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TCM Classic Film Festival, presented by Turner Classic Movies, celebrates movies like no other fest because it is all about showing the best of the past -- films that made memories and spawned dreams for so many people the world over since the medium first flickered to life over a century ago.
This year's Festival runs April 12 - 15, 2012 at venues along the Walk of Fame on Hollywood Boulevard: the Hollywood Roosevelt Hotel (site of the first Oscars ceremony in 1928), Grauman’s Chinese Theatre, the Chinese 6 Theatres and the Egyptian Theatre.
And it wouldn't be a TCM event without esteemed film historian Robert Osborne, who returns as the Festival's official host.
"Turner Classic Movies is a Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world... As the foremost authority in classic films, TCM offers critically acclaimed original documentaries and specials, along with regular programming events."
This year's Festival honoree is actress Kim Novak.
Events include:
The theme for this year's Festival is Style in the Movies. Whether in fashion, production design, graphics, or even cars, style in Hollywood films has had an impact on culture and society that still resonates.
One of the highlights is an extensive tribute to one of the most stylish actresses in cinema history: Audrey Hepburn. Screening are:
The Noir Style is presented by Eddie Muller, founder of the Film Noir Foundation, who discusses the unique style of film noir with three examples:
Other guests talking cinematic Style are:
The Opening-Night Gala features the 40th anniversary premiere of the new restoration of Cabaret, directed by Bob Fosse. The Weimar-era musical set in Berlin stars Liza Minnelli, Michael York and Joel Grey, and won Oscars for Fosse (Best Director), Minnelli (Best Actress) and Grey (Best Supporting Actor).
Other newly restored works having significant anniversary screenings are:
The screening is presented in Cinerama, a widescreen process using simultaneously projecting images from three synchronized 35mm projectors onto a huge screen with a curve of 146 degrees.
If ever there was a film to which DVD and other devices cannot do justice, this one is it. This film can be truly savored only on the Big Screen.
And speaking of anniversaries:
This is the year Paramount Pictures celebrates its100th Birthday.
Founded in 1912, this is the studio that brought forth Wings, that first Best Picture Oscar winner, as well as the films of
Later stars who made their mark at Paramount were:
This studio is also where Cecil B. DeMille made his most successful film, The Ten Commandments, twice (1923 and 1956).
In the 1970s, Robert Evans retooled the studio to make some of the most iconic films of the period, including these being screened at the Festival:
It wouldn't be "classic films" without Disney. TCM joins with D23: The Official Disney Fan Club for two special screenings:
And, of course, this is the Year of the RMS Titanic, so the 1958 British film A Night to Remember will be shown. Directed by Roy Ward Baker from the book by Walter Lord, the cast includes such notables as Honor Blackman, David McCallum and Alec McCowen. (Look sharp, and you might catch sight of an uncredited Sean Connery as a deck hand.)
Also attending will be Don Lynch, author of Titanic: An Illustrated History and A Rare Titanic Family, for a discussion of the tragedy.
Filmmakers of the world have had their favorites among Godard, Fellini, Kurosawa, et al. But even the great ones got their early taste of film from right here: Hollywood.
For more information, go to www.tcm.com/festival.
TCM Classic Film Festival
April 12 - 15, 2012
Hollywood Roosevelt Hotel
7000 Hollywood Blvd.
Hollywood, CA 90028
Grauman's Chinese Theatre
6925 Hollywood Blvd.
Hollywood, CA 90028
The Chinese 6 Theatres
6801 Hollywood Blvd.
Hollywood, CA 90028
The Egyptian Theatre
6712 Hollywood Blvd.
Hollywood, CA 90028
The Cinerama Dome
6360 W. Sunset Blvd.
Hollywood, CA 90028
Founded in 1969 by Mary Jane Coleman, the Nashville Film Festival (April19-26, Regal Green Hills Stadium 16, 3815 Green Hills Village Drive, Nashville, TN) is the longest running film festival in the South. NaFF is celebrating its 43d year with a wide range of international films, but is also putting a special focus on films and film makers from Tennessee in a program of films called Tennessee First.
“Pulling together Tennessee films for the opening day is both a great way to kick off things and a testament to the growing quality of feature films being shot here and by our filmmakers,” said Brian Owens, NaFF artistic director. NaFF was recently named one of the top ten film festivals in the United States by the Brooks Institute and has received 2,839 entries representing 101 countries.
The 13thHavana Film Festival New York (HFFNY, April 12-20, various locations) is one of the more deeply political and sociayl minded festivals in New York this season. The shorts, features, and documentaries in competition deal with themes like societal marginalization, racism, loss of cultural identity, diaspora. Many of the directors in this festival are virtually unknown in North America, but they possess an intense passion for their craft and for their sense of social justice. The festival permeates with the theme of perpetual struggle in historical dramas, horror films, doccumentaries, and thrillers. HFFNY includes films from:
Looking for a friendly place to watch harsh reality? Head on down to Durham, North Carolina for the Full Frame Documentary Film Festival, presented by Duke University's Center for Documentary Studies. The 2012 edition runs April 12 - April 15, a year shy of the Festival's silver anniversary. Full Frame was launched in 1998 as the Double Take Documentary Film Festival and has since emerged as a premier national showcase for international nonfiction films.
This year, the programming team sifted through more than 1,200 submissions -- 40 feature films and 17 shorts. The Opening Night selection is the world premiere of Laurens Grant’s Jesse Owens. Produced and written by Stanley Nelson, the film harkens back to the 1936 Summer Olympics in Berlin and the African-American track and field star who won four gold medals despite the games' intended platform as a glorification of Aryan ideals.
Nelson is also the 2012 Tribute honoree. Four of his films will be screened over as many days: The Black Press: Soldiers Without Swords, Jonestown: The Life and Death of Peoples Temple, A Place of Our Own and Sweet Honey in the Rock: Raise Your Voice.
Ross McElwee was tapped to curate the 2012 Thematic Program. The North Carolina-born filmmaker and friend of the Full Frame family has, appropriately, dubbed his lineup of kin flicks Family Affairs. Per McElwee, the viewer of these films "about the families of the filmmakers...must not only consider what is happening before the camera but also how events portrayed in the film are connected to the...filmmaker who also happens to be a daughter, a son, or a parent."
McElwee's latest work, Photographic Memory, figures among the 10 thematic titles from such veteran documentarians as Alan Berliner (Wide Awake) and Doug Block (The Kids Grow Up). The New Docs category is a perennial favorite among FFDFF's forward-thinking Triangle Area crowd. Entries get a shot at winning the Full Frame Audience Award and are shortlisted for a host of other juried prizes.
Tickets are either sold out or fast disappearing for a number of New Docs films. The hum is amping up for Ai Weiwei: Never Sorry, Alison Klayman's take on the artist and dissident's output and struggle for free expression in today's China. Marina Abramovic: The Artist Is Present offers a different sort of a look at contemporary art, from director Matthew Akers.
The health of a city and the health of healthcare inform two other buzz builders, Detropia and Escape Fire: The Fight to Rescue American Healthcare, respectively. The former, by Rachel Grady and Heidi Ewing, stares down the smoldering barrel that is post-industrial Detroit, and the latter sends Matthew Heineman and Susan Froemke on a sad expose of America's lucre-motivated medical care system, but not without a glimpse of possible remedies.
To feed the flames there's Eugene Jarecki's The House I Live In. In it, he assesses the merits of America's War on Drugs by tallying the toll that narcotics has taken on a family. Rory Kennedy reveals family tugs of another ilk in Ethel. Peep into the erstwhile guarded life of Ethel Kennedy and meet one of the dynasty's private and public personae. Or miss it and lose your peephole...
The charm and challenge of Full Frame is that films are screened only once, typically alongside two or so other choices unspooling at the same time in Durham's downtown theaters. Whether this succeeds in vesting a sense of urgency in each screening -- or in merely vexing Festival-goers -- is a toss up. What's clear is that the public has responded by a run on the box office. And come Sunday, April 15, there's also sure to be a run on the down-home barbecue at FFDFF's annual Awards shindig, where New Docs winners are announced.
Full Frame Documentary Film Festival
Screening Venues: Carolina Theatre, 309 West Morgan Street
Durham Convention Center, 201 Foster Street
Durham Arts Council, 120 Morris Street
PSI Theater Durham, Central Park 534 Foster Street