all his own that’s found in spades in this satire of bureaucracy and fascism centered around a beautifully modulated performance by Renato Rascel as a lowly clerk who longs for a new overcoat…and unfortunately gets what he wished for.

The film has gotten a sparkling restoration; extras are commentary by two Italian film historians, an interview with director Angelo Pasquini and deleted scenes.

CD of the Week
Natasha Paremski, Brahms/Kahane/Prokofiev (Arioso Classics)
This scintillating 25-year-old Russian pianist--who won the 2010 Young Artist of the Year award from the Classical Recording Foundation--daringly pairs three composers on her debut recital disc: Johannes Brahms, Sergei Prokofiev and Gabriel Kahane, whose 2009 Piano Sonata was commissioned for Paremski, who makes short work of its imposing passages.

She plays Brahms’ Piano Sonata No. 2 with warmth and sensitivity, and Prokofiev’s technically and emotionally demanding Piano Sonata No. 7 finds her in her element, thrillingly tracking the composer’s unique blend of playfulness and tragedy.