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13th Annual Korean Film Fest at Museum of the Moving Image

Assassination

The Museum of the Moving Image (36-01 35th Ave, New York, NY) is playing host to a series of Korea’s finest films with the 13th Annual Korean Film Festival (November 6 - 11, 2015). Organized by Subway Cinema, the same people that bring you the New York Asian Film Fest every summer, the NY Korean FF brings together some of Korea’s fascinating, strange, and dynamic films that have been captivating audiences in the US since Oldboy hit the scene in 2003. Along with a wide selection of films, the festival also has special guest speakers from the Korean film industry.

Guests include:

  • Ryoo Seung-Wan
  • Kang Hye-jung and Park Jung (Veteran)
  • Shin Suwon (Madonna)
  • Lee Do-yun (Confession)
  • Kang Hyo-jin (Wonderful Nightmare)
  • Oh Seung-uk (The Shameless)
  • Hong Won-chan (Office)
  • Koh Ah-Sung.

 

koreanffposterFilms scheduled to be in the festival include:

 

  • Office
    Dir. Hong Won-chan
    After gruesomely murdering his family, a midlevel manager (Bae Seong-woo) dutifully returns to the office, haunting the building like a vengeful ghost and turning the otherwise bland workspace into a house of terror. Legitimately alarmed, his colleagues nonetheless sing his praises to the police—a hint that there’s more to the matter than a disgruntled employee suddenly snapping. Described as “hearty genre entertainment” by Variety, this Cannes “Midnight Madness” selection is a perfect outlet for young leading actress Ko Ah-sung.

 

  • Trap
    Dir. Bong Man-Dae
    Maladjusted screenwriter Jeong-min (Yoo Ha-joon) travels to the countryside to rethink his life and concentrate on his career. But instead of working on his screenwriting, he finds transgressive distraction in the person of temptress Yumi (Han Je-in). The frontier between reality and fantasy blurs as Jeong-min’s mind and body are engulfed in a fatal attraction to the innocent-faced but dangerous Lolita, leading him to increasingly poor life decisions. A standout entry in the filmography of softcore erotic meister “Playboy” Bong Man-Dae.

 

  • Confession
    Dir. Lee Do-yun
    Since a tragic mountain incident in high school, Min-soo (Lee Kwang-soo), Hyun-tae (Ji Sung) and In-chul (Ju Ji-hoon) have remained best friends through thick and thin. But when two of them agree to burn down an illegal gambling hall for the insurance payout, the spilt blood of loved ones unearths the bitter ghosts of a dark past. Soon, the group of childhood friends turn on each other in the bleakest of fallouts. Lee Do-yun’s debut feature has been compared with the slow-burning noir of Sidney Lumet’s final film, Before the Devil Knows You’re Dead.

 

  • The Shameless
    Dir. Oh Seung-uk
    In Oh Seung-uk’s highly anticipated return to the director’s chair since his debut masterpiece Kilimanjaro in 2000, Cannes award-winning actress Jeon Do-yeon plays a bar hostess in love with a suspected murderer. Kim Nam-gil (The Pirates) is outstanding as a detective who plays a game of seduction with a dangerous woman. Selected for the Un Certain Regard program at the Cannes Film Festival, The Shameless is an unforgettably stylish noir.

 

  • Madonna
    Dir. Shin Su-won
    After her festival hit Pluto (2012), a critically acclaimed high-school drama about bullying and murder which won a Special Mention at the 2013 Berlinale, director Shin Su-won delivers a shocking, noir-tinged tale of privilege and poverty: a nurse's aide uncovers and tries to prevent the horrific use of a brain dead pregnant street-walker for a heart transplant to a rich patient.


  • Veteran
    Dir. Ryoo Seung-wan
    In this instant action/comedy classic—a massive theatrical hit earlier this summer—hardboiled detective Seo Do-cheol (top actor Hwang Jung-min can throw—and take—a punch) and his misfit team defend the powerless against the vicious scion of a prominent family (played with villainous delight by heartthrob Yoo Ah-in, in a widely acclaimed performance.

 

  • Wonderful Nightmare
    Dir. Kang Hyo-jin
    Director Kang Hyo-jin’s independent feature, Kill’em with Bare Hands (2004), won the audience award at the Seoul Independent Film Festival. His films include Dirty Blood (2012), Twilight Gangsters (2010), and Punch Lady (2007).

To learn more, go to: http://koreanfilmfestival.org/

The New York Korean Film Festival
November 6 - 11, 2015

The Museum of the Moving Image
36-01 35th Ave.
New York, NY 11106

Kickstarter Film Fest Shows Shorts & Features Across Country

Afronauts

Over the years the crowdfunding site Kickstarter has grown so exponentially now saying you are going to "kick start" something is synonymous with a brand. The site has attracted artists, programmers, engineers, and everyone in between to implore the public to lend their support to various dream projects. The site has also attracted a number of filmmakers, ranging from first-timers to seasoned directors. Now Kickstarter is celebrating some of the exceptional films that were realized thanks to crowdfunding.

The 5th Annual Kickstarter Film Festival is a one night only event on October 15 in which five films (two features and three shorts) will be screened in 32 theaters across the country. These films encompas animation, doccumentary, and comedy from all over the world, assembled under the umbrella of Kickstarter.

Don Hertzfeldt, known for his darkly comedic cult animated short Rejected and feature length It's Such a Beautiful Day, brings a new short film: World of Tomorrow. World examines human memory and bends science fiction in a way that has made critics compare it to Chris Marker’s La Jetee.

Frances Bodomo’s short, Afronauts, follows a group of Zambian misfits attempting to reach the moon as part of the Cold War space race. The film premiered at the 2014 Sundance Film Festival.

What We Do in the Shadows does for vampires what Jemaine Clement and Taika Waititi did for folk rock in their HBO series Flight of the Conchords. Along with getting accolades at the Toronto International Film Fest and charming horror fans, What We Do was a Kickstarter backed film that places the trope fearsome and romantic vampire on its side, as a group of bloodsuckers adapt to modern life.

T-Rex, directed by Zackary Canepari and Drea Cooper tracks seventeen year old Claressa “T-Rex” Shields as she trains to compete in the 2012 Olympics, the first time the games have allowed women’s boxing .

PES’ short animated film, Submarine Sandwich, utilizes stop motion animation to create a charmingly bizarre deli where foods are not exactly, well, food.

To learn more, go to: http://filmfest.kickstarter.com/

5th Annual Kickstarter Film Fest
October 15, 2015

Various Locations

NYU Celebrates Italian Cinema with International Conference

The reverberations of Italian cinema can be felt throughout the whole world. Whether it’s Anna Magnani bravely defying the Fascists in Rome Open City, Sergio Leone’s revitalization of the Western, and the worlds of shock and schlock from the likes of Argento and Fulci. Now NYU’s Casa Italiana Zerilli-Marimò (24 West 12th Street), will be examining the effect cinema has had on the Italian identity.

Cinema and Italian Identity (October 8 - 9, 2015) brings together film scholars from the US and Italy to examine Italy’s cinematic history (note: some speakers may be presenting in Italian) and to celebrate the publication of the tremendously large Lessico del Cinema Italiano, edited by Roberto De Gaetano. this festival examines how Italian cinema born out of the ashes of World War II reflected a new national identity, but also how the films of today is looking back at Italy’s history and culture.

Speakers and subjects include:

  • Millicent Marcus (Yale University)
    The Memorialist Tradition in Italian Film through an Unlikely Lens: Pierfrancesco Diliberto's "La mafia uccide solo d'estate"
  • Valeria Castelli (NYU)
    Worker. History, Memory and Found Footage in Andrea Segre's "Il sange verde" and Costanza Quatriglio's "Triangle"
  • Joseph T. Perna (NYU)
    Cinephilia, anni '50
  • Luca Peretti (Yale University)
    The Politics of Italian Industrial Cinema. The ENI Case
  • Francesco Casetti (Yale University)
    Le parole per dirlo [IN ITALIAN]

Closing the symposium is a special screening of Mario Martone’s Leopardi (aka Il Giovane Favoloso), which follows the life of 19th century Italian poet, philosopher, and writer Giacomo Leopardi as he examines the human condition while navigating his own life as he tries to find his place in a stratified society.

Italian cinema produced some of the most deeply affecting films ever made and NYU is celebrating its rich history.

To learn more, go to: http://www.casaitaliananyu.org/

Cinema and Italian Identity
October 8 - 9, 2015

New York University
Casa Italiana Zerilli-Marimò
24 West 12th Street
New York, NY 10011

Woodstock Film Fest Celebrates Sweet 16 With Music & Cinema

3 Still Standing

With films, panels, and special performances lined up, the Woodstock Film Festival (Sept. 30 - Oct. 4, 2015) is going to have a very sweet sixteenth year in the Hudson Valley. Established in 2000 to provide a venue for independent films and international hits, the Woodstock Film fest this year features world and US premieres of films from around the world.

The festival opens with the premiere of The Poet of Havana, a documentary on the life of Cuban singer/songwriter Carlos Varela, and his long battle against censorship brought down on him by the Cuban government. Following a screening of the film is a performance by Varela himself, along with special guest Jackson Browne (of “Running on Empty” fame).

Panels include examination of women in film, films of social responsibility, and keynote by Josh Fox, director of Gasland.

Along with the plethora of shorts, documentaries, and feature films are a few special screenings too:

  • Hot Type: 150 Years of The Nation (dir Barbara Kopple)
    A vivid look at America's oldest continuously published weekly magazine. With editor Katrina vanden Heuvel (who will be in attendance) at the helm, as well as an impressive array of brilliant and passionate writers, the film takes us on a journey into the soul of American journalism. Followed by a conversation between director Barbara Kopple and The Nation's editor and publisher, Katrina vanden Heuvel.

  • 3 Still Standing (dir Robert Campos and Donna LoCiero)
    Three veteran stand-up comics as they struggle to survive the downfall of comedy in a changing world. Contemporaries of Robin Williams, Dana Carvey and others in the hotbed of San Francisco during the heady 1980s, success seems to be just one great set away for Will Durst, Larry "Bubbles" Brown and Johnny Steele. Now that the heyday is over and comedy seems to have taken a hiatus, the skilled live performers must seek new ways to reinvent their acts in an unfamiliar landscape of social media and online celebrity. With surprisingly serious intent - after all these men are comedians -- the "3" pursue creative ways to make their comebacks. 3 Still Standing is a 30-year roller-coaster ride through comedy's boom and bust, with recollections from contemporaries and close colleagues Rob Schneider and Paula Poundstone. And on a poignant note, we get to hear one of Robin Williams last recorded interviews.

  • Mavis! (dir Jessica Edwards)
    Calling singer/civil rights activist Mavis Staples a living legend is no overstatement. With roots in gospel and a visionary father who molded his family into the Staple Singers, we watch the group go from gospel performances at local churches during the 1960s and '70s to chart-topping mainstream hits. Skillfully combining archival material, new interviews and live performances, filmmaker Jessica Edwards hits all the high notes of the Staple Singers tenure. The movie continues to track the roller coaster of the artist's solo career, including such tender moments as Mavis's visit to the late Levon Helm at his Barn. Julian Bond, Bonnie Raitt, Wilco's Jeff Tweedy, and Bob Dylan are prominent among the friends, fellow musicians and civil rights veterans who pay homage to the documentary's star.

  • The Americans: Season 3, Episode 10 "Stingers" directed by Larysa Kondracki
    An episode of the hit FX Cold War spy-thriller followed by a discussion with showrunner Joe Weisberg. Moderated by Indiewire Chief Film Critic and Senior Editor Eric Kohn.

The Woodstock Film Festival kicks off the fall film fest season in scenic Hudson Valley.

To learn more, go to: http://www.woodstockfilmfestival.com/

The Woodstock Film Festival
September 30 - October 4, 2015

Various Locations

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