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The series’ accomplished cast is led by Emily Deschanel (Zooey’s older sister) as Brennan and David Boreanaz as FBI agent Booth. The Blu-ray’s image is excellent; extras include deleted scenes, a gag reel, featurettes and an audio commentary.
Both films look absolutely splendid on Blu-ray, especially the B&W compositions of Strangers and the amusing 3-D effects of Dial, which looks less good in 2D. Strangers extras include the preview version with two extra minutes, a commentary, making-of and other featurettes; the lone Dial extra is a retrospective featurette.
This special Blu-ray set contains the complete seasons 1 & 2, both featuring dramatically realized storylines and characterizations. Of course, the stunning physical production looks flawless on this stellar hi-def release. Extras include a full-length episode Christmas at Downton Abbey, and on-set featurettes Making of Downton Abbey, A House in History, Fashion & Uniforms, Romance in a Time of War and House to Hospital.
There’s also a relatively restrained performance by blonde bombshell Julia Dietze as an idealistic Nazi who learns the error of her ways thanks to a black US astronaut turned white by the bad guys (again, don’t ask). The Blu-ray image looks quite good; extras include an audio commentary, making-of featurette and on-set footage.
Besson tries turning her poignant story into one of his typical action flicks, but Michelle Yeoh’s elegant presence and a touching supporting performance by David Thewlis as her suffering British husband (and his twin brother!), The Lady scores dramatic and political points. The Blu-ray image is stellar; the lone extra is a making-of featurette.
Even though the original video elements have never been in good shape, the color movie looks sharp on Blu-ray; extras include a chatty McCartney commentary, new interviews with Paul and Ringo; and additional footage.
Jane Fonda (hip grandma), Catherine Keener (square mom) and Elizabeth Olsen (precocious granddaughter) are good enough to help viewers make it through 90 minutes. The Hudson Valley looks gorgeous on Blu-ray; the lone extra is a brief making-of.
A nasty self-abortion sequence isn’t for the squeamish, but Prometheus shrewdly favors mythmaking over scares, and with a solid cast—led by Charlize Theron, Noomi Rapace, Michael Fassbender and Idris Elba—and big-budget effects, Scott has made a diverting and even intelligent Hollywood movie. The Blu-ray image looks superb; extras include commentaries by Scott and by the writers, 36 minutes of deleted and alternate scenes and featurettes.
It was shocking that the movie flopped at the box office: for once the American moviegoing public showed their wisdom. The Blu-ray image looks fine; extras include several featurettes.
Director Josh Stolberg writes snappy dialogue that takes the place of credible characterizations, but the acting (especially by Julie Bowen, sexier and funnier than on Modern Family) that makes this 85-minute trifle watchable. Extras include director/producer commentary, 37 minutes of deleted scenes and 25 minutes of outtakes.
While Eva Longoria and Vanessa Williams are delectable, Teri Hatcher, Marcia Cross and Felicity Huffman appear to go through their well-worn paces. Extras include creator Mark Cherry’s final episode commentary, deleted scenes, gag reel and on-set interviews.
Despite Brody’s intensity (and good work by Marcia Gay Harden, Christina Hendricks and—as a young prostitute—the remarkable Sami Gayle), Kaye’s film suffers from dramatic overkill, which is his stock-in-trade: the subject matter is already depressing, but Kaye rubs our noses in it until the movie becomes overbearing. Extras comprise brief Kaye and Brody interviews.
Collins shows, in painstaking detail, how official corruption, media complicity and a bloodthirsty public teamed to destroy Paco’s (and six others’) lives. Extras include deleted scenes, interviews and an update on Paco’s fate.
In addition, the gritty locations and on-target supporting cast keep the show going through several familiar run-ins with bad guys, politicians and supervisors. Extras include interviews with Eve and writer Michael Crompton.
Jeff Goldblum and Sarah Silverman are hilariously profane in one episode, and Eliza Dushku is a kick-ass combatant in another: they are the highlights of the third season. Extras include a gag reel, deleted scenes and featurettes.
The intimate cameras let viewers concentrate on each musician in turn, and this quartet—singer Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon—is simply remarkable. Highlights are sparkling versions of “Drowned” and a Tommy medley. The only quibble is lack of surround sound, but if you crank it up, you won’t even notice.
The opener “Hell or Hallelujah” is a typically anthemic rocker, as is the following “Wall of Sound,” and “Freak,” and “Back to the Stone Age,” etc. It’s not bad for a bunch of aging rockers, but after awhile it sounds like one long song interrupted by a few seconds of silence between tracks. But you didn’t expect Destroyer, did you?
But energetic performances by the London Symphony Orchestra under sympathetic conductor Valery Gergiev (who certainly knows his way around Tchaikovsky’s colorful, melodic and rhythmic music) make the earlier symphonic trio—particularly, the second, Little Russian, and the third, Polish—come off superbly.