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Columbus did not land in Bolivia. But a Spanish film crew has chosen that country to shoot their historic recreation of that event — and how some priests fought against the subsequent enslavement of the natives — because, well, it’s cheaper. That initial bit of convenient exploitation is only the start of the parallels in Even the Rain, a film in which the 2000 Bolivian “Water War” — in which the citizenry fought against the privatization of their water supplies — coincides with the filming of an historical epic, forcing everyone involved, including the driven director played by Gael Garcia Bernal and a cynical producer played by Luis Tosar, to confront how far a dedication to one’s art applies in the face of genuine, human turmoil.
The complex scenario mixes reenactments of 15th century conquest, behind-the-scenes drama of the film’s cast and crew, and a gritty envisioning of the battle over a prime element of life. It was written by Scottish author Paul Laverty (Ken Loach’s Bread and Roses and The Wind that Shakes the Barley), and directed by Spanish director Iciar Bollain (Take My Eyes, Mataharis). I was lucky enough to speak to both of them for this episode — click on the player to hear the interviews.
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While there are many great films targeted for awards this season, the buzz film that stirs the most emotional reaction, of shock or a cringe has been Black Swan -- Darren Aronofsky's psychological horror suspense thriller -- a Whatever Happened to Baby Jane for ballet fans.
Aronofsky is remarkably skilled at ratcheting up the psych-out qualities of story ever since he made Requiem for a Dream -- his horrific film of middle-class drug addiction based on the late Hubert Selby's book of the same name. In Black Swan, the finely tuned and sculpted actress Natalie Portman plays Nina, a ballerina so tightly wound and dance obsessed -- with a helicopter-hovering stage mother Erica (Barbara Hershey) -- that the pressure to be the best is literally driving her crazy.
The hit film The Social Network, may not have as profound an effect as the social network, Facebook, itself. But the cinematic version has lots of important things to say about the kind of people who make game-changing ideas into a reality and how it impacts on those around them.
When an idea like FB becomes worth, at least on paper, about 50 billion dollars, exceeds Google as the most viewed site with billions of click-throughs and has over 500 million members, it necessitates getting a handle on its implications. And there has been about a billion words written about it.
To the hardcore Jane Austen fans, 50-year-old English actor Colin Firth will always be Mr. Darcy after he appeared in a wet shirt in the BBC mini-series of Pride and Prejudice. But he really landed at the top of the hot lists with his 2009 Best Actor Oscar nomination for playing George in Tom Ford's A Single Man. Now with a one-two punch, the handsome actor has hit again with another Tom at the helm, this time Britisher Tom Hooper, directing Firth in The King's Speech.
The film has already been pulling in nominations or awards from all over the place including seven Golden Globes so far.