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The American Ballet Theater's Giselle at Lincoln Center

Hee Seo and Cory Stearns in Giselle. Photo: Gene Schiavone

 

The second week of American Ballet Theater's new season at Lincoln Center fulfilled the high expectations elicited by the opening night performance of Don Quixote, first with the stunning New York premiere of Alexei Ratmansky's Whipped Cream —which we hope to review next month—and, second, with an exquisite presentation on the evening of Thursday, May 25th, of the engrossing and perennially popular Giselle, set to the immortal score by Adolph Adam. Kevin McKenzie's staging with scenery by Gianni Quaranta is wholly conventional although not without its felicities, such as the lovely tutus of the supernatural wilis in the second act, designed by Anna Anni.

The beautiful and mesmerizing Hee Seo, who excelled on opening night as Mercedes in Don Quixote,astonished in the lead role. Her partner, Cory Stearns, who impressed as Basilio in Quixote,made a strong showing as Count Albrecht. The magnificent Veronika Part was riveting as Myrta, Queen of the Wilis.

The secondary cast was solid, with Patrick Ogle effective as Hilarion and Luciana Paris and Joseph Gorak both superb in the delightful Peasant Pas de Deux. Equally extraordinary were Katherine Williams and Zhong-Jing Fang as the otherworldly Moyna and Zulma, respectively. The superlative corps de ballet were simply resplendent.

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