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Convergence Reshapes Cinematic Reality at Film Society
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- Parent Category: Film Festivals
- Category: Previews
- Published on Thursday, 20 August 2015 20:17
- Written by Brad Balfour
Gamescape
While Google Glass may have become associated with “glassholes” and gadgetry purely for the sake of gadgetry, virtual reality is building up steam in the public consciousness, and the Film Society of Lincoln Center’s New York Film Festival is taking part of in this new wave of virtual reality interest. As part of the 53rd New York Film Festival (September 25 - October 11, 2015), Convergence occurs from September 26 and 27th, and examines non-traditional forms of cinematic storytelling including virtual reality and live performances.
“This is our fourth year as part of the New York Film Festival and I couldn't be more excited about the lineup for 2015. There’s a lot of attention focused on virtual reality right now so we are really pleased to feature the U.S. premiere of The Dog House, a 360-degree film that’s going to start a lot of conversations,” said NYFF Convergence programmer Matt Bolish.
The Doghouse, created by Johan Knattrup Jensen, Mads Damsbo and Dark Matters, sits users down at a dinner table with four other people, each of whom place on a virtual reality headset that allows each user to experience a family dinner and discussion from the point of view of five different characters.
From the minds of the esteemed, experimental idea house, NYU Game Center, Gamescape is an interactive deconstruction of games in which users can experience “storytelling games” created by game developers that use the medium to examine how storytelling works and affects people.
Along with these “non-traditional cinematic experiences” are a series of panels and workshops examining the relationship between interactive media and cinematic storytelling. A Conversation with Diana Williams has the producer of the acclaimed films Our Song and Another First Step discussing the emergence of new mediums and forms of storytelling.
Producing for Impact: Finding the Story examines how non-fiction storytelling takes on new forms and reaches new audiences with social media, data visualization, and interactive documentaries.
In Pry, Danny Cannizzaro and Samantha Gorman will perform excerpts from Pry, an app experience that fuses cinema, video game, and the novella into what the LA Weekly calls “Charlie Kaufman by way of an acid trip.”
Convergence is looking at the future at how new technologies will reshape stories as we know them
To learn more, go to: http://www.filmlinc.org/
New York Film Festival Convergence
September 26 - 27, 2015
NY Film Fest '15 Announces Main Slate
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- Published on Wednesday, 19 August 2015 14:57
- Written by Jack Angstreich
September 25 - October 11, 2015
Virtual Reality Film Fest Tours N. America
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- Parent Category: Film Festivals
- Category: Previews
- Published on Thursday, 06 August 2015 23:23
- Written by Renzo Adler
Lovr
It has been many years since virtual reality was in the public consciousness. If you went to arcades or amusement parks in the mid 1990’s you might recall agonizingly heavy headsets and clunky graphics like those found in Dactyl Nightmare. The possibility of virtual reality led to some excitement and speculation, but little pay-off. The promise of being able to journey to strange and amazing worlds with the help of a computer and a visor was something that got tucked away at the end of the 90s along with VHS and the Clinton administration.
Flash forward to 2014, the company Oculus VR, which had been founded in 2012 by Palmer Lucky following a succesful Kickstarter campaign, is bought out by Facebook to the tune of $2 billion. Since 2012, companies like Facebook, Sony, and Samsung have been exploring the possibility of a VR resurgence where it is now a major part of interactive entertainment rather than just a forgotten novelty, with a consumer version of the Oculus Rift due out Q1 2016, with competing devices to follow. With dev kits on the market for years now we have seen applications for everything from video gaming, to PTSD therapy and meditation. And now virtual reality is also taking a step into cinema.
Virtual reality agency Kaleidoscope announced the Kaleidoscope VR Film Festival Presented by Vrideo, a multi-city tour set to showcase the best in virtual reality filmmaking and artists working in this cutting edge field. From August 22 to October 14, 2015, Kaleidoscope will tour ten cities across North America.
Using headsets from Oculus and Samsung, viewers will experience new forms of interactive narratives and environments. You can go from walking inside the Van Gogh painting The Night Cafe, traverse the Korean DMZ, to analyzing the neural synapses that cause the feeling of love.
“We have seen the gaming industry embrace virtual reality, and now the film industry is on the verge of the same breakthrough,” said Kaleidoscope co-founder René Pinnell. “After the unprecedented popularity of virtual reality components in this year’s major film festivals – including Cannes, Sundance, Tribeca and Hot Docs – as well major film and television studio’s recent VR initiatives, including Jurassic World, Wild, Interstellar and Game of Thrones, we want the chance to highlight the incredible independent filmmakers who are pioneering this new film language.”
Films include:
- THE NEPAL QUAKE PROJECT (U.S., Dir: David Darg)
Narrated by Susan Sarandon, THE NEPAL QUAKE PROJECT uses Virtual Reality technology to immerse viewers in the aftermath of the Nepal earthquake. The film not only marks the first in natural disaster VR, but it represents the future of news and action. - THE NIGHT CAFÉ (U.S., Dir: Mac Cauley)
THE NIGHT CAFÉ is an immersive VR environment that allows you to explore the world of Vincent van Gogh first hand. Take a moment to enjoy his iconic sunflowers in three dimensions or walk around the chair he painted in his bedroom to see it from another angle. Step into the vivid colors straight from his palette. - BRIGHT SHADOWS (U.S., Dir: Michael Catalano)
Inspired by the abstract visual music animators of the early to mid-1900's, Bright Shadows is an 11 minute computer generated animation of dynamic, colorful abstractions choreographed to instrumental music. It is comprised of seven distinct movements with unique emotional tones that are brought to life with high-quality lighting and shading techniques and rendered in stereoscopic 3D. - BUTTS (U.S., Dir: Tyler Hurd)
Widely credited as the first animated cartoon for virtual reality, BUTTS is a story about love, trust, and learning what it means to be truly free. Transport yourself into a brand new bright and colorful world of happiness and excitement, and make some friends along the way. BUTTS will make you laugh, cry, fill you with unimaginable bliss, and return you to that innocent place of childlike wonder you've long forgotten. - CLOUDS OVER SIDRA (U.S., Dir: Chris Milk and Gabo Arora)
CLOUDS OVER SIDRA follows a twelve year old in the Za’atari camp in Jordan – home to 84,000 Syrian refugees. It follows her to school, to her makeshift tent and even to the football pitch. The film was commissioned as part of the UN’s advocacy at the World Economic Forum in Davos to state and business leaders and offers a unique perspective into the lives of the world’s most vulnerable people. - COLOSSE (Israel, UK, U.S., Producer: Joseph Chen)
COLOSSE is a real-time virtual reality storytelling experience, with a stylized, character-focused visual language. While the viewer has no direct control over the action, the progression of the narrative is gaze-based. The viewer's gaze – things the viewer pays the most attention to – directs the experience around them, giving a subtle influence over events as they unfold. The story of the long lost Great Spirits known as the COLOSSE explores themes of fear, power and respect.
Much like the nickelodeons of old turning into the cinemas and movie studios of today, VR is growing from novelty, to entertainment revolution.
To learn more, go to: http://www.kvrff.com/
2015 Kaleidoscope VR Film Festival
Portland, OR - Saturday, August 22
Seattle, WA - Wednesday, August 26
Vancouver, BC - Saturday, August 29
San Francisco, CA - Tuesday, September 15
Los Angeles, CA - Wednesday, September 23
Denver, CO - Saturday, September 26
Montreal, QC - Thursday, October 1
Toronto, ON - Sunday, October 4
New York, NY - Tuesday, October 6
Austin, TX - Wednesday, October 14
Cool Sound + Vision Fest 2015 Heats Up Film Society of Lincoln Center
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- Parent Category: Film Festivals
- Category: Previews
- Published on Monday, 27 July 2015 21:46
- Written by Brad Balfour
The Ecstasy of Wilko Johnson
The Film Society of Lincoln Center’s Sound + Vision series explores a range of musical artists, genres, and styles offering both premieres and retrospectives. This year’s edition, the third running from July 29 - August 7, 2015, includes music documentaries that spans styles as diverse as Dominguinhos (directed by Mariana Aydar, Joaquim Castro, Eduardo Nazarian) — a moving portrait of the Latin Grammy-winning singer, composer, and master accordion player who rose to prominence playing with hitmakers Toquinho, Gal Costa, and Gilberto Gil — to In Search of Haydn (directed by Phil Grabsky) a 2012 documentary about the life and inventive work of Joseph Haydn, a composer who influenced both Mozart and Beethoven and crucially shaped chamber music.
Also included is James Szalapski’s low-key 1976 country-music classic, Heartworn Highways, shot in Austin and Nashville, which features a mix of early performances by bands in the “Outlaw Country” movement, as well as snapshots of more intimate moments. As a result, 2015’s Heartworn Highways Revisited (directed by Wayne Price) will be shown as well. Channeling the spirit and unhurried, intimate style of Szalapski’s original, this doc follows talented young musicians on the outskirts of the Nashville scene today. Director Wayne Price and musicians Shelly Colvin and Phil Hummer will on hand for a Q&A.
The legendary documentarian and music-video director Julien Temple will be spotlighted as a fellow traveler of seminal English rockers like The Clash, The Kinks, and the Sex Pistols. He gets his due with a retrospective highlighting both his greatest and his latest, The Ecstasy of Wilko Johnson and will be in attendance.
The Wilco Johnson film thoroughly deconstructs the traditional format of docs and is a must see for anyone interested in non-fiction films or classic rockers.
Also noteworthy is the debut of Danny Says, a chronicle of the outrageous and brilliant counterculture career of Danny Fields, confidant of Warhol superstars Edie Sedgwick and Nico, and the man who helped get major record label deals for bands like the Ramones and The Stooges. Director Brendan Toller will be on hand for a post screening discussion.
The series also features three live multimedia performances by Talibam!, Preston Spurlock & Friends, and Foxes in Fiction in The Film Society’s amphitheater.
In addition, Film Society photographer David Godlis will feature a companion exhbition of his seminal pictures of New York punk rock scene that included such major music makers as the Ramones, Blondie and Television.
This year’s edition again offers both a testament to the enduring and mutually enriching relationship between cinema and music and an extension of the range of sounds to be considered.
To learn more, go to: http://www.filmlinc.org
Sound + Vision 2015
July 29 - August 7, 2015
The Film Society of Lincoln Center
