March '17 Digital Week IV

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Parent Category: Film and the Arts

Category: Reviews

Published on Tuesday, 28 March 2017 12:35

Written by Kevin Filipski

Blu-rays of the Week 

Blow-Up

(Criterion)

In 1966, Michelangelo Antonioni went to swinging London to make his first English-language film, a rare instance of the cultural zeitgeist being recorded, aside from its cinematic brilliance as a mystery and investigation into the power and truth of images. 

The Criterion Collection gives this historically important filmic time capsule the hi-def release it deserves: there’s a ridiculously good-looking Blu-ray transfer, and extras include archival interviews with Antonioni and actor David Hemmings, featurettes and a new making-of documentary, Blow Up of Blow-Up; and new interviews with actresses Vanessa Redgrave and Jane Birkin.

Cinema Paradiso

(Arrow Academy)

1989’s Oscar-winning Best Foreign Film, Giuseppe Tornatore’s semi-autobiographical reminiscence is perfectly—and honestly—sentimental, its story of a young boy who befriends the local movie projectionist and who leaves his small Sicilian village to become a world-famous director encapsulated in the yearning violin figures of Ennio Morricone’s most romantic score. 

The nearly three-hour director’s cut is repetitious but essential for understanding what Tornatore is after: despite its soap opera leanings, resistance is ultimately futile while viewing, especially when the irresistible Brigitte Fossey shows up near the end to steal the film. Fine hi-def transfers of the two-hour released cut and 173-minute director’s cut are included; extras include a Tornatore commentary, A Dream of Sicily documentary and featurettes.

The Creeping Garden 

(Arrow Academy)

This odd but compelling documentary by directors Tim Grabham and Jasper Sharp is a straight-faced exploration of strands of mold that multiply on their own, and those scientists and several artists who study and use such creeping masses of matter in their fields. 

Needless to say, the interviews and glimpses of the actual molds are fascinating throughout. The film looks fine on Blu; extras include directors’ commentary, Grabham short, featurettes and soundtrack CD.

Fantastic Beasts and Where to Find Them

(Warner Bros)

J.K. Rowling returns with a sort of Harry Potter spinoff based on her book about a British wizard, Newt Scamander, who arrives in 1926 Manhattan with magical creatures in his suitcase only to spend most of the movie trying to recapture them after they escape. 

Of course it’s silly and overlong, but there is a sense of tongue-in-cheek fun that permeates the film, especially when the strangely compelling creatures dominate its second hour. The film looks dazzling on Blu; extras are featurettes and deleted scenes.

Patriots Day 

(Lionsgate)

This forceful dramatization of the 2013 Boston Marathon bombing and aftermath is another skillful recreation of a real-life tragedy from the suddenly formidable team of star Mark Wahlberg—a convincing everyman—and director Peter Berg, collaborators on the true-life oil-rig thriller Deepwater Horizon who balance the larger canvas with humanizing personal stories. 

There’s also marvelous support from John Goodman, Kevin Bacon, Michelle Monaghan, J.K. Simmons and Alex Wolff, who plays the younger Tsarnaev brother with truly frightening intensity. The Blu-ray image is first-rate; extras comprise an hour of interviews and on-set featurettes that give a voice to the real people who were affected by that day and the performers who played them.

DVD of the Week

Just a Sigh

(Icarus/Distrib US)

Jerome Bonnell’s intimate character study of a French actress and a lonely Englishman who meet in Paris while both are in emotional distress has moments of ringing authenticity, but there’s little onscreen resonance despite the flavorful performances by two reliable actors, Emmanuelle Devos and Gabriel Byrne. 

The talented pair makes the most of the contrived scenario, providing some laughs, occasional tears and even the odd sighting of a real emotion that go beyond what’s called for in Bonnell’s slight script.

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