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December '16 Digital Week II
- Details
- Parent Category: Film and the Arts
- Category: Reviews
- Published on Wednesday, 14 December 2016 13:34
- Written by Kevin Filipski
Blu-rays of the Week
Fellini’s Roma
(Criterion)
Federico Fellini’s impressionistic 1972 kaleidoscope of the world’s greatest city—or at least the center of the world, as any Romans will willingly say—came out between his delightful TV movie The Clowns and sentimental childhood journey Amarcord.
It’s filled with dozens of indelible images, including a stupendously wordless final sequence of motorcycles racing through the streets of the city at night, that compensate for its share of longueurs. The hi-def image looks superbly grainy and film-like; extras include a commentary, deleted scenes, and interviews with director Paolo Sorrentino and Fellini friend/poet Valerio Magrelli.
(Dark Sky)
Director John McNaughton’s 1986 cult film actually seems rather mild today, its clinical depiction of a murderer actually shows him as less evil than others he comes across—a dubious decision morally, if defensible dramatically, as shades of grey are better than simply a black and white portrait of a monster, played with shading and subtlety by Michael Rooker.
The low-budget film looks quite good on Blu-ray; many extras include director commentary and interviews, deleted scenes, outtakes and featurettes.
It’s Always Fair Weather
(Warner Archive)
This underrated 1955 musical was co-directed by star Gene Kelly and Stanley Donen, who team for this rollicking if cynical saga highlighted by two unforgettable solo sequences: Dan Dailey does the honors in the hilariously drunken “Situation-Wise,” followed by the truly remarkable turn by Kelly himself doing a creative and head-spinning tap dance—on roller skates!
Warner Archive’s hi-def transfer isn’t perfect—there are scenes in which the colors get muddy—but it’ll do. Extras comprise a retrospective featurette, three musical number outtakes (and one audio-only song), vintage Kelly and Cyd Charisse interviews and two classic cartoons.
(Cohen Film Collection)
Joan Crawford appropriately chews the scenery as a successful Broadway playwright who falls for a middling actor (played with appropriate menace by Jack Palance) in this tautly-made 1952 thriller by director David Miller, who imbues a palpable sense of fear through the foggy B&W photography of Charles B. Lang, Jr., and an intense score by Elmer Bernstein.
The film has received an acceptable hi-def transfer, while the lone extra is an audio commentary.
Suicide Squad
(Warner Bros)
Director David Ayers’ extensively messy anti-superhero saga is, in its extended Blu-ray cut, 134 minutes’ worth of sequences linked most tenuously as it tries to get viewers to root for the assorted low-lifes given security clearance by a desperate U.S. government to track down and eliminate terrorists.
As others have noted, in a cast filled with slumming stars—Will Smith, Viola Davis, and Jared Leto as a Joker more unhinged than Heath Ledger’s—it’s the irresistible Margot Robbie who steals the show with her alluringly insane Harley Quinn. On Blu-ray, the film looks fine; extras include featurettes and a gag reel.
Homo Sapiens
Almayer’s Folly
(Icarus)
Austrian iconoclast Nikolaus Geyrhalter (Our Daily Bread) returns with Homo Sapiens, his latest thought-provoking documentary, whichtravels from Fukashima in Japan to Ohio—and many locations in between—to record man-made places where man is no longer present: by showing states of natural decay and/or neglect by humans, the film artfully implies that nature—growing in and around these abandoned places—will flourish after we are gone from the scene.
It’s too bad that, in 2011’s Almayer’s Folly (her final feature prior to her suicide last year), Belgian director Chantel Akerman adapted an early Joseph Conrad novel about a Dutch trader in the Far East to little dramatic effect.
Zoo—Complete 2nd Season
American Gothic—Complete 1st Season
(CBS/Paramount)
In the second season of Zoo,the worldwide animal takeover has reached epic proportions: although there’s something inherently silly about the series, there is some amusement watching lions, tigers, rhinos, birds, bees, etc., terrify people to within an inch of their lives.
A lively if overly familiar dramatic series, American Gothicfollows a sordid saga of murder in the history of a prominent family from Boston. A solid set of actors (led by Juliet Rylance and the ageless Virginia Madsen) helps keep this from becoming risible: but it still was cancelled after its first 13 episodes. Extras on both sets include deleted scenes, gag reel, featurettes and interviews.
Rush—2112 40thAnniversary
(Mercury/Anthem)
Its breakthrough 1976 album2112 made Rush one of the top prog-rock groups, consolidating—and, to these ears, improving—their sound with Permanent Waves (1980), Moving Pictures(1981) and Signals(1982), still its three best albums. Hearing 2112 today, there’s undeniable dross (“Lessons,” “Tears”), but the musical confidence is there in spades for the band’s peerless instrumentalists: drummer Neil Peart, guitarist Alex Lifeson and bassist Geddy Lee (the less said about Lee’s vocals and Peart’s lyrics, the better).
This 40thanniversary set includes the original album, a second CD that includes new versions of 2112 tracks by the likes of Dave Grohl with Taylor Hawkins and Alice in Chains, and live tunes from Rush’s 1976 and ‘77 tours. There’s also a DVD featuring a healthy segment of a 1976 concert, a new interview with Lifeson and producer Terry Brown, and looks at Billy Talent recording “A Passage to Bangkok” and Grohl/Hawkins doing “Overture” for the second CD.
December '16 Digital Week I
- Details
- Parent Category: Film and the Arts
- Category: Reviews
- Published on Wednesday, 07 December 2016 17:06
- Written by Kevin Filipski
Blu-rays of the Week
The BFG
(Disney/Dreamworks)
Steven Spielberg’s adaptation of Roald Dahl’s delightful children’s book might be too determined to conjure up the magical and the sentimental simultaneously, but at its best, it shows that Spielberg still has no equal making movie enchantment that pleases both children and adults. Mark Rylance is a perfect Big Friendly Giant; even motion-capture photography can’t obscure his expressiveness and emotional hugeness.
The little girl Sophie is wonderfully played by Ruby Barnhill, and Janusz Kaminski’s dazzling cinematography, John Williams’ lively score and Joe Letteri’s phenomenal special effects add to the fun, even if ultimately pales in comparison to a classic like E.T. The hi-def transfer is first-rate; extras include featurettes, interviews and an appreciation of scriptwriter Melissa Mathison, who died after the film was finished.
(Criterion)
When performance artist Laurie Anderson’s beloved dog Lolabelle died, she dealt with her grief by making this lovely little valentine of a film that’s part catharsis, part shaggy-dog story and 100% pure emotion.
At its core, Anderson deals with loss—not only Lolabelle, but also (though unmentioned) husband Lou Reed—even providing insightful personal observations about New York post-Sept. 11 and our current security state. The film’s visuals are more than adequate on Blu-ray; extras include a discussion with Anderson, deleted scenes and her Concert for Dogs, which she performed in Times Square.
Howard’s End
(Cohen Film Collection)
The peak of the uneven James Ivory-Ismail Merchant-Ruth Prawer Jhabvala team’s career was this absorbing 1992 adaptation of E.M. Forster’ classic novel about the shifting relations and attitudes among the different classes in Edwardian England: it’s old-fashioned filmmaking done so well that it’s transfixing to watch. Ivory’s directing and Jhabvala’s writing were never equaled by them before or after, while the cast—Emma Thompson, Anthony Hopkins, Helena Bonham Carter and Vanessa Redgrave for starters—is flawless.
The restored film has a spectacular film-like sheen on Blu-ray; extras include a new Ivory interview, vintage Ivory and Merchant interviews, on-set interviews and featurettes.
(Film Movement Classics)
In New Zealand director Geoffrey Murphy’s 1985 sci-fi drama, scientist Zac believes he’s the last person on earth after “The Effect” caused a mass disappearance: soon he meets a young woman, Joanne, and later, Api, a Maori man. This weird ménage a trois (of sorts) is interesting for awhile, but Murphy loses control with a dissatisfying open-ended final sequence that’s visually breathtaking but hollow.
Bruno Lawrence is riveting, especially when he’s onscreen alone for the first part of the film. The new hi-def transfer is sharply detailed; the lone extra is an entertaining commentary by astrophysicist Neil DeGrasse with film writer Odie Henderson.
DVDs of the Week
Ants on a Shrimp
(Sundance Selects)
Maurice Dekkers’ documentary, which follows chef Rene Redzepi (of Copenhagen’s famed Noma restaurant) traveling to Japan to open a Noma in Tokyo in a tightly compressed five weeks, is captivating in its numerous fly-on-the-wall glimpses of Redzepi dealing with colleagues, balancing the very real cultural differences between East and West and fixing any number of bugaboos targeting such an ambitious endeavor.
Best of all are priceless moments such as the looks on several faces when something called “sperm emulsion” is unveiled for eating.
(MPI)
The punning title—referring to a makeshift IT department of a small company—is the best joke of this painfully uneven four-season-long British sitcom that largely wastes a talented cast: Chris O’Dowd, Richard Ayoade and Katherine Parkinson manage to elevate some of the humor, despite its essential crudeness. (The awful laugh track doesn’t help matters.)
The series’ fans will love that this is finally available on DVD, since all 25 episodes—and a true bonus, the never-before-seen finale episode, The Internet Is Coming—are included on the five-disc set.
Neither Heaven nor Earth
(Film Movement)
Director Clement Cogitore turns the vast wastelands and battlefields of Afghanistan—where a battalion of French soldiers fights a never-ending battle with mostly vaporous enemy forces—into a metaphysical hellhole where men mysteriously disappear, to the growing dread of the squad and its increasingly bemused leader (played by a terrific Jeremie Renier).
Although Cogitore doesn’t quite grasp his demanding concept in full, enough of war’s confusion and futility are intensely conveyed to make this a welcome addition to the genre. Extras are Cogitore’s commentary (in English) and his 30-minute short, Among Us.
American Moments—Neave Trio
(Chandos)
The estimable young ensemble, the Neave Trio, doesn’t take the easy way out on this recording; instead of Beethoven, Mozart or Haydn, they tackle a trio of trios that aren’t as well-known: one (from 1909) by a teenaged prodigy named Erich Wolfgang Korngold, another composed around the same time as Korngold’s by the American Arthur Foote, and another written a generation later by a young man named Leonard Bernstein.
These attractive works are performed by the Neave musicians with well-proportioned brio, elegance and muscularity; Korngold’s youthful but effortlessly mature work especially sounds bracing and graceful in their hands.
November '16 Digital Week V
- Details
- Parent Category: Film and the Arts
- Category: Reviews
- Published on Tuesday, 29 November 2016 17:25
- Written by Kevin Filipski
Blu-rays of the Week
C.H.U.D.
(Arrow)
Beware of the CHUDs (Cannibalistic Humanoid Underground Dwellers), hiding in Manhattan’s sewers and fatally mauling their victims in this dopey but guilty-pleasure 1984 horror flick by director Douglas Cheek, who knows that he has silly material but runs with it, resulting in a mindless entertainment strongly aided by its cast.
Then-unknown actors John Heard, Daniel Stern, Kim Geist, John Goodman and Jay Thomas do their best. The hi-def transfer is excellent; extras comprise two commentaries, new crew interviews, extended shower scene and NYC locations featurette.
(Eagle Rock)
Ann Wilson’s magnificent voice is a freak of nature, as she proves throughout the 90-minute concert she and sister Nancy’s band played in June at London’s fabled Royal Albert Hall, with the Royal Philharmonic Orchestra sitting in for some tunes, giving depth and elegance to “Dreamboat Annie” and “Sweet Darlin’,” among others; but it’s Ann’s pipes on “Alone,” “Beautiful Broken” and “Barracuda” that really propel the show.
The audio and video are superb, the Wilson sisters interview is interesting, but director James Russell botches it by continually cutting away from Ann singing to pointless glimpses of views from the cheap seats or to audience members—whom we don’t care about—singing along.
Poldark—Complete 2nd Season
(PBS)
Ross Poldark knows all about drama, and the series’ second season finds him in so many near-fatal—or at least life-changing—scrapes that it becomes second nature for him to squeeze his way out of them in this ravishing-looking remake of the classic BBC drama series based on Winston Graham’s books.
Aidan Turner is a dashing Poldark, Heida Reed a bewitching Elizabeth—Ross’s ex-fiancée who’s still dangerously nearby—and Eleanor Tomlinson a spunky, feisty Demelza, Poldark’s wife. The 10 episodes have been given top-notch hi-def transfers; extras include interviews and featurettes.
Private Vices, Public Virtues
(Mondo Macabro)
Hungarian director Miklós Jancsó, who died in 2014 at age 92, made this visually unique Italian-Yugoslav co-production in 1976, featuring his customarily lyrical cinematography, with gorgeous colors and stunningly choreographed movement. There’s not much else to tempt non-Jancsó fans, unless you count plentiful nudity—it’s of a piece with the rest of his singular artistry, although it does wear out its welcome before its 105 minutes finish.
The hi-def transfer looks exquisite; the film soundtrack is in Italian or English, and contextual extras are interviews with co-writer Giovanna Gagliardo, actress Pamela Villoresi and historian Michael Brooke.
Ritchie Blackmore’s Rainbow—Memories in Rock
(Eagle Rock)
As part of last year’s Monsters of Rock festival at two sites in Germany, guitarist extraordinaire Ritchie Blackmore brought the latest incarnation of his band Rainbow for a fervid two-hour concert featuring such Rainbow favorites as “Since You Been Gone” and “Man on the Silver Mountain” along with Deep Purple classics like the ubiquitous finale, “Smoke on the Water.”
Blackmore’s playing is inspired, while vocalist Ronnie Romero does great impersonations of Ian Gillan, Ronnie James Dio and Graham Bonne). Audio and video are first-rate; two CDs provide an audio recording of the entire concert.
(RLJ/Athena)
Throughout its eight one-hour episodes, director Jeff Dupre and Maro Chermayeff’s series explores how recording, video and other technical innovations have changed the way music is created and how we absorb it.
Even if such a format inevitably makes it more of a general overview than an in-depth examination, the historical performance clips and interviews with luminaries from George Martin and Paul McCartney to Rick Rubin and Tom Petty are something to see, especially in the first two (and best) parts, The Art of Recording and Painting with Sound. The Blu-ray looks fine; extras include even more interviews, including Ringo demonstrating rock’n’roll drumming.
Time After Time
(Warner Archive)
In Nicholas Meyer’s sensationally entertaining 1979 time-travel adventure, Malcom McDowell makes a witty and sympathetic H.G. Wells, who lands in modern-day San Francisco in his own time machine—chasing Jack the Ripper (a perfectly creepy David Warner), who loves the chaotic 20thcentury.
A terrifically clever premise and undeniable if offbeat chemistry between McDowell and Mary Steenburgen as the woman who aids Wells make this a grand diversion. There’s a superior hi-def transfer; lone extra is a Meyer and McDowell commentary.
True New York
When Two Worlds Collide
(First Run)
Anthologies don’t come more absorbing than True New York, comprising five documentary shorts about some incredible characters living in a New York City not usually shown: teens cliff-jumping in the Harlem River; workers at a Queens yellow-cab depot; an artist who draws interiors of all of New York’s subway stations; a financial whiz who takes over his father’s halal slaughterhouse; and a Harlem street performer who regales drivers on the FDR Drive.
In Heidi Brandenburg & Mathew Orzel’s astonishing documentary When Two Worlds Collide, Peruvian indigenous people and government forces clash over the destruction of valuable rainforest by companies that those in power have given the green light to. Angry rhetoric soon devolves into violent, fatal clashes—it’s a timely and depressing look at authoritarian control. True extras include filmmaker interviews.
CDs of the Week
Gidon Kremer—Complete Concerto Recordings
(Deutsche Grammophon)
One of the great violinists of the late 20th—and early 21st—century, Gidon Kremer is best known as a remarkably agile and inspired interpreter of modernist composers like Alfred Schnittke and Sofia Gubaidulina (both of whom are generously represented here), but this 22-CD set—which collects all of Kremer’s concerto recordings for DG since his 1979 Beethoven/Schubert disc—shows Kremer’s versatility as well as his virtuosity. So we get his extraordinarily expressive readings of works by Bartok, Berg and Shostakovich as well as Bach, Mozart and Mendelssohn; Tchaikovsky, Bernstein and Rorem along with Vivaldi, Schumann and Paganini. Even in the occasional dud, like Philip Glass’s repetitious and unmusical concerto, Kremer gives a scalding performance that almost makes one believe it is worthy of his talent.
November '16 Digital Week IV
- Details
- Parent Category: Film and the Arts
- Category: Reviews
- Published on Tuesday, 22 November 2016 18:03
- Written by Kevin Filipski
Blu-rays of the Week
Akira Kurosawa’s Dreams
(Criterion)
One of Japanese master Akira Kurosawa’s most vividly visual filmscapes, this episodic 1990 fantasy doesn’t connect in any way but its stories are heartfelt—if at times diffuse—reminders of how life on this planet is both precious and filled with man-made horrors.
The best segments, at the beginning and end, present Kurosawa’s singular cinematic vision at its most colorful: the middle segment, on Vincent van Gogh (with Martin Scorsese miscast as the painter), gloriously bursts into dazzling primary colors. Criterion’s excellent release comprises an eye-poppingly beautiful hi-def transfer; Stephen prince commentary; Making of “Dreams,” a 150-minute on-set documentary; Kurosawa's Way (2011), a 50-minute feature with many filmmaking admirers discussing Kurosawa; and new interviews with assistant director Takashi Koizumi and production manager Teruyo Nogami round out this excellent set.
J’accuse
(Olive Films)
In Christopher Hampton’s choppy 1995 biopic Carrington, Emma Thompson embracingly embodies the title character, whose love for avowed homosexual writer Lytton Stratchey (a powerful Jonathan Pryce) was forever unrequited; Hampton gets much right, but he meanders too often to no discernable point.
Abel Gance’s J’accuse, a strong but strident 1938 anti-war tract, showcases several formidable actors (Victor Francen, Jean-Max, Line Noro, Paul Amiot) who point Gance’s polemic in the right direction. Both films have nicely restored transfers.
Hannie Caulder
(Olive Signature)
This 1971 revenge western stars a comely but wooden Raquel Welch as a frontier woman who survives a rape by three outlaws, then tracks them down after they kill her husband in cold blood. Director Burt Kennedy is unsure whether he’s making an exploitation flick or a serious drama about a woman’s degradation and redemption, ending up in a no man’s (or woman’s) land uneasily poised between two extremes.
Robert Culp is gamely appealing as the hired gun who helps Hannie, while Ernest Borgnine, Strother Martin and Jack Elam are an appropriately despicable bunch of hombres. The film looks quite good on Blu-ray; extras are adirector Alex Cox (Walker, Repo Man) commentary and two featurettes.
(HBO)
This HBO series about a trio of gay men who are close friends explores their relationships, both platonic and intimate, over the course of two seasons and 16 episodes—along with a full-length film which reunited the friends a year later at a wedding.
The five-disc Blu-ray set brings together all of the episodes and the film, all showcasing the rich, sensitive performances in the leads by Jonathan Groff, Frankie J. Alvarez andMurray Bartlett. The hi-def transfers are first-rate; the 16 episodes contain audio commentaries.
One-Eyed Jacks
(Criterion)
Marlon Brando’s lone directing effort was this overambitious 1961 western in which he plays a gunslinger who, after going to prison because of his partner’s betrayal, spends the rest of the long movie getting his ultimate revenge. The always-charismatic Brando is never less than watchable, Karl Malden fine as his nemesis and Slim Pickens steals scenes as Malden’s lackey, but there’s a huge hole left by Pina Pellicer’s amateurishly stiff performance as the woman Brando loves.
It’s undeniably gorgeous to look at, as Charles Lang’s splendid cinematography gains in color and detail in Criterion’s restored hi-def transfer. Extras include a Martin Scorsese intro, Brando voice-recording excerpts made during production and video essays on Jacks’production history and Brando’s making a western.
Capital
Syndicate—All or Nothing
Wentworth
(Acorn)
The acting is the main thing is two new British television series, as well as one from Down Under. Capital is a clever drama tinged with mystery and paranoia, helped along by an ace cast led by Toby Jones, Rachael Stirling, Lesley Sharp and Gemma Jones; Syndicate—which follows the servants at a ritzy mansion who win the lottery—features a stellar ensemble headed by Alice Krige, Polly Walker and Anthony Andrews.
The intense Australian prison drama Wentworth—emphatically not a rip-off of Orange Is the New Black—also features a plethora of superb performers: Danielle Cormack, Nicole da Silva, Kris McQuade, Leeanna Walsman and Kate Atkinson. Wentworth extras include an hour of on-set featurettes and several interviews.
The Childhood of a Leader
(IFC)
Actor Brady Corbet’s haunting directorial debut, a Fascist allegory for our time, is an absorbing tale of a rambunctiously wild child—son of an American ambassador in Europe—who quickly discovers that he can have his way at any cost, including the lives of his parents.
Although the finale unsubtly depicts the adult leader beginning his reign in front of cheering crowds—the showy camerawork and blatant score are showy undercut the power of the images—overall, this is an unsettling and pertinent expose, which features a brilliant performance by Berenice Bejo as the boy’s mother.
Lo and Behold—Reveries of the Connected World
(Magnolia)
Another of German director Werner Herzog’s endlessly fascinating documentaries—as opposed to his trite and unconvincing fictions—is this playfully serious study of how the virtual world has encroached on the real one, most likely to our ultimate peril.
As usual, Herzog seeks out the most interesting if unlikely people to talk with, all in his own, charmingly accented English; that inimitable voice also provides the alternately amused and bemused narration. Lone extra is a Herzog interview.
CD of the Week
Arthur Honegger and Jacques Ibert—L’Aiglon
(Decca)
Two master French composers did that rare thing, joining forces to collaborate on an opera. The unsurprisingly tuneful but surprisingly coherent result (musically and dramatically) contains both charming and intense music, with a flavorful libretto based on Edmund Rostand’s play about Napoleon’s son.
This recording—conducted by Kent Nagano, leading a lovely performance by the Montreal Symphony Orchestra—gets all the little details right and builds the opera to a taut finale; there’s exquisitely idiomatic singing by sopranos Anne-Catherine Gillet and Helene Guilmette and baritones Marc Barrard and Etiene Dupuis. Too bad this rarity—first performed in 1937 then infrequently done since—wasn’t given a staging that we could watch on DVD or Blu-ray.
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