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Provincetown Int'l Film Fest Brings Warm Tides
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- Parent Category: Film Festivals
- Category: Previews
- Published on Tuesday, 25 May 2010 15:59
- Written by Laura Blum
The year America's oldest art colony turned 100, it reckoned it couldn't start another century without a cinema fete. Thus was born the Provincetown International Film Festival. That was 1999, and now the Provincetown, Massachusetts fest heads into its 12th edition June 16 to 20, 2010.
PFF will once again salute "new achievements in independent film…and the work of acclaimed and emerging directors, producers and actors," as per its website. Not a peep about writers, which is the bailiwick of the Nantucket Film Festival.
Nor will you find boasts about Provincetown's industry heft. "We're not about the business," states PIFF Executive Director Gabrielle Hanna. "The Festival celebrates the art of film, the filmmakers and the people who appreciate their work."
Tagged by the National Trust for Historic Preservation as one of a "Dozen Distinctive Destinations," the Cape Cod redoubt is expecting 10,000 movie pilgrims at its annual showcase, one of the country's most prestigious.
It's also one of the most intimate, says Hanna. Provincetown's three-mile radius may have something to do with this. "Actors and directors are walking around on the streets, so people have a chance to mingle and talk about film for five days," says Hanna. "It's about the experience," she adds.
Winning indie cachet for the 2010 Festival is writer/director Kevin Smith, who's anointed this year's Filmmaker on the Edge. Ever the poster boy for emerging talent, Smith has nonetheless finessed a canon that includes a Clerks franchise, Chasing Amy, Dogma, Zack and Miri Make a Porno and, most recently, Cop Out. Leave it to cult filmmaker John Waters -- who will serve as tummler in an award presentation and conversation with Smith -- to help reveal the secret potion for preserving creative youth.
Tilda Swinton, the parchment-skinned iconoclast whose supporting role in Michael Clayton earned her an Academy Award, will take home the Excellence in Acting Award. Fans of her eclectic arthouse and mainstream career can hope against hope to pierce the Swinton mystique as film maven B. Ruby Rich stands Britain's most ethereal thesp to a chat. Swinton's new film, Luca Guadagnino's I Am Love/lo sono l'amore, joins a respectable roster of foreign titles at the Festival.
Fellow Oscar laureates Rob Epstein and Jeffrey Friedman will snare the Faith Hubley Memorial Award during a confab with filmmaker John Cameron Mitchell. Common Threads: Stories From the Quilt and The Celluloid Closet distinguish the directing duo's shared slate, as does Howl, which will open the Festival. A time-scrambled chronicle of poet Allen Ginsberg's notorious obscenity trial, the film marks Epstein and Friedman's first foray into fiction filmmaking.
Mao's Last Dancer graces the Friday Spotlight. Based on the best-selling memoir by Chinese ballet dancer Li Cunxin, the real-life pauper-to-prince fairytale from Bruce Beresford (Paradise Road, Driving Miss Daisy), is apt to steal all but the most cemented hearts.
The Saturday Spotlight will fix on Kings of Pastry, Chris Hegedus and D.A. Pennebaker's new documentary about a French chef competition. "I made a mistake with my cookie cutter" may not carry the same gravitas as utterances in the duo's Oscar-nominated The War Room, but for the subjects vying to be among the Meilleurs Ouvriers (Best Craftsmen) de France, the stakes could hardly be higher.
Festival curtains drop with Cyrus. Jay and Mark Duplass (The Puffy Chair) mine the lighter side of neuralgia in this zeitgeisty comedy about a divorced depressive (John Reilly) who falls for the single mom (Marisa Tomei) of an adult son. That would be Cyrus (Jonah Hill), whose maternal ties exceed the suitor's comfort zone.
The more than 50 films to screen at the fest, pared down from twice as many submissions, span a number of east coast premieres, among them: the aforementioned I Am Love and Howl; The Dry Land, an Iraqi war vet story from Ryan Piers Williams; Joshua Granell's horror spoof about snuff filmmaking, All About Evil; and Nowhere Boy, a dramatic retelling of John Lennon's childhood, directed by Sam Taylor Wood.
Nowhere Boy is the Closing Night film for Nantucket, which, like PIFF, is also screening The Tillman Story and Joan Rivers: A Piece of Work, documentaries respectively directed by Amir Bar-Lev and the filmmaking team of Ricki Stern and Anne Sturnberg.
A ferry's hop south, NFF (June 17 to 20, 2010) will observe its annual rites during three of Provincetown's dates. Yet, far from feuding, the two Massachusetts fests report a symbiotic relationship, and even coordinate films and special guests.
For signature programs at Provincetown, there's Youth & Diversity and the annual A Night at the Drive-In. This year, the world premiere of James Houston's documentary, Let's Talk About Sex, is garnering buzz for the former, while the latter aims to top itself with a 50th anniversary toast to Alfred Hitchcock's slasher great Psycho, chased with exploitation classic Faster, Pussycat! Kill! Kill!
Honoring Provincetown's roots as a Portuguese fishing village, PIFF will once again unfurl a sidebar of films from Portugal. Two imports will reach this side of the Atlantic amid special advanced hum: João Canijo's non-fiction Fantastia Lusitana looks backward on the fascist regime of Oliveira Salazar during WWII, when 100,000 people fled Nazi Europe for Lisbon; and April Showers/Águas Mil, a political drama by Ivo M. Ferreira, unearths family secrets harking back to Portugal's 1974 Carnation Revolution that overcame decades of military dictatorship.
Also in keeping with its local community, the Festival has once again culled a slate of gay and lesbian-themed films. Malcolm Ingram follows up on his Small Town Gay Bar with Bear Nation, a romp around the subculture of large, hirsute gay men – the grizzlies alluded to in the title -- that is executive produced by and features Kevin Smith.
And, continuing a time-tumbled tradition, the Festival will feature new works about Provincetown's Wampanoag nation.
Panels, parties and retrospectives complete the revelries -- and that's not counting the live action spectacle of whale watching.
To get the full lowdown on Ptown, head over to www.ptownfilmfest.org
Provincetown International Film Festival
June 16 to 20, 2010
Whalers Wharf Cinema
237 Commercial Street
Provincetown, MA 02657
508-487-3456
3rd New York Documentary Film Festival – Festival dei Popoli
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- Parent Category: Film Festivals
- Category: Previews
- Published on Monday, 24 May 2010 17:31
- Written by Brad Balfour
The third edition of the New York Documentary Film Festival – Festival dei Popoli (May 26-30, 2010) at Anthology Film Archives (32 Second Ave.) is part of an ongoing project of the Festival dei Popoli.
Based in Florence, Italy, it is the oldest International Documentary Film Festival in Europe. It aims to broaden the audience for its rich collection of archival footage, as well as Italian documentaries in general. Founded in 1959, the Festival dei Popoli is devoted to promoting and studying social documentary cinema. In 50 years, the collection has grown into an unparalleled treasure of documentary films covering the history of non-fiction filmmaking.
The festival will open on May 26 with a tribute to the award-winning Italian filmmaker Gianfranco Rosi with the U.S. Premiere of Below Sea Level. The film is an intimate portrait of a commune of outcasts living in the middle of the desert about 200 miles southeast of Los Angeles. This award-winning documentary received, among others, the Venice Horizons Documentary Prize. The director will be present for the screening.
The five-day event will feature four programs of auteur documentaries, with a total of eighteen films depicting reality and history as filtered through the deeply personal aesthetics of very different directors.
THE FEELING OF BEING THERE (1958 - 1965): SEVEN YEARS OF DOCUMENTARY CINEMA
A journey through the creative forces that have left their mark on the face of modern documentary cinema, with 11 short documentaries by legendary filmmakers such as Robert Frank, D. A. Pennebacker, John Schlesinger, Ivars Kraulîtis, Joyce Chopra, Richard Leacock, Joris Ivens, Agnès Varda, Michel Brault, Gilles Groulx, Cecilia Mangini and Sandro Franchina.
They have changed documentary film history in a period of great creative fervor corresponding with the birth of the Festival dei Popoli. The program is part of the retrospective presented in Florence at the last edition of the Festival dei Popoli.
The program on Friday, May 28 is presented by PGA, the Producers Guild of America.
TRIBUTE TO GIANFRANCO ROSI –
Opening night film May 26, 6.30 pm Below Sea Level by Gianfranco Rosi, 110', Italy 2008, with the director in-person.
ITALIAN CHRONICLES - FOCUS on ALESSANDRO ROSSETTO
Alessandro Rossetto is one of the filmmakers who best captured a panorama of everyday life in Italy through the last fifteen years. The screening on Friday, May 28th will be presented and introduced by PGA, the Producers Guild of America, with the filmmaker in attendance.
SPECIAL PRESENTATION IN COLLABORATION WITH NEW YORK WOMEN IN FILM AND TELEVISION – ENRICA COLUSSO
In collaboration with New York Women in Film & Television, the festival will present two works of the award-winning Italian filmmaker Enrica Colusso: Life After Life (1995) and ABC Colombia (2006). Erica Colusso will be in attendance at the festival.
FULL FESTIVAL PROGRAM, LISTINGS, TIMES, FILM DESCRIPTIONS : http://www.nydff.org
3rd New York Documentary Film Festival – Festival dei Popoli
May 26-30, 2010
Anthology Film Archives
32 Second Avenue
New York, NY 10003
Nantucket Film Festival: 15th Chapter of Literary Love Story
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- Parent Category: Film Festivals
- Category: Previews
- Published on Saturday, 22 May 2010 13:32
- Written by Laura Blum
As the days lengthen, so the Nantucket Film Festival fires up for its 15th annual storytelling blowout, June 17 to 20, 2010. The Festival, which celebrates screenwriters, screenwriting and the art of the raconteur in today's cinema, boasts "The Writers are Coming" as its motto.
Wordsmiths aren't the only ones to wash ashore. Once again, 4,000 screenwriters, producers, agents, development executives and lay cinephiles are due on the Massachusetts island -- along with some 6,000 local denizens -- that Herman Melville associated with all things "fine" and "boisterous."
A century-and-a-half have passed since Nantucket's biggest booster scrawled those descriptions (in Moby-Dick), but the writerly tradition whales on in such NFF standards as the Screenwriters Tribute and Late Night Storytelling.
This year, the Tribute broadens to salute three scribes instead of one. Barry Levinson (Diner, Tootsie), Davis Guggenheim (Waiting for "Superman," An Inconvenient Truth) and Michael Arndt (Toy Story 3, Little Miss Sunshine) form the Academy Award-winning trinity of Tributees.
The fruits of Arndt's latest scriptwriting effort, Toy Story 3, will screen on Opening Night, one day prior to the Disney•Pixar film's national release. NFF's nod to screenplays conceived for animation is a new development. As Artistic Director Mystelle Brabbée explained, the landmark anniversary packs a special chance to "acknowledge contributions in additional fields of screenwriting and storytelling."
Late Night Storytelling, hosted by veteran thesp Anne Meara and writer Jonathan Ames (HBO's Bored to Death) returns with five surprise guests plus brazen recruits from the audience. The bawdy, irreverent platform for ghost stories is known to draw maximum frissons from its performers' script-free delivery.
Another prime example of Nantucket's programming is All-Star Comedy Roundtable, moderated by Festival board member Ben Stiller. This year, Sarah Silverman (The Sarah Silverman Program) and Zach Galifianakis (The Hangover) bring their minds and mouths to the famed laugh-in.
In Their Shoes... is yet another Festival staple. Levinson will join this year's talkfest hosted by MSNBC political pundit and film geek Chris Matthews. Expect Baltimore's most prolific portraitist to reflect on three decades of directing, producing and writing what Brabbée tagged "smart and literate films."
For further proof of NFF's thing for writers, the Festival will host Showtime’s annual Tony Cox Award for Screenwriting. The jury choosing this year's winner includes producers Stephanie Davis (HBO’s Bored to Death), Joana Vicente (Enron: The Smartest Guys in the Room), and Steven Haft (Dead Poet’s Society).
To name but two other awards, the Adrienne Shelly Excellence in Filmmaking Award – a $5,000 jackpot -- and Best Storytelling in a Documentary Film and will also honor best efforts at the Festival.
Other Festival staples include Morning Coffee With… , a daily carb and coffee klatch with marquee guests revealing what really happened on a given film set, and gets fest-goers up earlier than otherwise conceivable.
A total of 25 feature films will unspool at NFF 2010, spanning studio and independent productions made in the U.S., foreign imports and documentaries from all over. Some 20 to 25 short films will also be shown.
Sharing the Opening Night screen with Toy Story 3 will be Shari Springer Berman and Robert Pulcini’s comedy of manners,The Extra Man. The much-anticipated John Lennon biopic Nowhere Boy, from Sam Taylor Wood, will do Closing Night honors.
Also spurring pre-fest buzz is The Romantics, co-starring Katie Holmes, Anna Paquin and Josh Duhamel. The first directing effort of Galt Niederhoffer crashes a wedding where a group of ex-Yalies -- and the long-standing joust between the bride and the maid of honor -- rejoin.
From Stanley Nelson comes Freedom Riders, the Festival Centerpiece. The award-winning filmmaker's (The Black Press: Soldiers Without Swords) journalistic rewind of 1961, when 400 black and white civil-rights activists defied Jim Crow laws on the roads of the Deep South, is the first feature-length film about this pivotal chapter in U.S. history.
Longtime civil rights activist and one of the featured freedom riders Rev. Dr. Bernard Lafayette, Jr. is slated to join Nelson in a post-screening discussion. The event will be jointly presented with the non-profit educational group Facing History and Ourselves, reflecting a larger Festival initiative to forge strategic partnerships that can expand its participant base.
Nantucket's loyal following is both a "blessing" and a challenge, noted NFF Executive Director Colin Stanfield. "The intimacy of these events, the separation from the mainland -- it's like going on a fantasy adventure," he said. "Once people have experienced that, it's hard not to come back year after year to this magical place 30 miles out to sea."
"It's a real respite from the fast pace of the business that happens at the usual festival," he continued. Stanfield credits the island's "small, intimate environment" with more than just niceties. "Endless careers have been launched because so and so recognized someone's writing, and there was the space to sit down and talk over lobster rolls and ice cream."
For the comprehensive film and events lineup, head over to www.nantucketfilmfestival.org.Nantucket Film Festival
June 17 to 20, 2010
American Legion Hall
21 Washington Street
Nantucket High School
10 Surfside Road
Starlight Theater
1 North Union Street
The 1st Hudson Institute Film Festival
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- Parent Category: Film Festivals
- Category: Previews
- Published on Friday, 21 May 2010 05:00
- Written by FFTraveler Staff
Hudson Institute will hold its first annual Film Festival, an all-day event, on Memorial Day, May 31, 2010, at B.B. King Blues Club & Grill (237 West 42nd Street, New York City).
Documentary feature films have emerged as a powerful medium for communicating ideas and highlighting problems to the public. The right-wing Hudson Institute is featuring films which inform the public on subjects of concern to the Institute's mission.
After a review of dozens of films that came out in the past year, a selection committee chose three films to showcase at the first
annual Hudson Institute Film Festival. These films highlight the Iranian nuclear threat, the battle of Fallujah, and anti-Semitism at American universities.
A conservative think tank founded in 1961, in Croton-on-Hudson, New York, by military strategist, and systems theorist Herman Kahn and his colleagues at the RAND Corporation, The Hudson Institute moved to Washington, D.C., in 2004. The Institute promotes public policy change in accordance with its stated values of a "commitment to free markets and individual responsibility, confidence in the power of technology to assist progress, respect for the importance of culture and religion in human affairs, and determination to preserve America's national security."
The directors will attend the screenings and engage in a Q & A session after each film.
Schedule:
The Last 600 Meters: The Battles of Najaf and Fallujah
11 am
This 90-minute documentary by Michael Pack looks at the two biggest battles of the Iraq war — Najaf and Fallujah — through the first hand testimony of those who fought them. It offers perspectives on these battles, and lessons for warfare in the future.
Atomic Jihad: Ahmadinejad's Coming War and Obama's Politics of Defeat
1 pm
Joel Gilbert's 95-minute documentary, accordng to the Hudson Institute's info, "leaves little doubt that Iran is in the final stages of preparing a coming war for Islamic Revival. By seeking to appease Ahmadinejad with 'change' in U.S. Middle East policy, President Obama is ushering in the Politics of Defeat for America."
Crossing the Line: The Intifada Comes to Campus
3 pm
Produced by filmmaker Raphael Shore and directed by Wayne Kopping, Crossing the Line explores the proliferation of anti-Israel and anti-Semitic incidents on North American college campuses following the launch of Operation Cast Lead by Israel's military into Gaza in late December 2008 and January 2009. This 32-minute doc looks shows how the war evokes anti-Jewish sentiments amongst college students and professors.
Admission is $15 for the entire day at the premier Manhattan blues club and grill, B.B. King's, which will serve food and drinks for purchase throughout the day.
For more info: http://www.hudson.org/
Hudson Institute Film Festival
May 31, 2010
B.B. King Blues Club & Grill
237 West 42nd St.
New York City
Hudson Institute
1015 Fifteenth Street, NW
Washington D.C., USA
