The Summer of ’69 — Remembering Woodstock Musically

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Parent Category: Film and the Arts

Category: Reviews

Published on Saturday, 29 August 2009 23:47

Written by Lloyd Carroll

Every summer is special, but it seems as if the summer of 1969--and yes, I know it’s hard to believe that was 40 years ago — was particularly memorable. Canadian rocker Bryan Adams knew it when he did his huge 1985 hit “Summer of ’69,” in which he recollected memories of learning to play his first guitar and his first summer crush. That tune still gets a lot of play on classic rock stations. But when most of us think of that year, we think of the Miracle Mets, men walking on the moon, maybe the Manson murders — and certainly the most famous rock concert of all-time, Woodstock, the three-day festival held in upstate New York.

Various Artists
Woodstock
Woodstock Two
(Rhino)

Rhino Records has just reissued the long out-of-print triple vinyl albums, Woodstock and Woodstock Two that were originally released on Atlantic Records in the fall of 1970 and the spring of 1971, respectively. They’re now double-CD sets.

The Woodstock Music & Art Fair, also called the Woodstock Music and Arts Festival, was held from August 14 through 17 on Max Yasgur’s farm in Bethel. It was supposed to be a traditional for-profit concert, but it became a free event when security could not handle the nearly half-million fans who showed up. Promoter Artie Kornfeld was able to recoup some of his costs by selling the rights for a Woodstock movie to Warner Bros. Pictures.

It should be noted that both the Woodstock soundtrack and its sequel contain just a small portion of the music actually played at Yasgur’s farm. While the biggest rock acts of the day, such as the Beatles, the Rolling Stones and the Doors, passed on Woodstock, the Who, Blood, Sweat & Tears, the Jefferson Airplane, the Band, the Grateful Dead, Crosby Stills, Nash & Young and Creedence Clearwater Revival all played full sets.

CCR has always been involved in record company litigation, so it’s not surprising that none of their performances are on these albums. Capitol Records also refused to give up their rights to the recordings of the Band, so none of Robbie Robertson and company’s songs are here either. But a lot of great tunes are.

Neither Richie Havens nor Jimi Hendrix were well-known going into Woodstock, but they were legends after it. Hendrix’s behind-the-neck blistering guitar rendition of “The Star Spangled Banner” is, for my money, the most memorable take ever on Francis Scott Key’s tribute to American valor during the War of 1812. It’s tragic that Hendrix would live just barely more than a year after Woodstock.

The Vietnam War was certainly on the minds of everyone at Woodstock, and it’s safe to say that no one who made the trip to Sullivan County that weekend supported it. Folk singer Joan Baez certainly made her feelings known from the stage. A band called Country Joe & The Fish took a page out of the Stan Freberg and Tom Lehrer book of satire with “I Feel Like I’m Fixin’ To Die Rag,” which you can be sure was not a favorite of draft boards or President Nixon. Keeping the humor going was the ’50s doo wop revival group, Sha Na Na, formed at Columbia University, who played such anachronistic warhorses as “At The Hop” and “Teen Angel.” Both songs were only about a decade old at the time but seemed as if they were recorded in the Stone Age given the Woodstock atmosphere.

One New York-born band certainly played its part at Woodstock. Mountain, a so-so rock band that would have its lone hit a year later with “Mississippi Queen,” was led by Forest Hills High School alum Leslie Weinstein, known by the showbiz moniker Leslie West. Mountain played a dozen-song set on Woodstock’s second day.

No one epitomized the sunny disposition of “flower power” better than Astoria native Melanie Safka, better known simply as Melanie. Although she only sang three songs, one of them, the melodic “Beautiful People,” captured the egalitarian spirit of the hippie movement better than any other tune from Woodstock.

Sly & The Family Stone/Santana
The Woodstock Experience
(Columbia/Legacy)

Columbia Records’ Legacy division dug deep into the vaults to find the entire sets played by two of the label’s great performers at Woodstock, Santana and Sly & The Family Stone, and put them on two separate CDs that are part of a five-artist series.

 At the time, few outside of San Francisco had heard of Santana and namesake lead guitarist Carlos Santana. The band debuted their signature song, “Evil Ways,” to a national audience at the show. The fusion of rock and Latin soul on Santana staples like “Jingo” also was warmly received.

Sly & The Family Stone, whose soulful rock generated such hits as “Dance To The Music,” “Everyday People” and the concert-ready “I Want To Take You Higher,” got a heroes’ welcome from the Woodstock nation. It’s a shame the band didn’t play “Hot Fun In The Summertime,” a feel-good summer song if there ever was one, which was climbing the charts at the time. But what’s here is fun to listen to in any season.

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