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Film and the Arts

Film Review: "The Lone Ranger"

"The Lone Ranger"
Directed by Gore Verbinski

Starring Armie Hammer, Johnny Depp, William Fichtner, Ruth Wilson, Helena Bonham Carter, Tom Wilkinson, James Badge Dale, Barry Pepper, Mason Cook
Action, Adventure, Western
149 Mins

PG-13

One of the many problems The Lone Ranger faces is that it doesn't feel modern. The Wild West that audiences have begun to again embrace with films like True Grit and Django Unchained thrive not because of their niche western setting but because of their steadily unique voice. In a genre where everything has been done before, they divided and conquered simply by doing something audiences haven't seen before.

In The Lone Ranger, everything feels retread, tired, and ready to boot. As a winking tribute of sorts, it works to an extent, but tonally it's stretched like an old rubber band ready to snap. The souring riff on the noble savage, played with tone-deaf readiness by Hollywood's favorite eccentric, Johnny Depp, is off-putting, head-scratching, mildly offensive and entirely dated. The kitschy elements of the 1930s icon could have been celebrated and preserved, even in light of a modernized overhaul, but instead director Gore Verbinski and go-to cohort Johnny Depp have gone for broke and come up with bags of sand.

Read more: Film Review: "The Lone Ranger"

June '13 Digital Week V

Blu-rays of the Week


Call the Midwife—Complete Season 2
(BBC Home Entertainment)
In this series’ second season, more babies are born as midwife Jenny Lee continues doing God’s work in the poorest areas of London. This is a show that’s unafraid to be sentimental and melodramatic, but even if it leaves me cold, the acting is of such high caliber that it works to a point as soap opera.

Read more: June '13 Digital Week V

Film Review: "The Heat"

"The Heat"
Directed by Paul Feig
Starring Melissa McCarthy, Sandra Bullock, Demián Bichir, Marlon Wayans, Michael Rapaport, Thomas F. Wilson, Tony Hale, Kaitlin Olson
Action, Comedy, Crime
117 Mins
R

After working on television series such as The Office, Weeds and Bored to Death, director Paul Feig emerged as a voice for a very particular brand of female comedy with Bridesmaids that has extended somewhat over into The Heat, but the ruse is up. Attempting to subvert status quo, Feig has executed a whitewash rebranding of the female comedy, collapsing gender norms and racial stereotypes into a generic mass so indistinct and overextending that it'll be a miracle if he hasn't set back the female comedy 20 years. While there are genuine moments of laugh-out-loud comedy to be had throughout, the female buddy cop angle is overdone and coated in a saccharine glaze. Top that off with a ceaseless dose of broad and overbearing comedy, a total of exactly 190 useless f-bombs and "action" situations so fantastical that the sense of stakes melts in your mouth like a filet mignon and you have a film just beating you over the head with a dead fish to the point of surrender.

Read more: Film Review: "The Heat"

Off-Broadway Roundup: “Far from Heaven” and “The Explorers Club”

O'Hara and Johnson in Far from Heaven (photo: Joan Marcus)

Far from Heaven
Book by Richard Greenberg; music by Scott Frankel; lyrics by Michael Korie
Directed by Michael Greif

Performances through July 7, 2013

The Explorers Club
Written by Nell Benjamin; directed by Marc Bruni
Performances through July 21, 2013

Todd Haynes’ 2002 film Far from Heaven, a ham-fisted, obvious melodrama modeled after director Douglas Kirk, is set in 1957 and filled with visual and thematic allusions to Sirk’s ‘50s pictures. That Haynes deals with Serious Issues—homosexuality and interracial relationships were taboo then—only makes his movie more manipulative, not any more meaningful.

Read more: Off-Broadway Roundup: “Far from...

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