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Coded Bias
The latest film fest to switch to a digital platform is the New York edition of the Human Rights Watch Film Festival (HRWFF). Running June 11 - 20, 2020, the HRWFF will be streamed for audiences from https://www.hrwfilmfestivalstream.org/.
The opening night film, Belly of the Beast, directed by Erika Cohn, looks into the oppressive practice of involuntary sterilizations of women in the federal prison system. Radio Silence, from Juliana Fanjul, tells the story of fierce radio journalist Carmen Artesegui, who was censored by the Mexican government for fighting against corrupt disinformation. Máxima, directed by Claudia Sparrow, about the noted environmental Goldman Prize winner Máxima Acuña, who fought intimidation, violence and criminal prosecution in a fight to keep her home in Peru. Coded Bias looks at how the world of AI has been dominated by white men, leading to misinformation being taken as fact. Down a Dark Stairwell, about criminal justice and race in NYC, and the HBO film Welcome to Chechnya by David France (How to Survive a Plague) which uses deep fake technology to mask the identities of gay Chechnians trying to escape the country.
Many of the films will also include live Q&As with filmmakers and special guests that will be streamed (be sure to register for them ahead of time).
To learn more, go to: https://ff.hrw.org/new-york-digital-edition
Human Rights Watch Film Festival New York: Digital Edition
June 11 - 20
Nofinofy
Interrupted by the Covid 19 pandemic, the Museum of the Moving Image is shifting the 2020 First Look Festival to the streaming platform MUBI. The festival features four films: ManBird Talk (Dir. Xawery Żuławski), Searching Eva (Dir. Pia Hellenthal), Transnistra (Dir. Anna Eborn), and Nofinofy (Dir. Michael Andrianaly), will stream each Monday in May exclusively on MUBI.
First Look is the Museum’s annual festival of new, innovative international cinema. The 9th edition, scheduled for March 11 through 15, was cut short after the first two days as the Museum building was closed in efforts to mitigate the spread of the coronavirus. The Museum of the Moving Image also features streaming films on its website of View From Home and Live Online streaming events.
To learn more, go to: http://movingimage.us/ or https://mubi.com/
SeriesFest, the non-profit organization dedicated to supporting underserved voices in episodic storytelling, is joining the list of festivals pivoting to a streaming format. Launching April 15, SeriesFest will host industry creatives through virtual writers rooms, creator hangouts, network watch parties and online Pitch-A-Thons.
The main festival, scheduled for June 18 to the 24th, will happen as scheduled, but online, with streamed screenings followed by extended Q&As with talent and creators of TV favorites and premiere content on YouTube. These events bring exclusive access to fans while also celebrating the rich history of episodic storytelling.
SeriesFEst will also have ongoing watch parties for viewers to participate in, which include live Q&As. Watch parties scheduled include:
April 15- One Tree Hill, Q&A with James Lafferty and Stephen Colletti
April 29 - New Amsterdam, Q&A with Ryan Eggold
April Date TBA - Disjointed, Q&A with Betsy Sodaro
Launching April 16, a series of virtual roundtable conversations surrounding all things indie episodic will be hosted by SeriesFest alumni. Available to stream on YouTube, two to five creators will host hour long conversations around indie topics including Female Filmmakers, Sparking Creativity, The Art of the Pitch, Creating The Season One Arc, International Independent Content, Benefits and Challenges of Online Release. The Art of the Pitch will be hosted by Emil Pinnock and Ian Robertson, the team behind SeriesFest: Season 3’s award-winning pilot, Up North. Pinnock and Robertson will lead the interactive workshop on what they've found are the three most important areas to prepare for - the people, the package and the pitch.
To learn more, go to: https://seriesfest.com/
The 12th Annual ReelAbilities Film Fesitval is joining the recent trend of film festivals shifting to online platforms in light of the COVID-19 pandemic. Running March 31 to April 6, ReelAbilities is dedicated to promoting awareness and appreciation of the lives, stories, and artistic expressions of people with disabilities. Now the festival can be enjoyed from the comfort of your living room.
Films will be available online for 24 hours beginning at the scheduled start time and Q+As with filmmakers and guests will take place after the film’s first screening concludes. Films will still be fully accessible, presented with open captions and audio description. Q+As and panels will be broadcast in interactive livestream with captioning.
The festival includes the world premiere of Brian Thomas’ documentary Amy’s Victory Dance, the story of a former professional dancer who is run over by a 15-ton New York City express bus and her triumphant path back to the stage after the near loss of her life and leg. Oliver Sacks: His Own Life is a documentary about the foremost neurologist of the 21st century from director Ric Burns. Serbian director Raško Miljković’s debut feature film The Witch Hunters is a poignant tale about 10-year-old Jovan, who has cerebral palsy, and his imaginative world and adventurous friendship with his classmate Milica.
"We feel that these stories still need to be told and that creating community is as important as ever. For the first time ever, we will present the majority of our films, Q+As, and conversations online. We believe this will allow us to advance our mission of accessibility, making our films and conversations available to our community at times when gathering together in person is not possible." says Isaac Zablocki, the director of ReelAbilities Film Festival:
To learn more, go to: https://reelabilities.org/newyork/
ReelAbilities Film Festival
March 31 - April 6, 2020