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Reviews

SIFF Review: "A Hijacking"

"A Hijacking" (Kapringen)
Directed by Tobias Lindholm 
Starring  Pilou Asbæk, Søren Malling, Dar Salim, Roland Møller, Gary Skjoldmose Porter, Abdihakin Asgar, Amalie Ihle Alstrup
Drama, Thriller 
99 Mins 
R
 
Tracking a fictional hijacking situation at sea, Tobias Lindholm's film values process over progress, where the "heroes" and "villains" play a politicking game of chess in which each seemingly trivial move is an irretractable act of positioning. If you're fascinated by a moody, slow-moving game of "guess the number" then A Hijacking will have you hooked but if you're looking for a bit of excitement and flourish in your thriller, you may quickly find your senses dulled by the vacillating nature of Lindholm's tepid narrative structure. 
 
When Danish cargo ship MV Rozen is taken by Somalian pirates, a battle of compromise begins. Our first point of connection in the film is Mikkel (Pilou Asbæk) who becomes somewhat of a protagonist even though he never quite feels like the focal point. Mikkel is the vessel's cook and is just ending a long run at sea to return home to his wife and kids. He's an everyman who serves as a suitable blank slate to draw a sweaty transformation upon. In the midst of the stuffy, traumatic quagmire to come, Mikkel is doomed to change.

Read more: SIFF Review: "A Hijacking"

SIFF Review: "Blackfish"

"Blackfish"
Directed by Gabriela Cowperthwaite

Documentary, Drama
90 Mins
PG-13

A documentary thrives on three elements: diligent research, visceral impact and well-structured organization. Going down that list, Blackfish can take solace in a big black check through each. Although I wasn't as knotted up as the woman wiping a torrent of tears from her eyes for a good 75 percent of the film sitting next to me, the weighty subject matter, hard hitting questions and inviting narrative structure make this a documentary that is not to be missed.

Documenting the life of a single killer whale who takes his genus name all too seriously, director Gabriela Cowperthwaite invites us to explore not the life of a monster but the journey of a tormented soul. In true documentarian fashion, Cowperthwaite takes us to the beginning of the story so that we can better understand the perceived transformation of one docile creature into a man-eating beast.

Read more: SIFF Review: "Blackfish"

SIFF Review: "The Bling Ring"

The Bling Ring

"The Bling Ring"
Directed by Sofia Coppola

Starring Israel Broussard, Katie Chang, Emma Watson, Leslie Mann, Claire Julien, Taissa Farmiga
Crime, Drama
90 Mins
R
 

In a funny way, The Bling Ring is Sofia Coppola's most accessible film to date. As cognizantly distant and empty-headed as the teens-on-a-tear at the center of the film are, Coppola takes aim at the celebrity-woozy, status-driven ethos of the eGeneration and blasts a cartoonish hole in the midst of it. At the center of this distorted "me, me, me" psychology is a generational confusion of money for fame that we've all grown accustomed to, and likely sickened by, since the proliferation of reality television. Behind the mass thievery in the film of designer clothing, excessive jewelry and cold hard cash and beyond the drivel of faux-postmodern wisdom, competent and unexpected camera work from the late Harris Savides drives Coppola's picture towards a lingering statement on the despondent emptiness of a life pursuing status and fame.

Read more: SIFF Review: "The Bling Ring"

SIFF Review: "Last I Heard"

Last I Heard

"Last I Heard"
Directed by Dave Rodriguez
Starring Paul Sorvino, Renee Props, Michael Rapaport, Andrea Nittoli, Lev Gorn, Steven Bauer, Chazz Palminteri
Drama, Comedy

 For a film whose focus is character, Last I Heard is pretty inept at characterization. Leading man Paul Sorvino does the best he can with his ex-mobster character Mr. Joe but he just doesn’t have it in him to play the star role nor does he have any character half decent enough to adequately play off of. His eventually coming-to-terms with life outside the confines of a prison cell should have felt poignant but instead stagnates and quickly becomes adrift in mediocrity. When the walls to the stony faced character are finally broken down, even his tears feel artificial and vapid. Director and screenwriter Dave Rodriguez uses heavy-handed pathos to try and move his audience but his actors just aren’t up for the challenge.

Read more: SIFF Review: "Last I Heard"

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