Cinefantastique Spotlight: THE GREEN HORNET

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Parent Category: Film and the Arts

Category: Reviews

Published on Tuesday, 18 January 2011 05:00

Written by Daniel Persons

It’s all change, baby, and with that in mind we’re experimenting with the format of the podcast. We’ve stripped away the news and theatrical and homevid release segments, combining them with our weekly Post-Mortem bull session to form what will be called the Cinefantastique Round Table Podcast. What’s left, now dubbed the Cinefantastique Spotlight Podcast, will provide us with time to stretch out, unhinge our brains and mouths, and let the conversation about the week’s top release take us where it will.

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Kevin's January Digital Week II

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Parent Category: Film and the Arts

Category: Reviews

Published on Saturday, 15 January 2011 05:00

Written by Kevin Filipski

Blu-rays of the Week

Lebanon
(Sony)
Samuel Maoz, who served in the Israeli army during the 1982 Lebanon war, used his experiences as the basis of this spellbinding debut about war through the eyes of fighting men. The film, which spends 90 minutes inside a tank, makes us as terrified and claustrophobic as the men: we feel the safety of being inside while not knowing the dangers outside.

Maoz individualizes these soldiers: when someone dies or is gravely wounded, we too are deeply affected. Lebanon doesn’t preach or editorialize, instead presenting war’s insanity as a given. The stunning Blu-ray transfer unerringly recreates Maoz’s daring compositions; the lone extra is a featurette, Notes on a War Film.

The Naked Kiss
Shock Corridor
(Criterion)
Samuel Fuller made intermittently powerful melodramas with primitive means. These films (from 1964 and 1963, respectively) are typical Fuller: Kiss follows an ex-prostitute whose arrival makes her new neighbors uneasy, while Shock chronicles the mental decline of a reporter in an asylum to investigate a murder. The movies work effectively despite Fuller’s limitations, like casting lesser actors in what should be bravura parts.

Criterion’s Blu-ray releases present top-notch transfers of both B&W dramas, and extras include several interviews and The Typewriter, the Rifle and the Movie Camera, an hour-long documentary about Fuller featuring Tim Robbins, Jim Jarmusch, Martin Scorsese and Quentin Tarantino.

Wall Street: Money Never Sleeps (Fox)

Oliver Stone’s timely sequel to his 1987 original is a bit of an after-the-fact “told you so,” as anti-hero Gordon Gekko returns from prison to find that his Wall Street has become even worse. Michael Douglas returns as the scenery-chewing Gekko, but Carey Mulligan is wasted as his daughter and Shia LaBeouf is over his head as his future son-in-law/protégé.

No one shoots New York like Stone, and a terrific sense of the post-stock market collapse blues permeates his film, which glosses over many dramatic deficiencies. The super hi-def transfer shows off Rodrigo Prieto’s widescreen photography: among many extras, Stone’s commentary is worth a listen, and the deleted and extended scenes (with more Stone commentary) are worth a watch.

DVDs of the Week

Frontline: Death by Fire
The Spill
(PBS)
This PBS series is known for its provocative, incendiary programs, and these two are no exception. Death by Fire recounts the questionable death-penalty verdict against a Texas man accused of arson in the fire that killed his three children; The Spill explores the abysmal safety record of BP even before the Deepwater Horizon disaster.

Both programs are decidedly one-sided, even if they give the other side a chance to speak, but so what? They make plentiful points about mistakes made by fire investigators in Texas and BP executives (also in Texas, coincidentally): as always, Frontline provides filling food for thought. No extras.

How to Get Ahead in Advertising
(Image)
Richard E. Grant’s manically comic performance as an ad man succumbing to his profession’s pressures by growing an evil twin who takes over career and marriage makes Bruce Robinson’s funny but one-note satire worth seeing. Back in 1989, Robinson was a big deal, having just made the cult hit Withnail & I; and Advertising has some good moments thanks to Grant, who even makes the big final monologue comic nirvana.

Rachel Ward (always an underrated actress because of her beauty) lends superb straight-woman support, yet both she and Grant are bogged down by Robinson’s too-literal evocation of split personality. No extras.

CD of the Week

Bastianello/Lucrezia
(Bridge)
These two chamber operas were commissioned by the valuable New York Festival of Song (NYFOS), and this recording captures their charm, and the fun the five singers and two pianists have performing these delectable scores. John Musto’s Bastianello skips around varied styles retelling a fractured Italian folktale, while William Bolcom’s Lucrezia has a ravishing zarzuela sound retelling its story of an Italian opera heroine.

Many new operas barely are heard after their premieres, so thanks to NYFOS pianists Michael Barrett and Steven Blier for recording them. Now will they be performed again live, preferably with a full knockabout production?

Kevin's January Digital Week I

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Parent Category: Film and the Arts

Category: Reviews

Published on Monday, 10 January 2011 05:00

Written by Kevin Filipski

Blu-rays of the Week
Howl
(Oscilloscope)
Co-writers/co-directors Rob Epstein and Jeffrey Friedman’s recreation of Allen Ginsberg’s life and art, and the San Francisco obscenity trial concerning his book of poems, Howl, is a vivid if not completely successful glimpse at the American counterculture. If the clever animated sequences don’t fully convey the adventurousness of Ginsberg’s poetry, James Franco fully embodies the charismatic beat poet in a performance that ranks among the year’s finest. Oscilloscope’s superb package includes Howl on Blu-ray (where it looks terrific) and DVD, with contextualizing extras: interviews, Q&A, making-of featurette and readings by Franco and Ginsberg himself.

Lennonyc
(A&E)
Michael Epstein’s recounting of John Lennon’s last tumultuous decade—when he and wife Yoko Ono lived in New York, where he was killed in 1980—might not contain revelations for real fans, but there’s enough of John’s lancingly truthful statements and brilliant musicmkaing to compensate. Since Ono herself was involved, there is some whitewashing, but the former Beatle’s tragic story remains compelling and heartbreaking. On Blu-ray, the movie looks and sounds better than on DVD or PBS (where it first aired after its NY Film Festival premiere), and there are 20 minutes of deleted interview snippets.

DVDs of the Week
Enemy at the Door: Series 2
(Acorn Media)
This historically accurate, dramatically involving 1980 British mini-series continues the story of the inhabitants of the Channel Islands (British territory off the northern coast of France) which became the only English land that fell to the Nazis. This 13-episode, 11-hour chronicle tells many stories of invaders and victims, including those who continued to fight and those who worked with the Germans. Superbly acted by an unknown cast (even if faces look familiar), Series 2, absorbing on its own, is with Series 1 an epic that should not be missed.

The Last Exorcism
(LionsGate)
This modestly effective chiller depends heavily on the original Exorcist for subject matter (and title) and The Blair Witch Project for its “look.” Like William Friedkin’s masterpiece, The Last Exorcism begins as a psychological study, then morphs into blood-and-thunder horror; like Blair Witch (and countless others since), it’s a faux-documentary, down to the very ending, which nakedly apes Blair Witch’s finale. Those who don’t know the other films might get more out of this shopworn material, but it’s too heavy-handed and inelegantly done for the rest of us. Extras include two commentaries, making-of featurette and interviews with participants in actual exorcisms.

Who Is Harry Nilsson (and Why Is Everyone Talking About Him)? (Lorber) – The sad life of Harry Nilsson—called by no less than the Beatles as the best American singer-songwriter—is examined in this perceptive documentary by director John Scheinfeld. Nilsson (who died in 1994 at age 52) was a singular talent, but his obsessiveness led him down alleys like alcoholism and an inability to perform live. Interviews with family,  friends, collaborators and admirers create a comprehensive portrait of a misunderstood man and artist, however tortured—that the movie concentrates on his genius and humanity is to its credit. Extras include 90 minutes of deleted scenes and interviews.

CD of the Week
Jeremy Denk Plays Ives
(Think Denk Media)
Charles Ives’ exceptionally difficult music has adherents but remains at the fringes of the repertoire. But Jeremy Denk fearlessly dives into the depths of his rarely-heard and towering piano sonatas—and survives! Denk makes sense of what on the page or in the wrong hands seems nonsensical. The first sonata is a series of unrelated snapshots (or as Denk says in his liner notes, “crosscutting” between scenes as if Ives was a film director); the massive second, Concord, Mass., 1840-1860, encompasses mid-19th century literature with four movements titled “Emerson,” “Hawthorne,” “The Alcotts” and “Thoreau” (the last features flutist Tara Helen O’Connor). Ives will never be accessible to many ears, but for those who are willing, Denk’s dynamic pianism makes an essential tour guide.