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Starting on March 2nd and on the 16th, 2012, the Japan Society will feature two exhibits that, at first glance, could not be more different. But on closer examination, the two are closely and fascinatingly linked.
Deco Japan: Shaping Art and Culture, 1920-1945 (the Taisho era to early Showa era) opens March 16 and examines the period in Japanese history of rapid westernization, and yet is almost completely overlooked in the west.
Long past the romanticized (read cliché) era of samurai and shogun, the 25 years between 1920 to 1945 is a curious sequence, situated at the advent of WWII. The ‘20s were an era of rapid change and modernization that prophesised many of the changes in Japanese society that are associated with the post-war era such as the rise of a distinct cinema, new technology, and a fear of an emerging sexuality, all of which are covered under the tidy, captivating phrase of “erotic grotesque nonsense.”
As described in the promotional materials, this exhibit showcases the “complex social and cultural tensions in Japan during the Taisho and early Showa periods through dramatically designed examples of metalwork, ceramics, lacquer, glass, furniture, jewelry, sculpture and evocative ephemera such as sheet music, posters, postcards, prints and photography.”
Beginning on March 2nd and running to 18th is a new film series -- smartly titled, Love Will Tear Us Apart. Over 20 films from Japan and Korea, including classics like Nagisa Oshima’s In The Realm of the Senses and the US premiere of Shinya Tsukamoto’s (Tetsuo The Iron Man) latest film, KOTOKO. Koji Wakamatsu’s Petrel Hotel is also having it's US premiere.
A Japanese cult-classic and art-house favorite, In the Realm of the Senses -- based on the true story of a torrid love affair capped off with a grisly murder -- is a particularly appealing part of this festival because it takes place during the same time period covered in Deco Japan.
The films in the Love Will Tear Us Apart series may be hard to watch for some because they don’t shy away from such themes as sex being a prelude to violence or violence being a prelude to sex. Indeed, the time period of 1920 - 1945 was practically an orgy of art, cinema, clothes and modernization, taking place just before the maelstrom of bloodshed that became the Pacific conflict.
Both exhibitions present a glimpse of Japan that is often overlooked and present some unique aesthetic judgements. How often do you get to see kimonos and Charlie Chaplin side by side?
It also offers a shocking view of gender politics and a unique pairing of art and aesthetics that is not to be missed.
For more information, go to http://www.japansociety.org/
Deco Japan: Shaping Art and Culture, 1920-1945
March 16- June 10
Love Will Tear Us Apart
March 2-18
The Japan Society
333 East 47th Street
New York, NY 10017